You might not know this about our Line Producer Jackie Martin, but she is an Air Force Veteran who served from 2000-2005.

On The Takeaway, she has produced segments about “Other Than Honorably” Discharged LGBTQ+ Veterans who were discriminated against and discharged due solely to their sexual orientation, gender identity or HIV status. On top of that, she has coproduced a number of other segments about sports, politics, and culture.

"After she left the AirForce she began her career in radio, where she worked for Howard Stern, and the SiriusXM sports channels. Jacklyn joined the Takeaway in January 2020 and has led production on a number of stories. She is the mother of two and enjoys traveling with her family, visiting every Major League Baseball stadium across the U.S. is her goal, and she also enjoys hiking, biking, or any outdoor activity."

Jackie is thoughtful and empathetic, and most of all, unparalleled in the speed and quality of her work on the show. That is why we want to thank her for all her work and wish her all the best in her future endeavors. 

Over the years, The Takeaway has seen a long list of rotating staff made up of intrepid, outspoken journalists and producers.

That list does not include Vince Fairchild who is a 'Takeaway veteran' in every sense of the word. Vince has worked as a broadcast engineer on the show since its first year on air in 2008 and now serves as our Senior Broadcast Engineer. 

"He fact checks like no other. He sound designs with mastery. And he’s so good that when our Director Jay Cowit is out, Vince slides right into the director’s chair with aplomb."

For those who know Vince, they know he is regarded as a quiet yet formidable leader. What that means is when he chooses to speak, Team Takeaway always listens. Melissa chatted with Senior Broadcast Engineer Vince Fairchild about The Takeaway as our final show approaches June 2nd. 

Vince, we're sending you all the love and appreciation for what you've done. 

We went behind-the-scenes with our control room team: Jay Cowit, Vince Fairchild and Jackie Martin to find out how The Takeaway gets made every day.

Then, we got a 1-on-1 conversation between show host Melissa Harris-Perry and Director Jay Cowit who's been working on the Sound design of The Takeaway for nearly 15 years now.

"Jay has been with The Takeaway since its on-air inception in 2008, and has been the Show Director, Technical Director, and sound designer since 2009...He is responsible for the show's aural style, including, but not limited to, selecting the music used on the show, mixing interviews, producing the daily podcast version of the show, and creating sonic design used to convey news concepts."

For more than a decade, Jay has carried the sonic vision of the show to its highest quality possible and for that, we thank him for all his leadership and work.

As the Takeaway comes to an end, we get one last set of movie prescriptions from Kristen Meinzer, a culture critic and host of the podcast "By The Book" and Rafer Guzman, a film critic for Newsday, and they bring us movie prescriptions about embracing change and fresh starts.

Together Kristen and Rafer are the co-hosts of the podcast, Movie Therapy.

Barb and Star Go To Vista Del Mar, 2021

When middle aged best friends Barb and Star lose their jobs, they decide that a restorative vacation in Vista Del Mar is just what they need to help them ease into the next chapter. But things don't go quite as planned - with mysterious men, villains, and more throwing monkey wrenches into their getaway. Fortunately their friendship, optimism, and sense of humor keeps them strong and ready for anything that's thrown their way. The movie stars Kristen Wiig and Annie Mumolo. 

The lesson: Things in life don't always go as planned. Sometimes we lose a job, and then things get worse from there. But leaning on our friends, and laughing at the absurdity of life can make it all more manageable. 

Sister Act, 1992

Whoopie Goldberg stars as a nightclub singer who's forced to go into witness protection in a convent after witnessing a mob hit. While there, she struggles with the regimented life of the nuns. But thanks to her outstanding musical talents and charisma, she's able to turn the convent choir into a soulful chorus complete with a Motown repertoire.

The lesson: Sometimes we're thrown into situations that feel wildly out of our purview. But that doesn't mean we can't handle them. In fact, those situations combined with our unique skills mean that we might excel in new ways. 

Joan Rivers: A Piece of Work, 2010

This documentary follows one year in the life of Joan Rivers. It was filmed when Rivers was 75, and coming out of what she considered a down year...after 40+ years of ups and downs as an actor, writer, and comedian. Along the way, she reveals some of her darker moments, biggest struggles, and incredible work ethic...along with lots of her biting wit. 

The lesson: Even a legend like Joan Rivers has had lots of down years...times that could have broken her...but she chose to keep working, evolving, and trying new things. I'll also add that this film has a special place in my heart because when she was on her press tour for it, Rafer and I got to interview her...and she ended up being our first celebrity interview for the Movie Date podcast.

Harold and Maude, 1971

This is kind of the original cult movie, from 1971 -- before Rocky Horror, before Pink Flamingos, there was Harold and Maude. It’s the story of Harold, played by Bud Cort, and he’s a very rich, very mobrid young man who spends most of his time staging fake suicides to upset his mother. He hangs himself, cuts his throat, immolates himself and so on. For fun he attends random funerals, and that’s where he meets an 80-year-old woman named Maude, played by the great Ruth Gordon. And Maude is a rebel, even kind of an outlaw -- she's kind of a hippie, she poses nude for artists and for some reason she love to steal cars. She just loves to live. And these two start a friendship and despite their vast age difference, they fall in love.

There was a time when you could see this movie at an art-house theater just about once a week, and I pretty much did, but I think it got oversaturated and it’s really fallen off the radar these days. But I think it’s worth revisiting. I like this movie because it seems morbid and perverse, and the humor is very dark. But as it goes on, it gets more and more tender and sincere, and these two characters start to feel very real. And in the end, Maude changes Harold, she gives him a new way of looking at life, she gives him a new spirit and she gives him a new way of expressing himself. She teaches him to play the banjo (and like Steve Martin always said, it’s impossible to be in a bad mood when you play a banjo.) And the final scene in the movie, which involves that banjo, it's a really hopeful, happy scene that tell us Harold is about to embark on a whole new life.

Castaway, 2000

Probably most adult humans have seen Castaway but just to refresh you: Tom Hanks plays a guy named Chuck Noland. Happy, likeable guy, works for Fed Ex, he has a girlfriend, played by Helen Hunt, they’re both deeply in love. He’s really got it all. And then he’s in a plane crash. He wakes up on a tiny island, somewhere in Pacific Ocean, surrounded by junk and debris from the plane, completely alone. And he’s stuck there for FOUR YEARS. And of course, the most famous thing about this film is probably Wilson, a soccer ball that becomes Chuck’s best friend as Chuck starts to go a little crazy.

The scenes that always get me are in the second half of the film. Spoiler alert, Chuck gets rescued. And now he’s facing a world that moved on without him. His girlfriend is married! She thought he was dead, so she he had to move on. (What a scene that is -- I can’t believe Hunt didn’t get an Oscar nomination for that.) Anyway, in these scenes, Chuck actually starts to miss his life on the island. He misses sleeping on the hard ground, he misses the act of trying to spear a fish for food. And that really struck me as true. The thing about people is, they can adapt to anything. And once they do, they love it. But then things change and you have to adapt again. So I guess the lesson of this film is that no matter where you are, you aren’t at the end, you’re always in the middle. You’re always between the past and the future. But if you want to keep living, you’ve got to get to that next future.

Inside Out, 2015

I loved this movie so much back in 2015 that I just fell all over myself praising it. I’m pretty sure it was number one on my top ten that year. It’s the story of two emotions, one named Joy, with the voice of Amy Poehler, and one named Sadness, voiced by Phyllis Smith. And this is your classic Pixar buddy comedy, with two opposing personalities, and it all takes place in these imaginary realms of your brain and your personality, like the Train of Thought and Friendship Island and Dream Productions, which is basically a movie studio in the mind. And it does a great job of bringing abstract concepts to life in these really, clever funny ways.

But the reason I picked this movie is because Joy and Sadness live in the brain of a pre-teen girl named Riley. Her family has just moved from Minnesota to San Francisco when her father gets a new job. It’s a huge change, Riley doesn’t want to leave her old life, and she’s afraid of what her new life might be. So what we’re seeing as Joy and Sadness go on their adventure, is what’s happening in the mind of Riley as she grapples with change. And I really like how this movie shows that Sadness is important -- you have to feel it, you have to express it, and you can’t just bury it or shut it off, if you’re going to move forward on to the next thing.

Original Air Date: August 30, 2022

More than 55,000 people across the U.S. are incarcerated with the sentence of life without the possibility of parole. This population been rising sharply in the past few decades, with an increase of 66% since 2003, according to research by The Sentencing Project.

For those who are sentenced to live and die behind prison walls, there is a sense that they have been forgotten. But a new project is documenting some of their stories: The Visiting Room Project features interviews with more than 100 men who are serving with life without parole at the Louisiana State Penitentiary, better known as Angola.  

The Takeaway spoke with Project co-creator, Dr. Marcus Kondkar of Loyola University New Orleans, and with Mr. Arthur Carter, who was recently released from Angola after his life without parole sentence was reduced.

"I think that once you get a chance to see this is the person that the taxpayers are still holding in prison, I think the question should resonate: why they still are? Why are they still serving life sentences with no possibility of going home?" said Mr. Carter.

On Friday, June 2, we will broadcast our final episode. 

As we head into these final days, we are taking the time to pause and show a little gratitude for the extraordinary team of producers who make The Takeaway every day. 

Today, we are hailing our Senior Producer: Shanta Covington. Shanta and Takeaway host Melissa Harris-Perry have been working on media projects together for over a decade now.

They first met when Melissa worked as a tv host on MSNBC's MHP Show (2012-2016). Shanta was a guest booking producer for the network with a profound impact. On the MHP show, she helped shape critically momentous coverage of things like the 2012 murder of Trayvon Martin and unrest in Ferguson following the police killing of Michael Brown. 

WATCH: A Decade of Racial Violence | Melissa Harris-Perry 

On The Takeaway, she co-produced award-winning segments, like our interview with feminist hip hop journalist and filmmaker of "Surviving R. Kelly," dreamhampton.

"She is a passionate content creator and storyteller with more than 20 years in television/digital/film production as well as photography. She loves great movies, great stories and of course great content. In addition to her work for the Takeaway at WNYC, she owns and operates her own photography and video company."

In less than a year of producing radio for the very first time, she went from a temporary producer to the show’s sole senior producer and has led the show's team of associate producers and temporary producers tirelessly.

That's why Team Takeaway is sending her all the love and gratitude in this Producer Appreciation segment. 

The mounting death toll from the opioid crisis in the United States continues to wreak havoc in cities, towns, and rural communities across the nation. Over the past two decades, the number of people dying from opioid overdoses in New York, and across the United States, are rising each year. 

But there is something that some public health experts say could help. Narcan, the brand name for the drug naloxone, is an overdose prevention tool that anyone can use. It’s a simple nasal spray, it's legal, it’s pretty quick and easy to learn how to use, and it can reverse the effects of opioid overdose, and potentially save a life.

In March, the Food and Drug Administration authorized over the counter sales of Narcan, making a potentially live-saving drug even more widely available. A CDC study from 2020 found that nearly 40 percent of overdose deaths occurred while another person was nearby — which means the more people carrying Narcan, the better chance there is of saving a life.

Takeaway producer Katerina Barton reports, and spoke with Joanna Kaufman, a nursing student, full spectrum doula and priestess in training, living in Santa Fe, New Mexico, whose brother, Benjamin, died in 2019 from a fatal opioid overdose. Katerina also received a Narcan training from Elena Rotov, an overdose prevention coordinator, Hep C/HIV tester, and Hep C coordinator at the Brooklyn-based harm reduction center After Hours Project.

Narcan is currently accessible and mostly distributed outside of the traditional health care system from nonprofits and harm reduction organizations. It is also available in some states at participating pharmacies. Most cities offer free community Narcan trainings, where you will receive a free dose of Narcan, and you can also find trainings at nonprofits and harm reduction organizations near you, and online.New York City Public Overdose Prevention Programs

A group of dancers working at the Star Garden Topless Dive Bar in North Hollywood, Los Angeles, just won their battle to form the only current union for strippers in the country. Since being locked out on the job in March 2022, the dancers held a strike and picket for eight months before officially voting to unionize with Actors' Equity in November. But club management challenged the vote, prompting the National Labor Relations Board to set a hearing for May 15, 2023. Yet over this past weekend, the owners agreed to come to the table and recognize the union vote — handing the dancers a historic victory.

We speak with Reagan, a dancer and union organizer with the Star Garden Topless Dive Bar dancers, about the months leading up to this moment and what's next for the new union.

Click here to listen to our previous conversation with Reagan in August 2022.

Ruth E. Carter made history when she became the first Black costume designer to win an Oscar, and the first Black woman to win two Oscars, both for her work on Marvel’s Black Panther franchise. She’s been the premier designer for movies that portray iconic Black characters and cultures for three decades, having worked with the likes of Spike Lee, Denzel Washington and Ava DuVernay even before her Black Panther triumphs. Carter recounts pivotal moments and reflects on her career in a new book, "The Art of Ruth E. Carter: Costuming Black History and the Afrofuture, from Do the Right Thing to Black Panther," from out May 23rd.

Carter sat down with The Takeaway to talk about her visions of Black history and for Afrofutures.

The Writers Guild of America, which has over 11-thousand members, is entering week its third week of a work stoppage.  This is the first strike in 15 years, and comes at a time when the TV and film industry has seen some major changes in recent years. Amongst their demands, writers are seeking higher wages, better residuals, and assurances on the use of AI.

First we hear from Monice Mitchell Simms, TV writer, screenwriter, author, producer and a member of the Writers Guild of America, who has been on the picket lines in Los Angeles.

Then we speak with Alex Press, labor reporter and staff writer at Jacobin Magazine