We're back from the holiday break! (Sort of.) This interview with the inimitable Mike Pesca was recorded on Boxing Day and released right away to paying subscribers. Now it's available to everyone. Host of The Gist and author of the newsletters Pesca Profundities and The Gist List, Mike has turned the humble "bonus segment" into a multi-level rmarketing scheme multi-tiered pricing philosophy. How does he do it? We'll find out! We also talk about the hardest part of the creator economy (discovery), the incentives that reward martyrdom and outrage, and, most of all, Mike's December 26 Substack post No One's Nice To Bari Weiss. The CBS News editor-in-chief has been all over the headlines this past week after spiking delaying a 60 Minutes segment on CECOT, the notorious El Salvador terrorist prison, that was on the cusp of airing. Is it because the segment needed to "move beyond the forty-yard lines?" Or is something else going on? Also: a discussion on a mega-viral Compact article about systemic discrimination against white millennial men, a cry against Hamilton erasure, and why my lack of grip strength is more than made up for by my alarmingly hyperextensive fingers.

This week, I talk with author Lili Anolik about her book on two writers whose lives overlapped in ways that were both unlikely and (in retrospect) inevitable. One is Eve Babitz, the exuberant chronicler of 1970s Hollywood. The other is Joan Didion, whose notoriously "cool," exacting style defined a particular vision of Los Angeles and helped make her one of the most influential writers of the last century.

The two writers are often framed as opposites, but in Didion & Babitz, Lili explores how they shared similar burdens of the times–burdens around creativity, ambition, and modern womanhood. If you enjoy literary gossip, this interview is for you. Our conversation includes some surprising and, at times, uncomfortable details about Didion's marriage, her relationship with her daughter, and her lingering feelings from an early romance with Noel Parmentel, a roguish figure who helped her start her career and introduced her to her husband, John Gregory Dunne. If you're among the devoted Didion faithful, you may hear things you didn't expect. If you're new to Eve Babitz, consider this your introduction to one of the great hidden figures of American literary life.

Guest Bio:

Lili Anolik is a contributing editor at Vanity Fair and a writer at large for Air Mail. Her work has also appeared in Harper's, Esquire, and The Paris Review, among other publications. She is the creator of the podcast Once Upon a Time… at Bennington College. Her latest book is Didion & Babitz, published by Scribner.

Writer and editor Thomas Beller joins me to discuss his new essay collection Degas at the Gas Station. The essays trace his experience of fatherhood through the landscapes of his own childhood, including the early death of his psychoanalyst father and Tom's later return—wife and children in tow—to the very Manhattan apartment where he was raised.

We talk about some of the fundamental conflicts of personal writing, including the ethics of writing about your children and even your ambivalence about parenthood. We also discuss why some writers feel trapped inside the genres that come most naturally to them, how the literary sensibility of The New Yorker shaped the styles of generations of writers, and how Tom is feeling about New York City these days. The episode was recorded on the morning of November 4, Election Day, and Tom talks about why he's voting for Zohran Mamdani—and why he thinks some of my early writing relates directly to Mamdani's platform.

Guest Bio:

Thomas Beller is a long time contributor to the New Yorker and the author of several books including Lost in the Game: A Book about Basketball, also published by Duke University Press; J.D. Salinger: The Escape Artist; and The Sleep-Over Artist. A 2024-25 Guggenheim fellow, he is a founding editor of Open City Magazine and Books and Mrbellersneighborhood.com, and Professor and Director of creative writing at Tulane University.

Thanksgiving has come early! A year after bidding farewell to our much-loved/occasionally-despised podcast A Special Place In Hell, Sarah Haider joins me for a catch-up. A lot has happened in the last few weeks, not to mention the last year. We discuss the killing of Charlie Kirk, the wave of anti-Indian hate on X, the phenomenon of South Asian troll farming, the uses and abuses of AI, and, of course, the discourse around "the great feminization," which was the entire premise of A Special Place In Hell. (Did someone steal our idea?) We also discuss Sarah's new baby and whether her pregnancy was worse than my house burning down.

This version of our conversation is free to all. To hear a longer version, become a paying subscriber at Substack at https://www.theunspeakablepodcast.com/ or join The Unspeakeasy on YouTube.

https://www.youtube.com/@TheUnspeakeasyPodcast

Why is it so difficult to find meaningful help for the severely mentally ill, including those exhibiting patterns of violence? And why has this question become politicized?

This week, Ben Appel joins me to talk about his new book, Cis White Gay: The Making of a Gender Heretic, a memoir about leaving one kind of cult only to stumble into another. Raised in a rigid Christian community, Ben found refuge in the gay rights movement and, later, the Ivy League—until "allyship" started to look less like solidarity and more like a loyalty oath.

My guest is Dr. Sunita Puri, a palliative-care physician and author of That Good Night: Life and Medicine in the Eleventh Hour. We talk about what it really means to care for patients when cure is no longer the goal, why our medical system resists honest conversations about death, and how clarity and compassion can coexist at the end of life. Topics we cover: • What palliative care really provides (beyond hospice) • Why "more treatment" ≠ "more life" • Prognosis, probabilities, and telling the truth kindly • How families can ask the right questions • Documentation that matters (and what to avoid) • The moral distress of clinicians • Cultural/faith factors that shape decisions • Dignity, autonomy, and realistic hope Guest Bio: Dr. Sunita Puri is an Associate Professor of Medicine at the University of California, Irvine School of Medicine, where she is the Director of the Inpatient Palliative Care Service. She has written for The New Yorker, The New York Times, and The Atlantic, among other publications. She is the author of That Good Night: Life and Medicine in the Eleventh Hour, a critically acclaimed literary memoir examining her journey to the practice of palliative medicine, and her quest to help patients and families redefine what it means to live and die well in the face of serious illness.

In this episode we discuss:

• How Helen defines "the great feminization" and why she thinks it explains contemporary "wokeness"

• What changes when institutions tip female—journalism, academia, law, nonprofits

• HR-ification, hostile-environment law, and why managers vs. judges should handle culture

• Agreeableness as a social virtue—and a professional liability in truth-seeking fields

• Innovation, risk tolerance, and the gendered vibes around tech, nuclear power, and exploration

• Whether "women in STEM" initiatives help, hurt, or just rebrand office politics

About the guest: Helen Andrews is a senior editor at The American Conservative and author of Boomers: The Men and Women Who Promised Freedom and Delivered Disaster. Her new Compact essay is "The Great Feminization."

This week I interview journalist and author Olga Khazan about her new book on personality change, Me, But Better. We talk about the Big Five traits—openness, conscientiousness, extraversion/introversion, agreeableness, and neuroticism—and how they play out in ordinary life rather than in personality quizzes. Olga explains what research actually shows about how much you can change, how anxiety and depression tie into neuroticism, and why introversion can quietly turn into isolation. We also discuss everyone's favorite personality expert, Carl Jung, the politics of "openness," what's happened to our social lives since the pandemic, and how the culture of "self-care" has blurred into hiding from the world. Other threads include: • The science behind gradual, behavioral change instead of "life hacks" • How "fake it till you make it" can work without faking yourself entirely • Gender differences in agreeableness and the social cost of being direct • Why liberals often score higher on neuroticism—and what that might really mean • The relationship between personality, motherhood, and the urge to optimize everything Guest Bio: Olga Khazan is a staff writer for The Atlantic and the author, previously, of Weird. She is a two-time recipient of journalism fellowships from the International Reporting Project and the winner of the 2017 National Headliner Award for Magazine Online Writing.

Novelist and screenwriter Bruce Wagner returns to discuss his exceptionally timely new novel Amputation—a strange, exuberant, and ultra meta work set against a topic I've talked about a lot this year, the January LA wildfires. Bruce, an L.A. native and prominent literary figure in the city, explains how the book came together in less than two months, why he resists "political novels" even when writing inside a political moment, and how language (not legacy) keeps him making art. We also talk about real-life figures who appear as characters (Stephen Colbert, Mayor Karen Bass, Debra Winger, and a Timothée Chalamet student double, among others), the surrealism of driving through miles of leveled neighborhoods, and the deranged comic-tragic chorus of the Nextdoor app. Bruce also reflects on being an L.A. "outsider who outsided his way inside," why the book is opera, not noir, and what it means to keep walking the "narrow, burning road to the palace." Guest Bio: Bruce Wagner is the author of fifteen novels, including the "cell phone" trilogy, The Marvel Universe, The Met Gala and Tales of Saints and Seekers, Roar: American Master, and now Amputation. A longtime Hollywood insider/outsider, he has written for film and television and is currently published by Arcade.