Please, Just Don’t Call It Journaling: Writing for Self Versus Others w/ Sarah Saffian

The Power and the Place of Place w/ Eric Goodman

Against Ideas w/ Paula Morris

Actually Writing: The Outer, Inner & Secret Practice w/ Diana Goetsch

Writing in the Digital Age w/ Ned Stuckey-French

Hybrid Writing w/ Elizabeth Robinson

Mysteries of Love and Grief: The Long Way from Impulse to Family Story w/ Sandra Scofield

Ghosts, Battlefields and Hallucinations: Creative Writing from Research w/ Lauren Haldeman

Clarity and Depth: Writing between the Lines w/ Venise Berry

Until the early 20th Century, almost all literary artists, including essayists, felt compelled to picture recognizable figures and images that seemed “factual.” The famous surrealist artist René Magritte began to break down that barrier by putting two unrelated objects in juxtaposition, challenging viewers to see an object differently than how it was originally perceived. We’ll look at images from Magritte and others to see how visual art might be used as inspiration for text on the page, and allow writers to recognize freedoms they may not have fully realized.