The Perceptive Photographer

The Way We See: Silence


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Starting a new mini-podcast within a podcast this month on the way we see. Episode one is focused on silence. I mean, really, what does silence look like? Can we photograph it? Exploring this can empower you to see with fresh eyes and inspire your artistic practice.
Sure, we might instinctively understand silence as the absence of sound, but photography requires us to think about it. We really have to think about how an image can be silent. Once we get our head around that idea, it is easier to see that some photographs seem to whisper while others seem to yell. That difference has little to do with where they were made and everything to do with how they were seen.
So in this episode of the podcast, I dig into when you live in a world filled with noise, and I don’t just mean audible noise, but visual noise too. How do we overcome the noise to make better images? Practicing mindful observation helps you cut through the clutter and find the quiet in your frame, making your images calmer and more deliberate.
Silence lives in our compositions, and the use of negative space, soft light, and other notions of stillness. Be it a lone tree in morning fog or an empty street before sunrise, the goal is to have nothing fighting for your attention; the photograph lingers.
Working with silence is often less about finding the perfect scene and more about slowing down enough to see. Instead of asking, “What photograph can I make here?” try asking, “What is this place trying to say?” I think one of the greatest aspects of silence is that it teaches patience and restraint. The strongest images are not always the first ones, and sometimes we have to think hard about what to remove from the frame to make a photograph work.
In a world constantly demanding our attention, perhaps the most meaningful photographs are those that encourage us to slow down. Maybe silence isn’t the absence of something at all. Maybe it’s the space where our perception begins.

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The Perceptive PhotographerBy Daniel j Gregory

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