Episode #424: This episode opens the first of a three-part Insight Myanmar Podcast series recorded at the Decolonizing Southeast Asian Studies Conference at Chiang Mai University. The gathering brought together scholars, activists, and cultural workers exploring how colonial legacies continue to shape scholarship, storytelling, and identity in the region. In this opening episode, we hear from Jules Yim and Jochem van den Boogert, two voices who approach decolonization from distinct yet deeply connected directions. 

Jules Yim treats decolonization as a living practice rather than a theory—something expressed through art, performance, and community. She describes her concept of “seapunk” as a movement grounded in rebellion and creativity, a Southeast Asian counterpart to cyberpunk or steampunk. “When we refer to punk,” she explains, “we’re referring to the outsider... the ungovernable, the unserious.” For Jules, this spirit of irreverence opens space for experimentation beyond political or academic boundaries. She contrasts the state-backed Korean Wave of pop culture with independent, community-based artistic movements that thrive on informality and collaboration. Jules also expresses an optimistic view that imagination itself is an act of resistance—a way of reclaiming voice, joy, and collective power. 

Jochem van den Boogert approaches decolonization through scholarship, tracing how colonial and Cold War frameworks continue to shape Southeast Asian studies. “The main task of decolonizing Southeast Asian Studies,” he says, “has to do with getting a good grasp of that framework... and only then can we come up with alternative explanations.” His research on Javanese Islam explores how religious practices coexist in fluid, negotiated forms. “It’s about the practices,” he notes, not rigid belief. Drawing parallels to Buddhism in Burma, Jochem observes similar adaptive patterns, where communities integrate multiple truths into daily life. Both, he argues, reflect Southeast Asia’s remarkable coherence within complexity—an enduring, relational way of understanding the world.