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This month for our conversation on airships, we read Leviathan by Scott Westerfeld. Here is a brief description of the book:
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Nico and Adam sift through a pile of unmarked tapes to uncover the origins of the found footage genre. After a surprise SIXTH nominee is added to the list (11:13), the guys discuss: The Blair Witch Project, the film that popularized the genre and terrified audiences in a way few films ever have (26:01); Paranormal Activity, the first installment of the mega-franchise that helped solidify Blumhouse as the studio for 21st century horror (36:03); [REC], the hyper-real Spanish zombie movie with a final 10 minutes that won’t leave your brain (45:32); Cloverfield, the post-9/11, American riff on Godzilla that proved, if anything, that J.J. Abrams is damn good marketer (59:06); and Creep; the mumblegore two-hander starring Mark Duplass and director Patrick Brice (1:09:29).
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The Spooktacular rolls on with the mid-aughts horror indie The Hamiltons, about a family of [SPOILER]s with domestic issues that go well beyond their predilection for murder. Is it fair of us to mock this micro-budgeted San Francisco production? Well, considering the filmmakers have dubbed themselves “The Butcher Brothers,” we think it’s all fair game.
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Rob, Nico and Nick discuss Martin Scorsese, The Golden Bachelor, corrupt power, Disney, ad blockers, Taylor Swift and much more.
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On week two of the Halloween Spooktacular, Nick, Nico and Adam discuss the perfect date movie for the season. It’s Andrzej Żuławski’s slimy cult classic Possession, starring Isabelle Adjani and Sam Neill.
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Nico, Adam and Nick recount stories from the 2023 Toronto International Film Festivals. Capsule reviews for: Hate to Love: Nickelback (1:40), Evil Does Not Exist (20:40), Quiz Lady (26:00), The Dead Don’t Hurt (31:35), Daddio (36:06), American Fiction (47:48), A Normal Family (54:20), In Restless Dreams: The Music of Paul Simon (1:02:23), One Life (1:08:47), Hit Man (1:18:35), The Holdovers (1:24:55).
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Nick, Nico and Adam kick off the October Spooktacular with the early-aughts, zombie video game adaption that’s NOT Resident Evil. Is House of the Dead Sega’s legitimate attempt at a horror movie or a money-laundering scheme by controversial German auteur Uwe Boll? We answer all your nagging questions, as we review one of worst movies in WiTaT history.
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Rob, Nico and Invisible Nick discuss Justin Trudeau, mystery illnesses, nuclear holocaust, Steven Avery, old iPhones, time travel and much more.
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Redux August concludes with a side-by-side comparison of the Spanish-language sci-fi film Abre los ojos and Cameron Crowe’s faithfully idiosyncratic remake Vanilla Sky. Does the original help justify the remake’s clunky plot? Is the remake grade-A Tom Cruise or a thinly disguised vanity project? Will Nico be forced to eat crow or will he defend the film as a classic guilty pleasure? Tech support is here to resolve all your burning questions.
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Nico and Adam complete their two-part exploration of trashy sci-fi auteurs by watching six basic cable classics directed by Paul W.S. Anderson. The films discussed: Shopping, Anderson’s indie debut that showcases his punk sensibilities and the acting prowess of newcomer Jude Law (8:51); Mortal Kombat, Anderson’s colorfully plotless adaptation of the arcade game of the same name (20:25); Event Horizon, a gnarly space horror flick, starring Laurence Fishburne and Sam Neill, that was predestined for cult status (34:24); Soldier, a criminally underrated Kurt Russell vehicle that doubles as a secret Blade Runner spin-off (46:58); Resident Evil, the first installment of Anderson’s signature franchise, starring his future wife Mila Jovovich (1:04:21); and Death Race, an update of Roger Corman’s 70s camp classic, starring Jason Statham and a loaded cast of character actors (1:23:02).
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