Musique Mécanique par le Théâtre Électrique :: Theme by Adele

Musique Mécanique par le Théâtre Électrique :: Theme by John Barry

Philosophy of Time Travel :: Ch 12 :: London A. Dark Encounters an Artifact When a Tangent Universe occurs, those living nearest to the Vortex, will find themselves at the epicenter of a dangerous new world :: Artifacts provide the first sign that a Tangent Universe has occurred :: If an Artifact occurs, the Living will retrieve it with great interest and curiosity :: Artifacts are formed from metal, such as an Arrowhead from an ancient Aztec civilization, or a Metal Sword from Medieval Europe :: Artifacts returned to the Primary Universe are often linked to religious Iconography, as their appearance on Earth seems to defy logical explanation :: Divine intervention is deemed the only logical conclusion for the appearance of the object, image or artifact. “London A. Dark, the ZaZen Gay Detective:: Chapter 1 :: The Case of the Missing Mind” A new Dark Matter Zone Time Map will be revealed in Chapter 1 of “London A. Dark, the ZaZen Gay Detective.” The final clue pointing the way to the England’s most Ancient Sword, the Holy Grail and hidden Crown of Arthur Pendragon, secretly painted by Leonardo da Vinci into “The Last Supper," using the techniques of Ancient Egyptian Magic, over 500 years ago... Coming Soon! From the End of Time to Your Home Town! London A. Dark :: ZaZen Gay Detective :: 223C Baker Street, Soho, W1 :: In 1928, Sherlock Holmes’ younger, upstairs, gay neighbor secretly accepts many of Sherlock’s clients who come to the wrong address by mistake... In his hidden underground nightclub and gay sauna at 69 Dean Street in Soho, W1, London Dark practices the magical rituals of Ancient Tibetan ZaZen, and it is there he will soon meet his protégé and confidante, the Boy Jack Wilder... “The clickity-clank of the horse’s shoes echoing on each cobblestone down Dean Street told London A. Dark exactly how many pints of double cream were left on the Milk Float drawn by the earliest horse of each day in Soho...” “The Soul may awaken to liberation, yet continue to animate the body it inhabits...” — London A. Dark, “ZaZen Secrets from the Dark”

Musique Mécanique par le Théâtre Électrique :: Theme by Lalo Schifrin

Musique Mécanique par le Théâtre Électrique :: "Heaven and Hell" by Vangelis ::

Musique Mécanique par le Théâtre Électrique :: "Take On Me" by a-ha

Musique Mécanique par le Théâtre Électrique :: "Children of the Revolution" by T Rex

Kraken Mare :: Mars Underground :: StarGate Nine :: V.2038 RA

In the 1869, King Ludwig II, the Mad King of Bavaria, began to exhibit fits of chaotic behavior in his Courtiers’ presence, demanding his soldiers round up certain citizens for arrest for no reason and declaring war on random countries thinking nothing of the consequences on his subjects, or their continued inability to get a decent night’s sleep lest they wake to yet another strange and unexpected act of the King’s madness that would ruin, at the minimum surely, their entire day before breakfast, if not their life... The Courtiers were, one morning, summoned to a secret cavern-like room in the lowest levels of the King’s Royal Halls, where a small indoor manmade lake fed the moat of water surrounding the Castle walls... A large hand carved Wooden Swan, the size of a boat suitable for two passengers to lay down in comfort on multiple satin pillows, floated peacefully at the end of a short dock carpeted in a red thick shaggy rug and supporting a length of violet velvet ropes, ensuring the safety of any guests on this tiny pier as they boarded the bobbing White Swan... The King’s most trusted personal advisor and assistant gathered the Courtiers and told them, King Ludwig had ordered this Swan Boat carved to entertain certain Royal Guests visiting the castle in private, and that even the King’s greatest seizures of madness were easily and instantly abated and diffused by treating the King to an idyllic ride on his beloved Great Swan Ship, accompanied by an exquisite live orchestral performance of one very specific movement from the ballet Swan Lake by Pyotr Ilyich Tchaikovsky... The Royal orchestra was summoned and the King invited to descend the Secret Stairwell, the entrance to which was hidden at the back of his Royal Wardrobe closet walls, and as he crossed the red carpet carefully balancing himself with the violet velvet ropes along the dock, he spied a Sailor from the Royal Navy, hoisting the anchor and preparing himself to row the King’s Great Royal Oar, and guide the Swan along a magical journey through the wondrous flowing dark waters and colorful candle lit crystal rock caverns leading deeper into the mysterious lower levels of watery canals and ever darkening peaceful, golden waterfall hallways ... The King reclined amidst the multitudes of satin pillows, and the Sailor from the Royal Navy picked up his great rowing oar, as the Swan Boat was pushed out and away along the currents of the lake toward the secret Royal Passageway to the Golden Canals, hidden just below the stage where his Majesty’s Orchestra quietly picked up their instruments and began to play that one specific and magical movement from Tchaikovsky’s Swan Lake Ballet... Musique Mécanique par le Théâtre Électrique :: Themes by Tchaikovsky

Musique Mécanique par le Théâtre Électrique :: "Dream On" by Aerosmith