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This week, we explore a modern paranoid thriller in which Riz Ahmed and Lily James use old-school tech for the hearing impaired to engage in corporate espionage. Look out Big Pharma, it’s David Mackenzie’s Relay.
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If you’re looking for a bleakly comedic look at modern dating—a situationship with a side of some light BDSM and the cabin-in-the-woods trope, this episode is for you. It is love or lunacy? It’s Sophie Brooks’s Oh, Hi!
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“At the end of the Cold War, global powers reached the consensus that the world would be better off with fewer nuclear weapons. That era is now over.” It’s gripping cinema. It also feels like Obama fan fiction, and it ignores the basic tenants of nuclear strategy. It’s Kathryn Bigelow’s A House of Dynamite.
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It’s the Golden Globe nominated Time Sensitive. We’ve got a great show for you this week. We are back for Season 8 with what Variety calls, “An ingeniously squirmy and borderline inappropriate ‘bromance.’” We’re talking codependence, grief, and discomfort that can point the way to deeper truths. It’s a Fight Club meetcute. It’s It Takes Two meets Dear Evan Hansen. Is it cruel, or is it kinky? Either way, it’s James Sweeney’s Twinless.
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We're back baby! Season 8 begins on February 13th
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Get your finest gown or tuxedo on for the 5th Annual presentation of the prestigious Sensi Awards. We welcome you to our Season 7 Finale.
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Get your votes in now on our social media for the Season 7 Finale and the Sensi Award Presentation that airs on Friday November 21st!
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This is our final film review of Season 7, and we decided to go out with a bang: a bizarre labor of love that provokes as much confusion as it does admiration. A film fifty years in the making, equal parts science fiction, political allegory, and personal manifesto from one of the greatest living directors. It’s proof that some people still haven’t processed 9/11, and quite possibly the only place you’ll see an Asian Elvis impersonator singing “America the Beautiful.” It’s Megalopolis, written, directed, produced, and funded by the legendary Francis Ford Coppola.
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This week, we profile—to borrow the headline from The New York Times—”A sly ode to the last band you’d give the biopic treatment.” Self-proclaimed as “a new experimental biopic-doc hybrid,” it’s designed to glorify Stockton—the Cleveland of California, deliberately alienate potential fans, commemorate the revolutionary act of singing out of tune, and both introduce and simultaneously immortalize the The World’s Most Important and Influential Band. It’s Alex Ross Perry’s Pavements.
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It’s that time of year again! Throughout the entire month of October, Time Sensitive has been devoted to blood, guts, and the BEST classic and under-the-radar horror films, and this week, we bring the 2025 edition of the Festival to a close with a dark ornithological fairytale. That’s right, this episode is going to the birds. Literally. It’s Tilman Zinger’s Cuckoo.
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