Jamie is joined by pal-of-the-show Aaron Thorpe (@paradoomer) to discuss Lizzie Borden's 1983 feminist sci-fi film "Born In Flames." Ten years after a "war of liberation" that established a social democratic government in the United States, things are still not great for women, especially queer, black, working class women! In a story that remains relevant to this day, the film follows the radical organizers of the Women's Army as they fight for true equality.

Outro song - "Born In Flames," Red Krayola

Greetings, Antifada super soldiers! This week, we're cross-posting an episode of Jamie's new show Everybody Loves Communism, wherein she and co-host Jorge do the reading so you don't have to. In this edition, Jamie and Jorge begin their mini-series on the Paris Commune as a prelude to chapter 3 of Lenin's "State and Revolution," because you need to know about it to understand that chapter. It's also just an important event in the history of class struggle; Marx called it "the dawn of the great social revolution which will liberate mankind from the regime of classes forever"(!)

The content of the episode draws from Massacre: The Life and Death of the Paris Commune by John Merriman.

New Yorker Review of the book: https://www.newyorker.com/magazine/2014/12/22/fires-paris

Produced and Edited by Paul (@aufhebenkultur)

Intro: Everybody Hates Chris theme song.

Image: The Boulevard Montmartre on a Winter Morning by Camille Pissarro

Be sure to subscribe at fans.fm/everybodylovescommunism if you want to hear more, and sign up as a supporter if you're feeling generous. Patrons will be rewarded with a fun ep on "Succession" due out next week!

As "Striketober" becomes "Strikevember," Sean and Jamie discuss the ongoing wave of strikes and labor actions, and what they might mean for class struggle in the US.

Outro song: Strike Anywhere - You're Fired

Happy Halloweekend! Jamie and Leslie are back with a seasonally appropriate discussion of two takes on the same tale from two towering directors: "Bram Stoker's Dracula" (1992), directed by Francis Ford Coppola, and "Nosferatu the Vampyre" (1979), written and directed by Werner Herzog.

Which film contains the more convincing worldview? Which Dracula is incel, and which is volcel? Does Mina come off cooler than she should because she's played by Winona Ryder? All will be revealed.

Subscribe to The Antifada's premium feed to access the rest of this frighteningly fun series, plus tons of other bonus content and our Discord community! Patreon.com/TheAntifada

NYC listeners come to Jamie's Halloween cover bands show on 10/31!: https://bit.ly/3besiBW

After the GSA convention (Gothic Socialists of America) the Antifidada crew spends a night at a hotel made famous by the book The Palmer Hotel, a collection of spooky short stories set over a century at a downtown hotel. $20. Venmo: Rick-Paulas, PayPal: RickPaulas@gmail, CashApp: $RickPaulas. Include address.

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NYC listeners come to Jamie's Halloween cover bands show 10/31!: https://bit.ly/3besiBW