The Vault

In 2006, Jennifer Michael Hecht spoke to the Institute about her book, The Happiness Myth: Why What We Think Is Right Is Wrong. Hecht is a poet and historian, who holds a Ph.D. in the history of science/European cultural history from Columbia University. She has published four books of nonfiction and three books of poetry. She has taught in the MFA programs at Columbia University and the New School.

Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.

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Ian Buruma is the author, co-author and editor of over a dozen books. He has been an editor at the Far Eastern Economic Review and The New York Review of Books. In this talk, he discusses Year Zero: A History of 1945 (Penguin, 2014).

Year Zero is a landmark reckoning with the great drama that ensued after war came to an end in 1945. One world had ended and a new, uncertain one was beginning. Regime change had come on a global scale: across Asia (including China, Korea, Indochina, and the Philippines, and of course Japan) and all of continental Europe. Out of the often vicious power struggles that ensued emerged the modern world as we know it.

In human terms, the scale of transformation is almost impossible to imagine. Great cities around the world lay in ruins, their populations decimated, displaced, starving. Harsh revenge was meted out on a wide scale, and the ground was laid for much horror to come. At the same time, in the wake of unspeakable loss, the euphoria of the liberated was extraordinary, and the revelry unprecedented. The postwar years gave rise to the European welfare state, the United Nations, decolonization, Japanese pacifism, and the European Union. Social, cultural, and political "reeducation" was imposed on vanquished by victors on a scale that also had no historical precedent. Much that was done was ill advised, but in hindsight, as Ian Buruma shows us, these efforts were in fact relatively enlightened, humane, and effective.

A poignant grace note throughout this history is Buruma's own father's story. Seized by the Nazis during the occupation of Holland, he spent much of the war in Berlin as a laborer, and by war's end was literally hiding in the rubble of a flattened city, having barely managed to survive starvation rations, Allied bombing, and Soviet shock troops when the end came. His journey home and attempted reentry into "normalcy" stand in many ways for his generation's experience.

A work of enormous range and stirring human drama, conjuring both the Asian and European theaters with equal fluency, Year Zero is a book that Ian Buruma is perhaps uniquely positioned to write. It is surely his masterpiece.

Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.

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In April 2014, David Bromwich spoke at the Institute about his forthcoming book, The Intellectual Life of Edmund Burke: From the Sublime and Beautiful to American Independence (Harvard UP, 2014). Bromwich is a professor of English at Yale University, and the author of studies of Hazlitt and Wordsworth.

While Edmund Burke is commonly seen as the father of modern conservatism, Bromwich argues that he was a more subtle and interesting thinker. Burke defended the rights of disenfranchised minorities, protested against the cruelties of English society, and agitated for peace with America.

Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.

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In this episode from the Institute’s Vault, we hear a 2011 talk by Deirdre Bair about the artist Saul Steinberg. Bair received the 1978 National Book Award for her biography of Samuel Beckett. Since then, she has written biographies of Simone de Beauvoir, Anais Nin, Carl Jung, and Al Capone. In 2019, she published a memoir, Parisian Lives: Samuel Beckett, Simone de Beauvoir, and Me. Bair’s biography of Saul Steinberg was published in 2012.

Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.

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Robert Coover spoke at the Institute in the spring of 2006. Coover is the author of over a dozen postmodern novels, including The Public Burning and Pinochio in Venice. He was one of the early supporters of electronic fiction, which he defended in “The End of Books,” a 1992 New York Times essay. Coover established Brown University’s MFA program in Digital Language Arts, and teaches courses on experimental narrative and literary hypermedia.

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In 1979, sociologist and NYIH founder Richard Sennett, and philosopher Michel Foucault, discussed the connections between the history of sexuality and self consciousness. In this episode from the Vault, the two discuss their research and, by extension, the underpinnings of the idea of solitude.

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In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau’s ideas about censorship in the arts.

The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodsky, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell.

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In 1983, ten years after W. H. Auden’s death, the New York Institute for the Humanities organized a series of readings and discussions of his work. In this episode from the Vault, Edward Mendelson, Auden's literary executor, moderates a discussion between Christopher Isherwood and Stephen Spender.

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This episode from the Vault is a lecture by May Berenbaum about why insects are so scary. Professor Berenbaum is an American entomologist whose research focuses on the chemical interactions between herbivorous insects and their host plants. She teaches entomology at the University of Illinois, and was awarded the National Medal of Science in 2014. She is also the organizer of the annual Insect Fear Film Festival.

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In April 2006, The Institute held a two day symposium about copyright and intellectual property, titled Comedies of Fair Use. In this session, Lewis Hyde talks about owning art and ideas.

Hyde is a cultural critic and scholar, whose work focuses on the nature of imagination, creativity, and property. He is best known for his books, The Gift: Imagination and the Erotic Life of Property, and Trickster Makes This World: Mischief, Myth and Art.

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