Every once in a while I do a podcast in Spanish, and talk about what it means to be Latino today, in the U.S. Porque, para mí, el español siempre fue, y es, el idioma de amor–ese amor de la niñez, cuando las mujeres de la casa en mi pueblo natal, San Francisco, CA–las tías, […]

I was at the Associated Writing Programs conference in Tampa in March, where students and professor of creative writing gather for a weekend. I had a great time, because I was on the lookout for Latino writers, and I found them. And this young man was a true find! William Palomo is the son of […]

We all die. But, most people don’t like to think about that, which I think is a mistake. I find it helpful to consider my own death from time to time. It reminds me I’m alive. Poets help me to meditate on my own demise. A good poet will look death straight-on, and not flinch. […]

I interviewed Brian Greene a few years back, about his book The Fabric of the Cosmos. Now, I know this isn’t about creative writing, but the creative writer is always looking into other subjects and fields of study in order to feed her own work. And Dr. Greene is fascinating! My mind got bent all sorts of […]

When my kids were little, I told them early on: don’t let your school get in the way of your education. Our education system kills beautiful things within us, and one of those casualties is our love for poetry. Poetry. I’m not talking Hallmark cards, or boxes of candies, or any of that shit. I’m talking […]

I forgot to mention, the 1967 Mustang plays a big role in this novel. It’s practically another character. It’s the summer of 1978, a few months after Tony cut his wrist. The whole family knows about it, but, unlike other families who try to avoid such difficulties and pretend nothing’s wrong, the women of the […]

In this part of the novel, you get a real taste of what some of us call “internalized racism.” This is when a non-white person starts to believe, on a subconscious level, what the racist world says of him: in young, sixteen-year-old’s Tony case, he’s seen as a mongrel, the mix of a white man […]

Tony and his Salvadoran-Appalachian family attend his uncle Jack’s funeral, where the mourners aren’t mourning–either the men are running in just to make sure he’s dead, and the two dozen women are lining up to look at their old lover one more time. Here, we learn why Uncle Jack is so important to Tony–we go […]

In the first pages of the novel, we meet Antonio “Tony” McCaugh Villalobos, an Appalachian-Salvadoran writer living in Knoxville, Tennessee, and far from his Salvadoran roots. He’s just published his first book, a literary novel, which means he didn’t get any money for it. He’s trying to write his next novel, but has writer’s block. […]

In class, the subject always comes up: should you outline your story, or not? That is, should you make a road map for your novel, one that you will follow like a disciple, from page one to the climax, three hundred pages later? Or, will you dare to step off the outline, if the story […]