Théâtre Électrique
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Théâtre Électrique episodes

  • Philosophy of Time Travel :: Ch 3 :: The Manipulated Dead
    If the Ensurance Trap is successful, the Living Receiver is left with no choice but to use his Fourth Dimensional Power to send the Artifact back in time into the Primary Universe before the Black Hole collapses upon itself... The Manipulated Dead are more powerful than the Living Receiver :: If a person dies within the Tangent Dimension, they are able to contact the Living Receiver through the Fourth Dimensional Construct :: The Fourth Dimensional Construct is made of Water :: The Manipulated Dead will manipulate the Living Receiver using the Fourth Dimensional Construct :: The Manipulated Dead will often set an Ensurance Trap for the Living Receiver to ensure that the Artifact is returned safely to the Primary Universe :: Holografix Translation :: "Four times arise, O King of Kings :: One shaft of light doth heaven bring :: Shadows of death reveal the sign :: Reintegration... Transmission of mind..."
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  • Philosophy of Time Travel :: Ch 4 :: The Living Receiver
    The Living Receiver is chosen to guide the Artifact into position for its journey back to the Primary Universe :: No one knows how or why a Receiver will be chosen... The Living Receiver is often blessed with a Fourth Dimensional Powers :: These include increased strength, telepathy, mind control and the ability to conjure memories of the future :: The Living Receiver is often tormented by terrifying dreams, visions and auditory hallucinations during his time within the Tangent Universe :: Those surrounding the Living Receiver, known as the Manipulated, will fear him and try to destroy him...
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  • Philosophy of Time Travel :: Ch 5 :: Dreams
    When the Manipulated awaken from their Journey into the Tangent Universe, they are often haunted by the experience in their dreams :: Many of them will not remember :: Those who do remember the Journey are often overcome with profound remorse for the regretful actions buried within their Dreams, the only physical evidence buried within the Artifact itself, all that remains from the lost world... In the Otherworld of the Celts and in the Underworld of Ancient Egypt, dreams were seen as a means of seeing into other worlds and it was thought that the soul moved out of the body of the sleeping person and actually visited the places and persons the dreamer saw in their sleep. Journey's end found distant light :: foreshadowing another night :: Mirrored deep in finite time :: Icing grey in silver rhyme :: Echoed days so nearly dead ::  Began to burn inside my head :: Shadow wind and firelight ::  Forgotten to eternal night ::   Conjured hell in heaven's eye :: And took my childhood to die ::  Blacken day o sunless sky :: Let no white winged creature fly... Crack all stone and graves of men...  I am born :: I come again...
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  • Philosophy of Time Travel :: Ch 8 :: The Artifact And The Living
    When a Tangent Universe occurs, those living nearest to the Vortex, will find themselves at the epicenter of a dangerous new world :: Artifacts provide the first sign that a Tangent Universe has occurred :: If an Artifact occurs, the Living will retrieve it with great interest and curiosity :: Artifacts are formed from metal, such as an Arrowhead from an ancient Aztec civilization, or a Metal Sword from Medieval Europe :: Artifacts returned to the Primary Universe are often linked to religious Iconography, as their appearance on Earth seems to defy logical explanation :: Divine intervention is deemed the only logical conclusion for the appearance of the object, image or artifact. “All that is gold does not glister, Not all those who wander are lost. The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes, a fire was woken, A light from the shadows did spring. Renewed is the blade that was broken, The crownless again shall be king...” - - - J.R.R. Tolkien
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  • Philosophy of Time Travel :: Ch 7 :: Dreams :: Part II
    Ancient myth tells us of the Aztec Warrior killed by an Arrowhead that had fallen from a cliff, where there was no Army, no enemy to be found :: We are told of the Medieval Knight mysteriously impaled by a sword he had not yet built :: We are told that these things occur for a reason...
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  • Philosophy of Time Travel :: The Zodiac of Dendera
    This stone pictogram carved into the pyramid walls at Dendera, as animated by famous French Archeologist Adele Blanc-Sec and magician Georges Méliès, tells the story of a great evil returning to Earth after the passing of 3,000 years, between 980 BC and 2020 AD... A fifth element is foretold to rise in a great battle at the dawning Epoch of Aquarius, the Age of Endless Water :: The Egyptian animation was first exhibited at the Paris World's Faire by Georges Méliès, shortly before the mysterious vanishing of famous French Archeologist Adele Blanc-Sec in Paris, 1938... Musique Mécanique par le Théâtre Électrique :: "The Fifth Element" by Eric Serra
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  • Tomb Raider :: The Last Revelation
    Tomb Raider, Lara Croft :: The Last Revelation :: How to Read Egyptian Holografix... According to Egyptian legend, Horus, son of the light, outwitted the evil God Set and imprisoned him in a secret tomb. Five thousand years later, Lara Croft discovered the lost tomb and unwittingly unleashed the evil God Set, fulfilling the ancient prophecy of his return to plunge mankind into darkness! This Ancient Egyptian Holografix was first exhibited at the Paris World's Faire by film maker and magician, Georges Méliès, shortly before the mysterious vanishing of famous French Archeologist Adele Blanc-Sec with Tomb Raider, Lara Croft, in Paris, 1938... Musique Mécanique par le Théâtre Électrique :: "Tomb Raider :: Lara Croft :: The Last Revelation" by Nathan McCree
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There are many worlds and many Earths :: In some worlds, magic came to rise as the greater power over religion and science ::