The Visual Text

The Visual Text

By Francesco Pascuzzi, Mitchell CravensSociety & CultureArtsVisual Arts
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The Visual Text episodes

  • Hello, Mother!
    OMG, Mother! was weird but kind of amazing. We break down the film and try to give some guidance on how to deal with challenging and/or abstract films in general. YAY FOR INFANTICIDE!
    1 hr 7 min
  • Dunkirk
    Dunkirk was the best film we've seen in 2017. Hence the length of this episode. We had so much to talk about.
    1 hr 7 min
  • Baby Fuzz
    We quickly run out of things to say about Baby Driver, Hot Fuzz, and the work of Edgar Wright. If you could subscribe to our podcast and/or rate it, that would be awesome - it's available on iTunes, Google Play, and thevisualtext.com/podcast. We also have a blog at said site, blog.thevisualtext.com, in which Francesco (and soon I) break down even further the films that we discuss on this podcast.
    30 min
  • Don't Get Eaten!
    We discuss the work of Bong Joon-Ho via Okja (on Netflix/in theaters now) and The Host (2006). If you could subscribe to our podcast and/or rate it, that would be awesome - it's available on iTunes, Google Play, and thevisualtext.com/podcast. We also have a blog at said site, thevisualtext.com, in which Francesco (and soon I) break down even further the films that we discuss on this podcast.
    56 min
  • A Sofia Coppola-Out
    We discuss the good, the bad, and the ugly of Sofia Coppola's work. We'll take a close look at her latest work, The Beguiled, which is out in theaters now starring Nicole Kidman, and compare it to an earlier film of hers, Lost In Translation. If you could subscribe to our podcast, that would be awesome - it's available on iTunes, Google Play, and thevisualtext.com/podcast. We also have a blog at said site, thevisualtext.com, in which Francesco (and soon I) break down even further the films that we discuss on this podcast.
    1 hr 1 min
  • Wonder Woman/It Comes at Night
    It's time for.....CHUNKY! In this episode we introduce our wonderful selves and talk a lot about It Comes at Night (2017, Shults) and what it means in today's America. We also tack on a bit about Wonder Woman and what's important about it and what's not.
    Be sure to check out Francesco's review of It Comes At Night at our (but mostly his) film blog @ http://thevisualtext.com. There's one on Wonder Woman too!
    53 min

About The Visual Text

From the publisher's feed

Chunky is a casual conversation between best friends about contemporary film, its antecedents, and their relationship to the Zeitgeist. Mitchell Cravens is your host, and Francesco Pascuzzi is your…