Conflict is central to storytelling.
But too often when I tell my coaching clients that one of their scenes needs more conflict, they think I mean”big” conflict.
They think I mean buildings exploding, dragons being slain, and lovers breaking up.
Conflict, drama, and tension, however, do not require life and death stakes to evoke emotional resonance with a reader.
In this episode of The Writing Coach podcast, fresh from vacation, I share examples of real-life everyday conflicts I witnessed at a children’s resort focused on fun and happiness.
Listen to the episode or read the transcript below:
The Writing Coach Episode #134 Show Notes
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The Writing Coach Episode #134 Transcript
Hello, beloved listeners and welcome back to the Writing Coach podcast. It is your host as always writing coach Kevin T Johns here.
Last episode, we talked a bit about vacations, and there was a reason why vacations were on my mind. It was because my family had a vacation planned. We were going to go to Niagara Falls and visit something called the Great Wolf Lodge, which is a resort, I guess you would call it but focused on families in children. So they have a water park inside the resort and their story time and magic shows and video games and laser tag and all, all sorts of things that kids love. And so when I was prepping for that vacation, I also had that vacation episode in mind and now having returned from the vacation. I have another topic that I want to talk about today, and it’s based on experiences at the Great Wolf Lodge last week.
But first, let me tell you about my book, Novel Advice: Motivation, Inspiration, and Creative Writing Tips for Aspiring Authors. It’s an awesome book filled with tips, tricks, advice, stories, all about writing craft and the writer’s life. And I want to give it to you for free head on over to my website, www.kevintjohns.com. There’s a tab at the top that says free book. There’s also a popup that should come up and just throw your email address in there. And I will send you a free copy of that book. Now, when I’m working with my clients, something we’re always talking about is conflict and drama. I think it’s Lisa Cron, who has the definition of a story. A story is about a character who wants something, who takes action to get it, encounters obstacles, and is changed as a result. So according to that definition, which I certainly agree with, conflict is key to storytelling.
So often when I’m reviewing clients’ pages, something I’ll say to them is we need more conflict in this scene. There isn’t enough obstacles. There isn’t enough complications. And sometimes clients will come back and say, well, you know, like the bad guy doesn’t really know about the good guy yet, or the bomb, isn’t going to go off for like three more chapters, you know? And when I say conflict, they think about these big, giant operatic conflicts and obstacles. The knight fighting the dragon, the save the princess, these sorts of things. But if you just stop for a moment and think about all the little difficulties,