Romantic, 1819-1896: 19th century Germany was not a hospitable environment for female composers. Nevertheless, Clara Weick-Schumann left an indelible mark with her compositions, her soulful musicianship, her inspired instruction and her influence on many major composers of her generation.

Romantic, 1810-1856: Robert Schumann is one of the central figures of the Romantic Era. Not only did he make important contributions to the piano, art song and orchestral repertoire, he was also a celebrated musical journalist whose prose and poetry influenced the music of a generation.

Romantic, 1859: The music of Richard Wagner marked a growing “crisis” in Romantic harmony marked by the so called, "Tristan Chord". This is the opening harmony of the prelude to Wagner’s 1859 opera Tristan and Isolde. Never before has one group of four notes rocked the musical world so completely.

Romantic, 1827: It only takes a few notes to recognize the main theme of John William's score to the film “Star Wars." The Star Wars franchise has become a cultural touchstone all around the world. The original 1977 film is a marriage of a universal mythological tale, told with fantastic artistry.

Romantic, 1813-1883: Even mentioning the name Wagner spawns a dramatic response. He’s one of those figures that’s either loved or hated. It’s been said that more ink has been spilt on the works and life of Richard Wagner than almost another composer. His operas and his essays, his philosophy and his spirit, stand as pillars of German Romanticism.

Romantic, 1811-1886: When I say the words “rock star," what comes to your mind? Perhaps you picture guitars, stadiums and teeming mobs of adoring fans flocking to their favorite band or musician. In many ways, composer and pianist Franz Liszt was Europe’s first “rock star." His fans, mostly women, would rush the stage at his performances desperate to grab a bit of his clothes or a lock of his long hair. One writer actually called the phenomenon, “Lisztomania."

Romantic, 1698-1825: The modern piano is a masterpiece of acoustic design and engineering; 88 keys with the ability to play all of the notes a musician could possibly reach simultaneously, and a sound that can fill a concert hall by itself. Inside, the metal frame is holding 18 tons of tension as the strings are struck over and over again by large hammers. Each key triggers a complex mechanism allowing the performer to easily control the volume of the note simply by touch. We see and hear the piano so often that we’ve forgotten just how unique an instrument this keyboard has become.

Romantic, 1810-1849: In the Romantic Era, composers were no longer employees of the aristocracy; they composed for the people. This freedom was doubled-edged. Although it allowed the artistic genius of Berlioz, Liszt and Wagner to flourish, it also spawned a generation of composers who happily wrote crowd pleasing, disposable works for commercial success. Composers like Frederic Chopin rejected this “popularization” of music altogether by retreating from public performance and refusing to compromise his emerging artistic style. Ironically, Chopin’s music became (and has remained) extremely popular.

Romantic, 1829: For the first 50 years after his death, the majority of J.S. Bach’s music remained unpublished and unperformed. The 19th century saw an unprecedented return to his music in what we call “The Bach Revival."

Romantic, 1809-1847: Felix Mendelssohn had natural artistic talent to spare. He was a painter, poet, pianist and composer who not only left the world an impressive body of work but also helped revive the music of the past for generations to come.