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In 1909, Daisy Makeig-Jones was hired by the Wedgwood firm in Staffordshire, England, to decorate pottery. She would go on to develop the “Fairyland” luster pattern, which combined dazzling iridescent glazes with motifs from fairy tales and would serve to revitalize the Wedgwood brand. Bailey Tichenor, one half of the duo behind Artistoric gallery, comes on the pod to discuss a mid-1920s example of Makeig-Jones’s work called Poplar Trees, which boasts depictions of cypresses and other trees, a Japanese bridge, and winding river on the outside; inside are elves, flowers, and a mermaid medallion set among sparkling waves of glaze, along with a hidden treasure: the designer’s monogrammed signature.
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By The Magazine Antiques4.9
177177 ratings
In 1909, Daisy Makeig-Jones was hired by the Wedgwood firm in Staffordshire, England, to decorate pottery. She would go on to develop the “Fairyland” luster pattern, which combined dazzling iridescent glazes with motifs from fairy tales and would serve to revitalize the Wedgwood brand. Bailey Tichenor, one half of the duo behind Artistoric gallery, comes on the pod to discuss a mid-1920s example of Makeig-Jones’s work called Poplar Trees, which boasts depictions of cypresses and other trees, a Japanese bridge, and winding river on the outside; inside are elves, flowers, and a mermaid medallion set among sparkling waves of glaze, along with a hidden treasure: the designer’s monogrammed signature.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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