This is a Classic: The Expand the Canon Theatre Podcast

This month's two shorter plays: Pleasure by Rachilde and Three Women by Sylvia Plath!

If you’re looking for a play that reveals how the pursuit of sensuality can both liberate and ensnare… then Rachilde’s Pleasure is the two-hander of your dreams. An intimate, delicate, and emotionally charged conversation between two young lovers, Pleasure offers feminist undertones with a dangerous and erotic edge. The play’s themes of sexual politics, youthful desire, and the consequences of indulgence are as timely today as they were in its origins in the Belle Époque. Fans of Sarah Kane, Sam Shepard, and Edith Wharton alike will delight in its dark twists and lush poetry, making this a standout choice for a contemporary or a classical season.

If you’re looking for an achingly lyrical play probing the complex beauty and pain of pregnancy… consider this dramatic poem that brings Sylvia Plath’s raw emotionality to the stage. Interweaving three contrasting perspectives, this piece wrestles with childbirth, loss, and motherhood as perceived by a trio of women. One welcomes a wished-for and beloved child; another comes to terms with a miscarriage; the third gives her child up for adoption following the trauma of sexual assault. The resulting chorus paints a sharp and unflinching portrait of having, or losing, a child. Three Women is a daring piece to engage a community in conversation around the choices and agency of reproductive rights arcing towards glimmers of hope and healing.

Hosted by Skye Pagon and Emily Lyon

We're back to expanding the canon! The 5 curators for our 5th List are here to dish about what makes this year's list of plays special. Not only are they plays of a different ilk, but we have WAY MORE this time for you to dig into!

Dive in with Emily Lyon, Triza Cox, Skye Pagon, Kalina Ko, and Gagarin for another year of plays that are CLASSICS.

If you’re looking for an ensemble-lead choreopoem that explores the Black experience in the entertainment industry… consider Spell #7 by celebrated playwright Ntozake Shange. Set in the late 70s in St. Louis, Missouri, the play welcomes us into a world not too far from our own, forcing us to reckon with the realities of the “isms” in creative spaces. The play takes us through the lives of 9 characters who are fighting to discover themselves as artists in a society that sees them as one dimensional after-thoughts. Using a mixture of lush poetry and stylized choreography (and guided by a literal magician), the ensemble explores the effects of blackface and violence against Black women in the entertainment industry and beyond. 

Hosted by Shannon Corenthin and Skye Pagon

Monologue by Terra Chaney

If you’re looking to explore the transactional nature of relationships when status is on the line… consider this tender-hearted hilarious romp complete with gossip, political intrigue, and romantic complications. Social prestige and customs maintain the delicate ecosystem that is the royal court, but when Moncade, the King’s sensitive and widely beloved favorite, is cast out, chaos ensues. As Moncade reckons with his status, the courtiers around him scheme to advance their own agendas using witty prose and undeniably shady tactics. With themes of inner beauty, integrity, and finding meaning within the ordinary, Le Favori calls into question our social ties and asks us what it means to truly value friendship.

Hosted by Skye Pagon and Gagarin.

Scene by Dorothea Gloria and Samanthia Nixon.

Dramaturgy by Sierra Rosetta

If you’re looking for a lush, poetic drama with a powerhouse queer heroine and an intersectional view of indigeneity… consider this moving piece from an eminent Chicana dramatist. Josefa is a pillar of her rural community - unflappable, benevolent, formidable, respected. Why then is there a fresh bloodstain on her floor? As the rest of the village women gather for a ritual to find husbands, Josefa is trapped in her house, frantically trying to prevent her secret from being revealed. This play is a harrowing, verdant exploration of the creation and keeping of a queer utopia, and what it costs to protect it. Capturing the poetry and cultural interrogation of Tennessee Williams with a distinctly feminist viewpoint, Day of the Swallows examines the secrets we’re forced to keep and the lengths we go to hide them.

Hosted by Gagarin and Skye Pagon.

Dramaturgy by James La Bella.

If you’re looking for a whirling political drama centering a mother’s feminist awakening… consider this dreamlike exploration of familial ties and civic responsibility. Nearly two years after the killing of her son, Sujata continues to struggle with his involvement in the uprising that resulted in his death. She embarks on a journey to understand her son and in doing so comes to recognize her own oppression as a mother, wife, and woman. Reminiscent of Brecht’s The Mother, this powerful and deeply human play examines grief, love, and the cost of revolution.

Hosted by Gagarin and Kalina Ko

Monologue by Shubhra Prakash

If you’re looking for an irreverent class comedy featuring a gritty female lead… consider this romp of mistaken identities by the 18th century master of dialogue, Hannah Brand. The willful and mischievous Adelinda is set to marry the wealthy Count D’Olstain – much to her weary parents’ relief. The only problem – Adelinda is already secretly married to a lowly servant! Schemes and mistaken identities abound, lost children are returned, and some snooty parents get a rightful scolding in this comical and quippy caper about the lengths we go to for a happily ever after. 

Hosted by Emily Lyon and Kalina Ko.

Edited by Steven Baek

Scene Performed by Madeline Egan Addis and Desireé Baxter

If you’re looking for a tragi-comedy where the lyric insight of Virginia Woolf meets the electric cruelty of Hedda Gabler… consider this post-war portrait of a woman created and creating through destruction. Claire Archer attempts to transcend the constraints of modern life through the breeding of new plants, despite a literal Tom, Dick, and Harry trying to stop her. As the blossoming of her latest creation approaches, her sanity is called into question and tensions around her unique way of life explode. A piece that is by turns devastating philosophical portraiture, droll farce, and scathing feminist cry, The Verge comes together in a pressure cooker analysis of prescribed womanhood.

Hosted by Emily Lyon and Kalina Ko.

Edited by Daniel Opkara

Monologue performed by Gwen Kelso

If you’re looking for a plot-twist-filled farce with bold schemes to fight prejudice… consider this comedy from the elusive Irish playwright, Alicia Sheridan Le Fanu. When the eldest daughter of an upper-class English family marries an Irishman, she is cast out and the whole family is thrown into disarray. But what if that Irishman comes back to prove himself to the family… disguised as a distinguished secretary? What secrets does he uncover? Can the family ever look past their own bias and reconcile? Full of comedic mix ups and shocking plot twists, Sons of Erin shines a light on the nonsensical nature of prejudice.

Hosted by Emily Lyon and Shannon Corenthin. Scene performed by Madeline Egan Addis and Sam Ogilvie. Edited by Erica Ricketts.

For more info on the Le Fanu family, visit: https://www.lefanus-online.org/history.html

If you’re looking for a madcap Comedy of Errors with chaotic Gen-Z wit…consider this arch, rollicking take on love and freedom from German dramatist Charlotte Von Stein. Once upon a time, Menonda was happily in a relationship – until her brother, bent on destroying all romantic love, got between her and her beloved. Now, due to a mistaken kidnapping and several misplaced identities, she finds herself held captive under the same roof as both her jilted lover and her bumbling brother. Will the lovers reunite? Will the kidnapping be avenged? Does anyone know what’s going on? A confetti of comedy’s favorite pleasures served up with a healthy dose of camp, this is the perfect piece for any theater looking to engage a younger crowd in the classics.

Hosted by Gagarin and Shannon Corenthin.

Scene performed by Nazlah Black and Danielle Cohn.

Edited by Steven Baek. Dramaturgy by James La Bella.