How do we look at things? How do we engage with the arts, and how does art make us feel? Dean asks Rita Wright, director of the Springville Museum of Art, not-so-rhetorical questions concerning the phenomenology of experiencing paintings in an exhibit, and how art can connect us with the Proustian parts of our lives.

Dean seeks wisdom and advice from James D’Arc, a retiring Senior Librarian from the Harold B. Lee Library’s Arts and Communications, Motion Picture and Film Music Archives. Supposedly, Dean asks about archives as they can possibly relate to our own private lives. As expected, the dialogue topically meanders, but not unpleasantly so, from old movies to the expectations of a retiree and back again.

It's coming to all of us, and we mostly don't even want to think about it. Mortician and funeral director Lance Nelson discusses how facing death can help us live more abundantly.

Dean finds current conditions to be quite confusing! Enter BYU political scientist Wade Jacoby with some soothing/warning words about pluralism and partisanship, and how we might possibly, how we must urgently, reconcile the both of them.

Kory Katseanes, former administrator and multiple hat-wearer at BYU's School of Music, is also an alum of the Utah Symphony Orchestra. He conducts Dean on a fascinating tour through its cloistered and exclusive precincts, which turn out to be far less cl. & ex. than we might have thought.

BYU biologist Mark Belk celebrates the beauty of the life sciences and the wonderful ways that learning about one discipline can open up the others when we have the right methods and mindset.

Matt Shumway, former four-term chair of BYU's geography department, tells the tale of his ideological evolution, and especially of the development of his leave-me-alone leanings.

Architectural designer Matt Woods takes Dean to task for taking architecture so much for granted. Dean defends himself by saying that everyone else does the same thing. Then he brings up Rush.

Rodger Sorensen teaches directing at BYU's Department of Theatre and Media Arts. But Dean doesn't know what that actually means. What does a stage director actually do? Well, he came to the right guy...

We welcome Diane Reich, Vocal Division Coordinator at BYU's School of Music, to learn about some of the rigors and possible raptures that come with getting your voice classically trained.