Four novellas, in four different genres—science fiction, horror, teen romance, and a western—Stag Dance not only interrogates genre, but gender through genre. Written over a ten year period, Torrey Peters’ new book spans a decade when her own views and insights about gender were themselves changing. Placing these four novellas in conversation with each other like this now, raises all sorts of questions about identity and the construction of a self, as Peters puzzles out, through genre, the inconvenient aspects of what she calls her “never-ending transition—otherwise known as ongoing trans life.”  We look at questions of audience and risk, of writing into the taboos within one’s own community, and what it means that Torrey is less interested in exploring the binary between men and women, masculine and feminine, than the one between cis and trans, raising the question whether it is even a binary at all. We discuss the overdetermined transition narrative within trans literature and look at limit cases of cis gender performance from Kim Kardashian to Karl Ove Knausgaard to Ernest Hemingway’s late-in-life exploration of gender fluidity within his work. Whether talking about  Shakespeare or Taylor Swift, this boundary-defying conversation explodes the distinctions between high and low culture, and like her work itself, it will make you laugh, make you think, and make you reconsider what is possible. 

For the bonus audio archive Torrey contributes a reading of the first thing she wrote after she transitioned: “How To Become A Really Really Not Famous Trans Lady Writer,”  This joins incredible readings from everyone from Mattilda Bernstein Sycamore to CAConrad and is only one thing to choose from when you join the Between the Covers community as a listener-supporter. You can check it all out at the show’s Patreon page.

Finally, here is the BookShop for today’s conversation.

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