Queerness, labels, and allyship are central themes in this moving collection of stories set in Turkey, where Middle Eastern and Euro-American expressions of identity collide and naming one's orientation is a fraught endeavor. An eleven-year-old undergoes hand surgery that will allow him to wear a wedding ring in adulthood. Two college roommates reach an erotic understanding as they indulge in dessert. A sex worker travels with an American same-sex marriage activist through the Aegean countryside. A passionate hookup during Istanbul Pride ends in tear gas. Two friends' tempers flare over cold red wine on a hot summer night by the Dardanelles. A father bonds with his son and his son's drag-queen boyfriend over classic Turkish cinema on the Mediterranean coast.

In Sweet Tooth and Other Stories (UP of Kentucky, 2024), Serkan Görkemli weaves together interconnected narratives of four Turkish characters—Hasan, Gökhan, Nazlı, and Cenk—who search for clarity, love, and acceptance amid social change. Set in a rich mixture of urban and rural locales, the stories take place from the 1980s through the 2010s against the backdrop of Turkey's transition from military-backed secularism to the rise of the religious right, local and global media representations of queer individuals and culture, and the emergence of affirming LGBTQ+ identities. Görkemli creates a complex, engaging network of plots about his characters' struggles and triumphs in navigating families, communities, and themselves. Braving discrimination, they strive to embrace their identities and find joy, solace, and approval within a society that marginalizes who they are and how they love.

Serkan Görkemli (he/him) is the author of two books: Sweet Tooth and Other Stories (University Press of Kentucky) and Grassroots Literacies: Lesbian and Gay Activism and the Internet in Turkey (SUNY Press; winner of the 2015 Lavender Rhetorics Book Award presented by the Conference on College Composition and Communication). His creative nonfiction is forthcoming in Image; his fiction has appeared in Ploughshares, the Iowa Review, Epiphany, X-R-A-Y Literary Magazine, Joyland, Foglifter, and Chelsea Station. He was a 2023-24 faculty fellow at the University of Connecticut Humanities Institute, a contributor in fiction at the 2019 Bread Loaf Writers’ Conference, and a fiction fellow at the 2018 Lambda Literary Writers Retreat. Originally from Türkiye, he has a PhD in English from Purdue University and is an associate professor of English at UConn Stamford.

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Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality.

The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.

In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.

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One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.

In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.

Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.

Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.

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"To everything there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted."—Ecclesiastes 3:1–2

The Appalachian region is deeply rooted in customs that have been handed down for generations. "Planting by the signs," a practice predicated on the belief that moon phases and astrological signs exert a powerful influence on the growth and well-being of crops, is deemed superstitious by some but has been considered essential to gardeners and farmers for centuries and is still in use today.

Sown in the Stars: Planting by the Signs (UP of Kentucky, 2023) brings together the collective knowledge of farmers in central and eastern Kentucky about the custom of planting by the signs. Sarah Hall interviews nearly two dozen contemporary Kentuckians who still follow the signs of the moon and stars to guide planting, harvesting, canning and food preservation, butchering, and general farmwork. Hall explores the roots of this system in both astrology and astronomy and the profound connections felt to the stars, moon, planets, and the earth. Revealed in the personal narratives are the diverse interpretations of the practice. Some farmers and gardeners believe that the moon's impact on crop behavior is purely scientific, while others favor a much wider interpretation of the signs and their impact on our lives. Featuring photographs by Meg Wilson, this timely book bridges the past, present, and future by broadening our understanding of this practice and revealing its potential to increase the resiliency of our current agricultural food systems.

Sarah L. Hall is associate professor of agriculture and natural resources at Berea College. Her scholarly articles on the restoration of native forests and grasslands in Kentucky have been published in a wide range of journals, including Restoration Ecology and New Forests.

Candy Boatwright is currently studying for a M.A. History degree at Clemson University. Her research focus is early South Carolina trade and commerce. She is also interested in material culture and memory. A long-time resident of the upstate she enjoys hiking and exploring the natural beauty as well as the historical places of South Carolina. Her personal website is www.candyrboatwright.net/blog and she is also on Twitter at @CandyBoatwright.

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By the early 1950s, Jane Russell (1921–2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star.

Christina Rice offers the first biography of the actress and activist perhaps most well-known for her role in Gentlemen Prefer Blondes (1953). Despite the fact that her movie career was stalled for nearly a decade, Russell's filmography is respectable. She worked with some of Hollywood's most talented directors―including Howard Hawks, Raoul Walsh, Nicholas Ray, and Josef von Sternberg―and held her own alongside costars such as Marilyn Monroe, Robert Mitchum, Clark Gable, Vincent Price, and Bob Hope. She also learned how to fight back against Howard Hughes, her boss for more than thirty-five years, and his marketing campaigns that exploited her physical appearance.

Beyond the screen, Rice reveals Russell as a complex and confident woman. She explores the star's years as a spokeswoman for Playtex as well as her deep faith and work as a Christian vocalist. Rice also discusses Russell's leadership and patronage of the WAIF foundation, which for many years served as the fundraising arm of the International Social Service (ISS) agency. WAIF raised hundreds of thousands of dollars, successfully lobbied Congress to change laws, and resulted in the adoption of tens of thousands of orphaned children. For Russell, the work she did to help unite families overshadowed any of her onscreen achievements.

On the surface, Jane Russell seemed to live a charmed life, but Rice illuminates her darker moments and her personal struggles, including her empowered reactions to the controversies surrounding her films and her feelings about being portrayed as a sex symbol. Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend (UP of Kentucky, 2021) offers a fresh perspective on a star whose legacy endures not simply because she forged a notable film career, but also because she effectively used her celebrity to benefit others.

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What Things Cost: An Anthology for the People (UP of Kentucky, 2023) is the first major anthology of labor writing in nearly a century. Here, editors Rebecca Gayle Howell & Ashley M. Jones bring together more than one hundred contemporary writers singing out from the corners of the 99 Percent, each telling their own truth of today's economy. In his final days, Rev. Dr. Martin Luther King Jr. called for a "multiracial coalition of the working poor." King hoped this coalition would become the next civil rights movement but he was assassinated before he could see it emerge as the Poor People's Campaign, now led by Rev. Dr. William J. Barber II and Rev. Dr. Liz Theoharis. King's last lesson--about the dangers of dividing working people--inspired the conversation gathered here by Jones and Howell. 

Fifty-five years after the assassination of King, What Things Cost collects stories that are honest, provocative, and galvanizing, sharing the hidden costs of labor and laboring in the United States of America. Voices such as Sonia Sanchez, Faisal Mohyuddin, Natalie Diaz, Ocean Vuong, Silas House, Sonia Guiñansaca, Reginald Dwayne Betts, Victoria Chang, Crystal Wilkinson, Gerald Stern, and Jericho Brown weave together the living stories of the campaign's broad swath of supporters, creating a literary tapestry that depicts the struggle and solidarity behind the work of building a more just America.

All proceeds from the book will be donated to the Poor People's Campaign.

Stephen Pimpare is director of the Public Service & Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.

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In 1942, the US government began construction on a sixty-thousand-acre planned community named Oak Ridge in a rural area west of Knoxville, Tennessee. Unmarked on regional maps, Oak Ridge attracted more than seventy thousand people eager for high-paying wartime jobs. Among them was author Emily Strasser's grandfather George, a chemist. All employees—from scientists to secretaries, from military personnel to construction workers—were restricted by the tightest security. They were provided only the minimum information necessary to perform their jobs.

It wasn't until three years later that the citizens of Oak Ridge, and the rest of the world, learned the true purpose of the local industry. Oak Ridge was one of three secret cities constructed by the Manhattan Project for the express purpose of developing the first atomic bomb, which devastated Hiroshima on August 6, 1945.

In Half-Life of a Secret: Reckoning with a Hidden History (UP of Kentucky, 2023), Emily Strasser exposes the toxic legacy—political, environmental, and personal—that forever polluted her family, a community, the nation, and the world. Sifting through archives and family memories, and traveling to the deserts of Nevada and the living rooms of Hiroshima, she grapples with the far-reaching ramifications of her grandfather's work. She learns that during the three decades he spent building nuclear weapons, George suffered from increasingly debilitating mental illness. Returning to Oak Ridge, Strasser confronts the widespread contamination resulting from nuclear weapons production and the government's disregard for its impact on the environment and public health. With brilliant insight, she reveals the intersections between the culture of secrecy in her family and the institutionalized secrecy within the nuclear industry, which persists, with grave consequences, to this day.

Emily Strasser: Emily Strasser is a writer based in Minneapolis, Minnesota. She received her MFA in nonfiction from the University of Minnesota. Her work has appeared in Catapult, Ploughshares, Guernica, Colorado Review, The Bitter Southerner, The Bulletin of Atomic Scientists, Gulf Coast, and Tricycle, among others, and she was the presenter of the BBC podcast “The Bomb.” Her essays have been named notable in Best American Essays 2016 and 2017 and nominated for a Pushcart Prize. She was a winner of the 2015 Ploughshares Emerging Writer’s Contest, a 2016 AWP Intro Award, a 2016 Minnesota State Arts Board Artist’s Initiative Grant, and the 2016 W.K. Rose Fellowship from Vassar College. She served as a 2018-19 Olive B. O’Connor Fellow in Creative Writing at Colgate University and a 2019 McKnight Writing Fellow.

Cody Skahan ([email protected]) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, anarchism, cultural studies, anime, and applying theory through praxis. Cody has a blog where he is trying to write more rather than just only read and talk about books.

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Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood.

In Jayne Mansfield: The Girl Couldn't Help It (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider.

By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident.

Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest.

Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE).

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In his latest book, Lawrence Tierney: Hollywood's Real-Life Tough Guy (The University of Kentucky Press, 2022) Burt Kearns explores the life of actor Lawrence Tierney (1919-2002) whose natural swagger and gruff disposition made him the perfect fit for the Hollywood "tough guy" archetype. Known for his erratic and oftentimes violent nature, Tierney drew upon his bellicose reputation throughout his career--a reputation that made him one of the most feared and mythologized characters in the industry. Born in Brooklyn to Irish American parents, Tierney worked in theatre in New York before moving to Hollywood in 1943 where he signed with RKO Radio Pictures. His biggest roles would come in Dillinger (1945), in which he played 1930s gangster and bank robber John Dillinger, and Robert Wise's film noir classic Born to Kill (1947). Despite his natural talents Tierney was trouble from the start, struggling with alcoholism and mental instability that emboldened him to start fights whenever and wherever he could. The continued bouts of alcohol-fueled rage, his subsequent stints in jail, and his continued attempts at rehabilitation curtailed his acting career. 

Unable to find work throughout much of the 1960s, he did a stint in Europe before eventually returning to New York where he took odd jobs as a construction worker, bartender, and hansom cab driver. In the mid-1980s Tierney returned to acting. With a somewhat cooler head, he established himself again with recurring roles in shows such as Seinfeld and Star Trek: The Next Generation. He would take on his final projects as a septuagenarian in Reservoir Dogs (1992) and Armageddon (1998), where his on-set behavior would once again draw the ire of his colleagues and studio representatives. He would go down swinging just shy of his 83rd birthday, his tough-guy image solidly intact until the end. Kearns explores Tierney's storied life from his days as Dillinger, to his clash with Quentin Tarantino at the end of film career, and his final public appearances. The first official biography of the late personality, the book draws on the writings of Hollywood reporters and gossip columnists who first reported on Tierney's antics, and exclusive interviews with surviving colleagues, friends, family members--and victims. Through their words and his research, Kearns paints a portrait of Tierney's brutish behavior and the industry's reaction to the pugnacious star, drawing parallels--and the line--between the man and the characters that made him a Hollywood legend. 

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019)

A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback’s eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s.

In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California’s premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer’s obsession with racing, producing one of America’s most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire’s late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.)

Finally, Shuback analyzes the decline of both industries. It’s a sad note, but one that leaves you grateful for the memories.

Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009.

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