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S5:E6
Rabbi Joey attempts to find the lynchpin that ensures the existence of the gap between the finite and the infinite on this episode of Inward. For Izhbitz/Radzyn the key can be found in their conception of lack. As opposed to the typical vision of lack as a deficiency that results from some fall from grace and perfection, lack is seen as a fundamental element of human subjectivity. Lack existed prior to any human error, and as such should be seen as a constitutive element that forms rather than disrupts the human experience. There exists within each and every individual qua human being an essential lack around which their subjectivity is formed. For Izhbitz/Radzyn the goal is not to overcome this lack by filling it with some external substance, but rather to confront the lack, living in and through it to find one's ownmost spiritual form.
*****
This podcast is supported in part from a grant from the Hadar Institute.
Music is by Zusha. Help support them by purchasing their music.
Audio is by David Kwan.
4.9
153153 ratings
S5:E6
Rabbi Joey attempts to find the lynchpin that ensures the existence of the gap between the finite and the infinite on this episode of Inward. For Izhbitz/Radzyn the key can be found in their conception of lack. As opposed to the typical vision of lack as a deficiency that results from some fall from grace and perfection, lack is seen as a fundamental element of human subjectivity. Lack existed prior to any human error, and as such should be seen as a constitutive element that forms rather than disrupts the human experience. There exists within each and every individual qua human being an essential lack around which their subjectivity is formed. For Izhbitz/Radzyn the goal is not to overcome this lack by filling it with some external substance, but rather to confront the lack, living in and through it to find one's ownmost spiritual form.
*****
This podcast is supported in part from a grant from the Hadar Institute.
Music is by Zusha. Help support them by purchasing their music.
Audio is by David Kwan.
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