The Will Clarke Podcast

Podcast Overview: Will & EVPRO discuss creating social media content, the impact of socials on the music industry, being yourself throughout your career & online along with the process of changing careers.

Who is EVPRO: Following on from an illustrious decade-long career as a content creator and music strategist, EVPRO has now set his sights on his first love… music production, and is poised to make an indelible mark on the world of house music. From the early years of his career, EVPRO showcased his exceptional talent by working alongside industry giants such as MK, Sonny Fodera, and Gorgon City. His innate ability to capture the essence of their music through visually stunning content propelled him to incredible heights within the content creation and strategy realm. While basking in the success of his role, EVPRO's heart was always looking to express his own musical genius. Drawing inspiration from his earlier years, where he honed his musical skills as a drummer and trumpeter, EVPRO's passion for music has been ingrained within him since his youth. As a young artist, he cut his teeth in the under-18 DJ scene and performed at club nights within his home county, establishing a foundation rooted in music and rave culture. EVPRO's artistic journey is not just about creating music—it's a powerful statement of defying limitations and embracing one's true passions. He fervently believes that no one should ever be confined to a box, and that pursuing one's dreams and desires is paramount to a fulfilling life. Through his own transformation from content creator to house music producer, EVPRO serves as an inspiration to all who dare to follow their hearts and forge their own path.

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Podcast Overview: Chris & Will discuss getting in to A&R, the importance of loving your career and learning to take rejection.

Who is Chris Adie: Chris Adie, widely recognized as one-half of the dynamic dance music duo Leftwing:Kody, has left an indelible mark on the electronic music scene. Hailing from London, Adie, along with his partner Jon Kong, has consistently delivered chart-topping tracks that seamlessly blend house and techno influences. Their innovative sound has garnered them widespread acclaim, with a dedicated global fan base and performances at renowned venues and festivals. Chris's passion for electronic music extends beyond the DJ booth, as he also holds a significant role as a Kiss FM presenter, where he curates and shares the latest and greatest tracks with a prime time Saturday night audience. His keen ear for talent is further showcased through his role as an A&R professional at Spinnin Records. In this capacity, Chris Adie plays a pivotal role in discovering and nurturing emerging talent, contributing to the continued evolution and success of the electronic music industry. As a multifaceted figure in the industry, Chris Adie has become synonymous with innovation and excellence. Whether behind the decks, on the airwaves, or in the studio, he continues to shape the landscape of dance music, pushing boundaries and inspiring the next generation of artists. With an impressive resume that spans both creative and executive roles, Adie's contributions to the electronic music world highlight his unwavering dedication to the art form and his commitment to shaping its future.

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Podcast Overview: Moby & Will discuss his 30 years in the industry, where young creatives go nowadays, not focussing on selling out DJ tours & his journey with his mental health.

Who is Moby: Richard Melville Hall, 11 September 1965, New York, USA. A New York DJ, recording artist, Christian, vegan and Philosophy graduate. Moby is so nicknamed because of the fact that he can trace his ancestry to the author of the famous whaling tale.

This is by no means the only interesting aspect of his idiosyncratic artistic life. He refuses to travel anywhere by car because of the environmental considerations, and generally displays little of the public anonymity that is the creed of the underground DJ. In 1991, he took the Twin Peaks theme, under the guise of "Go", into the UK Top 10. Although that appealed to the more perverse natures of both mainstream and club audiences, the release of "I Feel It"/"Thousand" in 1993 was yet more bizarre. The latter track was classified by The Guinness Book Of Records as the fastest single ever, climaxing at 1,015 bpm. It was typical of Moby's playful, irreverent attitude to his work. In his youth he was a member of hardcore punk outfit the Vatican Commandos, and even substituted as singer for Flipper while their vocalist was in prison.He has brought these rock 'n' roll inclinations to bear on the world of dance music: at the 1992 DMC/Mixmag Awards ceremony he trashed his keyboards at the end of his set. His introduction to dance music began in the mid-80s: "I was drawn to it, I started reading about it, started hanging out in clubs. For me house music was the synthesis of the punk era." He collected cheap, second hand recording equipment, basing himself in an old factory/converted prison in New York's Little Italy district. The albums issued by New York dance label Instinct collect the artist's early work. Ambient comprised unissued cuts from 1988-91, composed of barely audible atmospheric interludes. Moby signed to leading independent Mute Records in 1993, and the following year released "Hymn", a transcendental religious techno odyssey, distinguished by a 35-minute ambient mix and a Laurent Garner remix. The track was included on his eclectic major label debut, Everything Is Wrong. His own remix catalogue includes Brian Eno, LFO ("Tan Ta Ra"), Pet Shop Boys, Erasure ("Chorus"), Orbital ("Speed Freak"), Depeche Mode and even Michael Jackson. He moved away from his dance base in 1996 with the thrash rock of Animal Rights, and in turn sounded more like Johnny Rotten.

His "James Bond Theme' debuted at UK number 8 in November 1997. The attendant I Like To Score was an uneasy experiment in soundtrack work. Another change of style was apparent on 1999"s Play, a superb album on which several tracks were based around sampled field recordings made by folklorist Alan Lomax in the earlier part of the century. Play became a remarkable sleeper hit, thanks in the main to the licensing of every track on the album for use in advertisements. Moby repeated the Play formula to lesser effect on 18.

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Podcast Overview: Will & Acraze discuss the follow up from 'Do It To It', remaining underground and the time commitment of a music career & touring.

Who is Acraze: Staten Island-born Charlie Duncker, or better known as Acraze, is skyrocketing in the electronic music world with his energy- infused sound and versatile style. The DJ/producer and songwriter has recently transitioned from his speaker-rattling Bass sound to more of a genre-defying House approach that will have any dance floor grooving. His latest label release, “Do It To It,” has been rising to the top as one of the best House tracks of the year with worldwide support of industry titans, DJ Snake, Malaa, Chris Lake, Gordo, and more. This Acraze brand evolution proves his ability to conquer any move he makes with his unique sense of musical taste. From his signature pumping bassline in “Marco Polo," to his house rendition of disco record “Funky Town,” Charlie is poised to create his own path in the scene with a universal ability to blur the lines of genre. As a performer, he radiates an unparalleled aura that captivates any crowd from the moment he touches the stage. With the mind of a visionary, Acraze is ready to blow the dance floor away with his original, refreshing, and eclectic sound; when the beat drops, you’ll know it’s an Acraze production.

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Podcast Overview: Will, Cameron & George discuss what Trackstack is, making music in the scene, helping artists meet & overall supporting the music industry through their platform.

What is Trackstack: Trackstack is a premier platform that enables artists to submit their music directly to a vast network of record labels, producers, and music supervisors. With its user-friendly interface and comprehensive submission tracking system, Trackstack streamlines the pitching process, giving you a higher chance of catching the attention of industry gatekeepers.

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Podcast Overview: Mafro & Will discuss going from session musician to producer, having limitations to making music and the process of making electronic records for the club vs for the radio.

Who is Mafro: MAFRO makes emotional electronic music that swings between melancholy and euphoria, inviting the listener in, and putting them at the centre of the story. The North London artist has flourished as one of the UK's most promising new talents since the launch of his debut EP, Bloom, in 2023. He has been recognised as "dance music's upcoming breakthrough act" in NME's Top 100, and collaborated with the likes of Aluna, TSHA and Diplo on the latter’s recent Grammy-nominated album. Drawing influence from crossover pioneers like SBTRKT, Jai Paul, and Jacques Greene, MAFRO delivers a woozy, free-flowing approach to melody, juxtaposed with impactful lyrics that generate space for tension and release. This is electronic music, but rather than being rooted deep in the club, it’s drifting on its vapours. His new single ‘Bad Enough’ from the forthcoming HIGHER EP was released in August.

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Podcast Overview: Will & Destructo discuss throwing underground parties in the 90s, starting a career in A&R, the breakthrough of electronic music, producing and running record labels.

Who is Destructo: Longtime music industry figure Gary Richards goes by the name Destructo, producing and spinning an explosive mixture of electro-house and rap. Using the moniker since the early 1990s when he was an A&R for Rick Rubin's Def American Recordings, the DJ, concert promoter, and producer began releasing solo material on Boysnoize and OWSLA, starting with 2012's Technology EP. He began fusing dance music with gangsta rap and trap on 2014's West Coast, and has collaborated with major emcees such as E-40, Too $hort, and Busta Rhymes. Richards has been named one of EDM's most important figures by Rolling Stone and Billboard. Los Angeles-based Gary Richards started organizing dance events in 1991, and Rick Rubinchose him to work as A&R for the electronic music division of Def American Recordings in 1993. He signed acts like Lords of Acid, Messiah, and God Lives Underwater, and worked out American deals with XL Recordings and Harthouse Records. As Destructo, he remixed Awesome 3's rave classic "Don't Go," and played aggressive DJ sets of the hardest techno he could find. He later founded 1500 Records and Nitrus Records, and worked with artists such as David Holmes, Dub Pistols, Basement Jaxx, and many more.

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Podcast Overview: Will & wAFF discuss touring, the importance of having a mental break from the DJ lifestyle, keeping up the motivation to produce along with DJing and his parties in the Columbian Favela's

Who is wAFF: From his roots in the clubland underground of Leeds and Hull, DJ-producer wAFF has gone on to become globally renowned. He has earnt widespread respect. His schedule is relentless but he doesn’t cut corners. He’s the only British artist who’s recorded for all three European techno hubs, Sven Väth’s Cocoon, Adam Beyer’s Drumcode and Loco Dice’s Desolat. He approaches music with unstoppable enthusiasm and attention to detail. This summer, for instance, his Ibiza gigs range from his residency at Paradise at DC-10 to Elrow at Amnesia (and the rest of the world!). He’s DJing everywhere, from recent Space in Miami to festival slots at Glastonbury, Hideout, Sziget and, yes, the original Nevada Desert madhouse, Burning Man. Now based in London, much further back wAFF kickstarted the underground dance scene in his native Hull and achieved success with his Koala parties in Leeds, providing a widely respected initial springboard to take things forward. He’s been part of Jamie Jones’s Paradise crew since their first 2012 season at DC-10, and also recorded regularly for Jones’s Hot Creations imprint with tunes such as his Hot Creations debut ‘Rainbows’, 2016’s ‘Sick Pleasure’ and ‘Kidney Punch’, and 2015 monster ‘Fat Gash’, all played by DJs ranging from Patrick Topping to Marco Carola. For Cocoon he recorded the Freeks EP, which contained the much-hammered hypno-thumping classic, ‘Groover’, while Drumcode released his urgent nine minute techno-tinted floor-stormer ‘VibrationZ’.

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Podcast Overview: AC & Will discuss choosing your gigs, raising a family whilst being a touring DJ, early raves in the US, Night Bass & new entries in to the scene.

Who is AC Slater: Referring to himself as "The King of Heavy Bass House in America," Los Angeles-based AC Slater makes boisterous party music influenced by a wide range of styles, particularly house, rave, and U.K. bass music. Active on the hardcore scene since the early 2000s, he made a much greater impact once he switched to more accessible club styles around 2008. Since then, his tracks have become favorites of DJs such as Diplo, Moby, and Skrillex, and he's performed at numerous major dance festivals and clubs throughout the world. In addition to releasing tracks on club labels such as Trouble & Bass, Nightshifters, and OWSLA, he's also the founder of Pitched Up Recordings, Party Like Us Records, and Night Bass. He collaborated with rapper Dell Harris on the 2010 full-length Right Now. He released his debut solo album, Outsiders, in 2017, and moved in a tech-house direction with 2023's Together.

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Podcast Overview: Model Man & Will discuss organising creativity, the process of making an album, transitioning his music to perform live and creating a fan base.

Who is Model Man: Born and raised in Chelmsford, Essex, he spent his early years learning classical piano from his piano-teacher Mother. But, with his home county being a key part of early rave culture, an interest was sparked in Mark that, much like the classical piano, never left him. Since releasing his debut album, Model Man has been on remix duties for the likes of Bob Moses, Justin Martin and partnered with Deutsche Grammophon to re-imagine a Debussy piece.Model Man's live show sees Brandon take to the stage solo, and build his high-energy sets with live loops, sample triggering and audio manipulation, all-the-while playing his trademark piano parts live. With Model Man’s music we get the proud, unfiltered distillation of Mark Brandon; pure, emotive and vulnerable. The blueprint for all Model Men…

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