Théâtre Électrique

Musique Mécanique par le Théâtre Électrique :: "Here Comes the Rain Again" by The Eurythmics

Musique Mécanique par le Théâtre Électrique :: "Crimson and Clover" by The Shondells

The Primary Universe is fraught with great peril. War, plague, famine and natural disasters are common :: The Fourth Dimension of Time is a stable construct, though it is not impenetrable :: Incidents when the fabric of the fourth dimension becomes corrupted are incredibly rare... The linear paradigm of Time as a single "line" is a theory constantly in need of correction :: Potential energy may build in the local collective unconscious, leading to wave interference from a Parallel Universe... If a Tangent Universe occurs, it will be highly unstable, sustaining itself for no longer than several weeks :: Eventually it will collapse inward upon itself, forming a Black Hole within the Primary Universe capable of destroying all existence... A Clock of Spirals and Spheres...A Compass pointing eight ways...Not a calendar counting the years...The Gears of the Clockwork and Eight Compass hands are carved to be spun directly from stone... In the heart of this stone a firestorm flows from the eye of one star to the other... The Stone has been turned :: The Clock Dragons' spoken... and there are none now that live who recall they were woken...For it is the doom of men, that they forget... Return the Crystal Skull :: Return what you have stolen from the People of the Forest :: The Aztec Compass will bring you great danger :: Arguments increase your crime :: No power on Earth can conquer Time ::

Musique Mécanique par le Théâtre Électrique :: "I, Don Quixote" by Mitch Leigh

Water and Metal are the key elements of Time Travel :: Water is the barrier element for the construction of Time Portals used as gateways between Universes as the Tangent Vortex :: Metal is the transitional element for the construction of Artifact Vessels... A Prophecy was found in the Sahara engraved on a bronze doorway in the tomb of the boy Tutankhamun :: The long forgotten language of Ptolemy's machine, the "Organon Parallacticon" in Alexandria :: "The boy who was murdered now mended, the crownless again shall be King."

“...and then came the endless rain and the one Port Key was left in the Mars Underground from the Portals of Planet Krypton to your home town...”——- from The Last Days of Man on Earth... Musique Mécanique par le Théâtre Électrique :: "Planet Krypton" by John Williams

This stone pictogram carved into the pyramid walls at Dendera, as animated by famous French Archeologist Adele Blanc-Sec and magician Georges Méliès, tells the story of a great evil returning to Earth in 3,000 years, from 1038 BC to 2038 AD. A 5th Element is foretold to rise in a great battle at the dawning Epoch of Aquarius, the Age of War and Water :: The Egyptian animation was first exhibited at the Paris World's Faire by Georges Méliès, shortly before the mysterious vanishing of famous French Archeologist Adele Blanc-Sec in Paris, 1938... Musique Mécanique par le Théâtre Électrique :: "The Fifth Element" by Eric Serra

“I See You” By Jamie Horner :: Musique Mécanique par le Théâtre Électrique :: This theme was written by my good friend, Jamie Horner... We used to spend hours together in the record shop in our village asking the sales clerk to play new classical recordings that just came from the fresh pressings at Mercury Records near the motel in Hollywood where we lived. We had breakfast everyday at Denny’s Diner on the Sunset Strip. Jamie always dreamt of flying when he was a teenager. He was the only person on board when his plane went down over the desert a few years ago now... The wreckage of his plane was found, but nobody on board and still when I visit, some people in the desert say a flock of wild birds was seen in the sky that day... “But music can only ever exist in our memory,” Jamie would always say, and he showed me a diagram he had been working on as a boy and then later at UCLA. I thought I had lost the diagram but I found it today. Holding the drawing to the Blood Moon, I found the outline of Elfin Runes shining through the pulpy paper. The one sheet peeled apart and I held two pages of Red Moon Elfin Runes. Jamie had learned the language after the first Lord of the Rings played at the IMAX, so he was quite fluent. I had one other friend from Slimelight, the cybergoth nightclub in London, who could also read Elfin Runes. We were up all night in London at Easy Ed’s Diner on Old Compton Street, perusing the parchment. We had breakfast at Farmer Brown’s Cafe in Covent Garden. We didn’t talk much at the table as the Cafe was crowded and it was raining outside. We didn’t want to be overheard then...or now.... The diagram turned out to be more of a working paradigm than a theory and the 17 synth modules Jamie had helped me arrange in my studio had each been assigned a coordinate and a locator sequence designed to be read more like an Ancient Egyptian Holografix or Pictogram, which is roughly translated into English, as opposed to the more musical Elfin language, by imagining all Images in motion either backward into the past or forward toward the future in time...” Jamie used to say “But music can only ever exist in our memory,” and I would always say, “...what, in that moment...? Or was it that one?” And I would reach into the air grasping at the space in between the notes. Jamie would say, “The space that is silent in between the notes is a real place. It is not memory.” I didn’t think our circular discussion of space, time and music meant much more than banter to him until I found this diagram and reset the sequential order of circuits in the synthesiser modules according to these numbers in the equations from the Red Runes and the Ancient Egyptian Holografix sketches and then activated each synthesiser in correct sequential order. Suffice it to say, when the sun drifted in through the fog on Old Compton Street, I was still awake and all the electricity in Soho was down with the centrepoint of the blackout, I could only guess, more likely than not, my flat. By pale, orange candlelight, my pen found with a will of its own, more parchment paper from the bark of the same Paper Tree Jamie had saved to piece together two sheets, back to front, two into one. The Paper Tree, in Soho, being several hundred years old, had learned through its nature to shed it’s bark as sheets of high quality parchment paper to avoid being cut down by paper makers and crushed into pulp. “Jamie didn’t draw these diagrammatic Red Runes,” I tried to remember our various chats, whilst we were retiring that late stormy night, but instead I found myself wondering if I had been talking aloud instead of thinking to myself in a paranoid flash, I shuffled up all my notes and locked everything behind me, stepping lively with the Lamplighters come to shut the gas in every street lamp torch along the cobblestones on Dean Street. The machine had been powered up for 3 minutes exactly before the automatic shut down and reset. Under the flickering candlelight, I noted

Philosophy of Time Travel :: Ch 12 :: London A. Dark Encounters an Artifact When a Tangent Universe occurs, those living nearest to the Vortex, will find themselves at the epicenter of a dangerous new world :: Artifacts provide the first sign that a Tangent Universe has occurred :: If an Artifact occurs, the Living will retrieve it with great interest and curiosity :: Artifacts are formed from metal, such as an Arrowhead from an ancient Aztec civilization, or a Metal Sword from Medieval Europe :: Artifacts returned to the Primary Universe are often linked to religious Iconography, as their appearance on Earth seems to defy logical explanation :: Divine intervention is deemed the only logical conclusion for the appearance of the object, image or artifact. “London A. Dark, the ZaZen Gay Detective:: Chapter 1 :: The Case of the Missing Mind” A new Dark Matter Zone Time Map will be revealed in Chapter 1 of “London A. Dark, the ZaZen Gay Detective.” The final clue pointing the way to the England’s most Ancient Sword, the Holy Grail and hidden Crown of Arthur Pendragon, secretly painted by Leonardo da Vinci into “The Last Supper," using the techniques of Ancient Egyptian Magic, over 500 years ago... Coming Soon! From the End of Time to Your Home Town! London A. Dark :: ZaZen Gay Detective :: 223C Baker Street, Soho, W1 :: In 1928, Sherlock Holmes’ younger, upstairs, gay neighbor secretly accepts many of Sherlock’s clients who come to the wrong address by mistake... In his hidden underground nightclub and gay sauna at 69 Dean Street in Soho, W1, London Dark practices the magical rituals of Ancient Tibetan ZaZen, and it is there he will soon meet his protégé and confidante, the Boy Jack Wilder... “The clickity-clank of the horse’s shoes echoing on each cobblestone down Dean Street told London A. Dark exactly how many pints of double cream were left on the Milk Float drawn by the earliest horse of each day in Soho...” “The Soul may awaken to liberation, yet continue to animate the body it inhabits...” — London A. Dark, “ZaZen Secrets from the Dark”

Musique Mécanique par le Théâtre Électrique ::"Friends" by Elton John