The Voice before the Void: Arcana, Story, Poetry

The Voice before the Void: Arcana, Story, Poetry

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The Voice before the Void: Arcana, Story, Poetry episodes

  • “The Maiden’s Vow” by Alice Duer Miller
    Oh, Delight.

    ⁓The Voice before the Void
    “The Maiden’s Vow”
    Alice Duer Miller
    (A speaker at the National Education Association advised girls not to study algebra. Many girls, he said, had lost their souls through this study. The idea has been taken up with enthusiasm.)
    I will avoid equations,

    And shun the naughty surd,

    I must beware the perfect square,

    Through it young girls have erred:

    And when men mention Rule of Three

    Pretend I have not heard.
    Through Sturm’s delightful theorems

    Illicit joys assure,

    Though permutations and combinations

    My woman’s heart allure,

    I’ll never study algebra,

    But keep my spirit pure.
    2 min
  • “Richard Cory” by Edwin Arlington Robinson
    A perfectly unforgettable poem, and an exemplification of the darkness of American literature. What sort of a culture produces as its greatest literary works the obsessively forlorn “The Raven,” the bleakly comedic Moby-Dick, the compellingly morbid “To Build a Fire,” the ruthlessly wrenching Death of a Salesman? If a people are defined by the stories they tell, then what shadows enshroud the American soul? Slavery? War? Assassination? Gunplay? Suicide? Is the United States to be believed? Could ever such a society actually have existed?

    ⁓The Voice before the Void
    “Richard Cory”
    Edwin Arlington Robinson
    Whenever Richard Cory went down town,

    We people on the pavement looked at him:

    He was a gentleman from sole to crown,

    Clean favored, and imperially slim.
    And he was always quietly arrayed,

    And he was always human when he talked;

    But still he fluttered pulses when he said,

    “Good-morning,” and he glittered when he walked.
    And he was rich–yes, richer than a king–

    And admirably schooled in every grace:

    In fine, we thought that he was everything

    To make us wish that we were in his place.
    So on we worked, and waited for the light,

    And went without the meat, and cursed the bread;

    And Richard Cory, one calm summer night,

    Went home and put a bullet through his head.
    2 min
  • “Thrownness” from Wikipedia
    In struggling with the lack of a convincing resolution to the Problem of Free Will and the horrific implications thereof, Heidegger is encountered, supplanting horror with mere ennui.

    ⁓The Voice before the Void
    “Thrownness”
    From Wikipedia, the free encyclopedia
    Thrownness (German: Geworfenheit) is a concept introduced by German philosopher Martin Heidegger (1889–1976) to describe our individual existences as “being thrown” (geworfen) into the world. Geworfen denotes the arbitrary or inscrutable nature of Dasein that connects the past with the present. The past, through Being-toward-Death, becomes a part of Dasein. Awareness and acknowledgment of the arbitrariness of Dasein is characterized as a state of “thrown-ness” in the present with all its attendant frustrations, sufferings, and demands that one does not choose, such as social conventions or ties of kinship and duty. The very fact of one’s own existence is a manifestation of thrown-ness. The idea of the past as a matrix not chosen, but at the same time not utterly binding or deterministic, results in the notion of Geworfenheit—a kind of alienation that human beings struggle against, and that leaves a paradoxical opening for freedom:
    [T]he thrower of the PROJECT is THROWN in his own throw. How can we account for this freedom? We cannot. It is simply a fact, not caused or grounded, but the condition of all causation and grounding.
    For William J. Richardson, Geworfenheit “must be understood in a purely ontological sense as wishing to signify the matter-of-fact character of human finitude.” That’s why “thrownness” is the best English word for Geworfenheit. Other “attractive translations as ‘abandon,’ ‘dereliction,’ ‘dejection,’ etc. […] are [dangerous because those are] too rich with ontic, anthropological connotations. We retain ‘thrown-ness’ as closest to the original and, perhaps, least misleading.”
    4 min
  • “As I approach the last of all my days” by Petrarch
    Poetry matters more than all else, yet not at all.

    ⁓The Voice before the Void
    “As I approach the last of all my days”
    Petrarch
    translated from the Italian by Lorna de’ Lucchi
    As I approach the last of all my days,

    So brief by reason of its dower of pain,

    Light-footed time speeds swiftly from my gaze

    And faith in him proves profitless and vain.

    Then to myself I say: “A little space

    And we will sing no more at Love’s behest,

    Like snow these earthly chains will melt apace

    And we be gathered peacefully to rest.
    Since Love must pass away, even so must all

    The dreams for which we bartered heaven and earth,

    Our fears, our sorrows, and our boist’rous mirth;

    Then we shall know how oft it doth befall

    That men strive after things of trivial worth,

    And sigh for that which matters not at all.”
    2 min
  • “Jungly” by The Voice before the Void
    Earth as a living being only further reduces the significance of humankind: an original poem.

    ⁓The Voice before the Void
    “Jungly”
    The Voice before the Void
    Where flowers burst flagrant with color and fragrance

    Where berries ripe drip syrupy sweet

    Where vines entwine and entangle the feet

    Where panther-cats purple-black slink sleek

    Through the lushness, through the greenness, through the dampness, through the sunless darkness beneath the canopy

    Where life is so over-abundant, growing, grappling, crushing, strangling

    Where life is super-abundant, death is also

    Fetid death, rank death, rotting death, constant death

    The jungle floor is wet with constant decaying, constant renewing

    With the constant cycling of life

    The components of the jungle cycle

    like cells
    And, beyond, the jungle itself cycles, dies and renews

    Merely on a broader timescale
    And beyond that, the whole planet cycles itself

    Its jungles and forests and oceans, organs; their components, mere cells
    We pitiable people
    2 min
  • The Willows by Algernon Blackwood, part 8
    Horror.

    ⁓The Voice before the Void
    The Willows
    Algernon Blackwood
    part 8
    It was my firm intention to lie awake all night and watch, but the exhaustion of nerves and body decreed otherwise, and sleep after a while came over me with a welcome blanket of oblivion. The fact that my companion also slept quickened its approach. At first he fidgeted and constantly sat up, asking me if I “heard this” or “heard that.” He tossed about on his cork mattress, and said the tent was moving and the river had risen over the point of the island; but each time I went out to look I returned with the report that all was well, and finally he grew calmer and lay still. Then at length his breathing became regular and I heard unmistakable sounds of snoring—the first and only time in my life when snoring has been a welcome and calming influence.
    This, I remember, was the last thought in my mind before dozing off.
    A difficulty in breathing woke me, and I found the blanket over my face. But something else besides the blanket was pressing upon me, and my first thought was that my companion had rolled off his mattress on to my own in his sleep. I called to him and sat up, and at the same moment it came to me that the tent was surrounded. That sound of multitudinous soft pattering was again audible outside, filling the night with horror.
    I called again to him, louder than before. He did not answer, but I missed the sound of his snoring, and also noticed that the flap of the tent door was down. This was the unpardonable sin. I crawled out in the darkness to hook it back securely, and it was then for the first time I realized positively that the Swede was not there. He had gone.
    I dashed out in a mad run, seized by a dreadful agitation, and the moment I was out I plunged into a sort of torrent of humming that surrounded me completely and came out of every quarter of the heavens at once. It was that same familiar humming—gone mad! A swarm of great invisible bees might have been about me in the air. The sound seemed to thicken the very atmosphere, and I felt that my lungs worked with difficulty.
    But my friend was in danger, and I could not hesitate.
    The dawn was just about to break, and a faint whitish light spread upwards over the clouds from a thin strip of clear horizon. No wind stirred. I could just make out the bushes and river beyond, and the pale sandy patches. In my excitement I ran frantically to and fro about the island, calling him by name, shouting at the top of my voice the first words that came into my head. But the willows smothered my voice, and the humming muffled it, so that the sound only traveled a few feet round me. I plunged among the bushes, tripping headlong, tumbling over roots, and scraping my face as I tore this way and that among the preventing branches.
    Then, quite unexpectedly, I came out upon the island’s point and saw a dark figure outlined between the water and the sky. It was the Swede. And already he had one foot in the river! A moment more and he would have taken the plunge.
    I threw myself upon him, flinging my arms about his waist and dragging him shorewards with all my strength. Of course he struggled furiously, making a noise all the time just like that cursed humming, and using the most outlandish phrases in his anger about “going inside to Them,” and “taking the way of the water and the wind,” and God only knows what more besides, that I tried in vain to recall afterwards, but which turned me sick with horror and amazement as I listened. But in the end I managed to get him into the comparative safety of the tent, and flung him breathless and cursing upon the mattress, where I held him until the fit had passed.
    I think the suddenness with which it all went and he grew calm, coinciding as it did with the equally abrupt cessation of the humming and pattering outside—I think this ...
    14 min
  • The Willows by Algernon Blackwood, part 7
    Climax.

    ⁓The Voice before the Void
    The Willows
    Algernon Blackwood
    part 7
    He had turned ashen white under the tan. He stood bolt upright in front of the fire, stiff as a rod, staring at me.
    “After that,” he said in a sort of helpless, frantic way, “we must go! We can’t stay now; we must strike camp this very instant and go on—down the river.”
    He was talking, I saw, quite wildly, his words dictated by abject terror—the terror he had resisted so long, but which had caught him at last.
    “In the dark?” I exclaimed, shaking with fear after my hysterical outburst, but still realizing our position better than he did. “Sheer madness! The river’s in flood, and we’ve only got a single paddle. Besides, we only go deeper into their country! There’s nothing ahead for fifty miles but willows, willows, willows!”
    He sat down again in a state of semi-collapse. The positions, by one of those kaleidoscopic changes nature loves, were suddenly reversed, and the control of our forces passed over into my hands. His mind at last had reached the point where it was beginning to weaken.
    “What on earth possessed you to do such a thing?” he whispered, with the awe of genuine terror in his voice and face.
    I crossed round to his side of the fire. I took both his hands in mine, kneeling down beside him and looking straight into his frightened eyes.
    “We’ll make one more blaze,” I said firmly, “and then turn in for the night. At sunrise we’ll be off full speed for Komorn. Now, pull yourself together a bit, and remember your own advice about not thinking fear!”
    He said no more, and I saw that he would agree and obey. In some measure, too, it was a sort of relief to get up and make an excursion into the darkness for more wood. We kept close together, almost touching, groping among the bushes and along the bank. The humming overhead never ceased, but seemed to me to grow louder as we increased our distance from the fire. It was shivery work!
    We were grubbing away in the middle of a thickish clump of willows where some driftwood from a former flood had caught high among the branches, when my body was seized in a grip that made me half drop upon the sand. It was the Swede. He had fallen against me, and was clutching me for support. I heard his breath coming and going in short gasps.
    “Look! By my soul!” he whispered, and for the first time in my experience I knew what it was to hear tears of terror in a human voice. He was pointing to the fire, some fifty feet away. I followed the direction of his finger, and I swear my heart missed a beat.
    There, in front of the dim glow, something was moving.
    I saw it through a veil that hung before my eyes like the gauze drop-curtain used at the back of a theater—hazily a little. It was neither a human figure nor an animal. To me it gave the strange impression of being as large as several animals grouped together, like horses, two or three, moving slowly. The Swede, too, got a similar result, though expressing it differently, for he thought it was shaped and sized like a clump of willow bushes, rounded at the top, and moving all over upon its surface—”coiling upon itself like smoke,” he said afterwards.
    “I watched it settle downwards through the bushes,” he sobbed at me. “Look, by God! It’s coming this way! Oh, oh!”—he gave a kind of whistling cry. “They’ve found us.”
    I gave one terrified glance, which just enabled me to see that the shadowy form was swinging towards us through the bushes, and then I collapsed backwards with a crash into the branches. These failed, of course, to support my weight, so that with the Swede on the top of me we fell in a struggling heap upon the sand. I really hardly knew what was happening.
    11 min
  • The Willows by Algernon Blackwood, part 6
    Once you are under Blackwood’s spell, escape is impossible.

    ⁓The Voice before the Void
    The Willows
    Algernon Blackwood
    part 6
    “But you’re quite right about one thing,” he added, before the subject passed, “and that is that we’re wiser not to talk about it, or even to think about it, because what one thinks finds expression in words, and what one says, happens.”
    That afternoon, while the canoe dried and hardened, we spent trying to fish, testing the leak, collecting wood, and watching the enormous flood of rising water. Masses of driftwood swept near our shores sometimes, and we fished for them with long willow branches. The island grew perceptibly smaller as the banks were torn away with great gulps and splashes. The weather kept brilliantly fine till about four o’clock, and then for the first time for three days the wind showed signs of abating. Clouds began to gather in the southwest, spreading thence slowly over the sky.
    This lessening of the wind came as a great relief, for the incessant roaring, banging, and thundering had irritated our nerves. Yet the silence that came about five o’clock with its sudden cessation was in a manner quite as oppressive. The booming of the river had everything its own way then: it filled the air with deep murmurs, more musical than the wind noises, but infinitely more monotonous. The wind held many notes, rising, falling, always beating out some sort of great elemental tune; whereas the river’s song lay between three notes at most—dull pedal notes, that held a lugubrious quality foreign to the wind, and somehow seemed to me, in my then nervous state, to sound wonderfully well the music of doom.
    It was extraordinary, too, how the withdrawal suddenly of bright sunlight took everything out of the landscape that made for cheerfulness; and since this particular landscape had already managed to convey the suggestion of something sinister, the change of course was all the more unwelcome and noticeable. For me, I know, the darkening outlook became distinctly more alarming, and I found myself more than once calculating how soon after sunset the full moon would get up in the east, and whether the gathering clouds would greatly interfere with her lighting of the little island.
    With this general hush of the wind—though it still indulged in occasional brief gusts—the river seemed to me to grow blacker, the willows to stand more densely together. The latter, too, kept up a sort of independent movement of their own, rustling among themselves when no wind stirred, and shaking oddly from the roots upwards. When common objects in this way become charged with the suggestion of horror, they stimulate the imagination far more than things of unusual appearance; and these bushes, crowding huddled about us, assumed for me in the darkness a bizarre grotesquerie of appearance that lent to them somehow the aspect of purposeful and living creatures. Their very ordinariness, I felt, masked what was malignant and hostile to us. The forces of the region drew nearer with the coming of night. They were focusing upon our island, and more particularly upon ourselves. For thus, somehow, in the terms of the imagination, did my really indescribable sensations in this extraordinary place present themselves.
    I had slept a good deal in the early afternoon, and had thus recovered somewhat from the exhaustion of a disturbed night, but this only served apparently to render me more susceptible than before to the obsessing spell of the haunting. I fought against it, laughing at my feelings as absurd and childish, with very obvious physiological explanations, yet, in spite of every effort, they gained in strength upon me so that I dreaded the night as a child lost in a forest must dread the approach of darkness.
    The canoe we had carefully covered with a waterproof sheet during the day,
    43 min
  • The Willows by Algernon Blackwood, part 5
    It is not that some things are unexplainable; it is that the explanations for some things are cognitively unacceptable.

    ⁓The Voice before the Void
    The Willows
    Algernon Blackwood
    part 5
    The sun was high in the heavens when my companion woke me from a heavy sleep and announced that the porridge was cooked and there was just time to bathe. The grateful smell of frizzling bacon entered the tent door.
    “River still rising,” he said, “and several islands out in midstream have disappeared altogether. Our own island’s much smaller.”
    “Any wood left?” I asked sleepily.
    “The wood and the island will finish to-morrow in a dead heat,” he laughed, “but there’s enough to last us till then.”
    I plunged in from the point of the island, which had indeed altered a lot in size and shape during the night, and was swept down in a moment to the landing place opposite the tent. The water was icy, and the banks flew by like the country from an express train. Bathing under such conditions was an exhilarating operation, and the terror of the night seemed cleansed out of me by a process of evaporation in the brain. The sun was blazing hot; not a cloud showed itself anywhere; the wind, however, had not abated one little jot.
    Quite suddenly then the implied meaning of the Swede’s words flashed across me, showing that he no longer wished to leave posthaste, and had changed his mind. “Enough to last till to-morrow”—he assumed we should stay on the island another night. It struck me as odd. The night before he was so positive the other way. How had the change come about?
    Great crumblings of the banks occurred at breakfast, with heavy splashings and clouds of spray which the wind brought into our frying-pan, and my fellow-traveler talked incessantly about the difficulty the Vienna-Pesth steamers must have to find the channel in flood. But the state of his mind interested and impressed me far more than the state of the river or the difficulties of the steamers. He had changed somehow since the evening before. His manner was different—a trifle excited, a trifle shy, with a sort of suspicion about his voice and gestures. I hardly know how to describe it now in cold blood, but at the time I remember being quite certain of one thing, viz., that he had become frightened!
    He ate very little breakfast, and for once omitted to smoke his pipe. He had the map spread open beside him, and kept studying its markings.
    “We’d better get off sharp in an hour,” I said presently, feeling for an opening that must bring him indirectly to a partial confession at any rate. And his answer puzzled me uncomfortably: “Rather! If they’ll let us.”
    “Who’ll let us? The elements?” I asked quickly, with affected indifference.
    “The powers of this awful place, whoever they are,” he replied, keeping his eyes on the map. “The gods are here, if they are anywhere at all in the world.”
    “The elements are always the true immortals,” I replied, laughing as naturally as I could manage, yet knowing quite well that my face reflected my true feelings when he looked up gravely at me and spoke across the smoke:
    “We shall be fortunate if we get away without further disaster.”
    This was exactly what I had dreaded, and I screwed myself up to the point of the direct question. It was like agreeing to allow the dentist to extract the tooth; it had to come anyhow in the long run, and the rest was all pretense.
    “Further disaster! Why, what’s happened?”
    “For one thing—the steering paddle’s gone,” he said quietly.
    “The steering paddle gone!” I repeated, greatly excited, for this was our rudder, and the Danube in flood without a rudder was suicide.
    19 min
  • The Willows by Algernon Blackwood, part 4
    Things get even weirder on the island in the Danube. Blackwood’s natural world seems wholesome, and his horror — at this point — seems mystical and entrancing.

    ⁓The Voice before the Void
    The Willows
    Algernon Blackwood
    part 4
    As though further to convince me that I had not been dreaming, I remember that it was a long time before I fell again into a troubled and restless sleep; and even then only the upper crust of me slept, and underneath there was something that never quite lost consciousness, but lay alert and on the watch.
    But this second time I jumped up with a genuine start of terror. It was neither the wind nor the river that woke me, but the slow approach of something that caused the sleeping portion of me to grow smaller and smaller till at last it vanished altogether, and I found myself sitting bolt upright—listening.
    Outside there was a sound of multitudinous little patterings. They had been coming, I was aware, for a long time, and in my sleep they had first become audible. I sat there nervously wide awake as though I had not slept at all. It seemed to me that my breathing came with difficulty, and that there was a great weight upon the surface of my body. In spite of the hot night, I felt clammy with cold and shivered. Something surely was pressing steadily against the sides of the tent and weighing down upon it from above. Was it the body of the wind? Was this the pattering rain, the dripping of the leaves? The spray blown from the river by the wind and gathering in big drops? I thought quickly of a dozen things.
    Then suddenly the explanation leaped into my mind: a bough from the poplar, the only large tree on the island, had fallen with the wind. Still half caught by the other branches, it would fall with the next gust and crush us, and meanwhile its leaves brushed and tapped upon the tight canvas surface of the tent. I raised the loose flap and rushed out, calling to the Swede to follow.
    But when I got out and stood upright I saw that the tent was free. There was no hanging bough; there was no rain or spray; nothing approached.
    A cold, gray light filtered down through the bushes and lay on the faintly gleaming sand. Stars still crowded the sky directly overhead, and the wind howled magnificently, but the fire no longer gave out any glow, and I saw the east reddening in streaks through the trees. Several hours must have passed since I stood there before, watching the ascending figures, and the memory of it now came back to me horribly, like an evil dream. Oh, how tired it made me feel, that ceaseless raging wind! Yet, though the deep lassitude of a sleepless night was on me, my nerves were tingling with the activity of an equally tireless apprehension, and all idea of repose was out of the question. The river I saw had risen further. Its thunder filled the air, and a fine spray made itself felt through my thin sleeping shirt.
    Yet nowhere did I discover the slightest evidences of anything to cause alarm. This deep, prolonged disturbance in my heart remained wholly unaccounted for.
    My companion had not stirred when I called him, and there was no need to waken him now. I looked about me carefully, noting everything: the turned-over canoe; the yellow paddles—two of them, I’m certain; the provision sack and the extra lantern hanging together from the tree; and, crowding everywhere about me, enveloping all, the willows, those endless, shaking willows. A bird uttered its morning cry, and a string of duck passed with whirring flight overhead in the twilight. The sand whirled, dry and stinging, about my bare feet in the wind.
    I walked round the tent and then went out a little way into the bush, so that I could see across the river to the farther landscape, and the same profound yet indefinable emotion of distress seized upon me again as I saw the interminable sea of bushes stretching to the horizon,
    13 min

About The Voice before the Void: Arcana, Story, Poetry

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Presentations of Poems, Stories, and Arcana – Exploring weird fiction, war, lore, fantasy, horror, literary theory, history, philosophy, mythology, science fiction, esoterica, and exotica in search of…