Dublin artist Ian Nyquist is a composer who released the album Gilded in September 2025. It's focused on the bodhrán, pushing the instrument 'beyond its ordinary confines' channelled through modelling software. During this conversation, Ian talks about his upbringing, how he came to the bodhrán (only about three years ago), why limitations on music-making can be revelatory, the Irish artists interesting in taking 'traditional' Irish music to new places, the urban environment, the Complex whose future is in doubt as a music venue, and we discuss the creation of Gilded.

Buy Gilded: https://iannyquist.bandcamp.com/album/gilded

The beating heart around which 'Gilded' is woven is the bodhrán, a native Irish frame drum with which Nyquist uses innovative techniques to push the instrument beyond its ordinary confines. Mirroring the instrument's sound through modelling software, the album's title itself nods to a theme of transformation, suggesting something familiar burnished to a new brilliance, giving it new life. The result being a truly unique unfurling of the harmonic, hypnotic and rhythmic potential of the bodhrán.

This spirit of transformation is most vividly realised through Nyquist's collaborations with some of Ireland's most evocative voices. On a version of 'Leis a'bháta Dhubh Dharaich (The Black Oaken Boat)', Edinburgh-born, Dublin-based singer-songwriter lona Zajac lends her haunting vocals to an old Gaelic rowing song, her voice holds the track in a timeless tradition even as Nyquist's arrangement swirls around her; an anchor in a storm- tossed sea.

Similarly, on 'Úna Bhán (Fair Una)', Cork's sean-nós singer Lorcán Mac Mathúna brings a sacred and ethereal quality to the 18th-century love song, his voice floating assuredly over Nyquist's sparse, shimmering arrangement.

An original composition by Laucan, 'What Else Am I For?', marries introspective, dream-washed vocals with an impressively fine-tuned production style. Once again, Nyquist demonstrates his ability to connect diverse genres and musical traditions.

Ireland's music scene continues to branch out and evolve, spurred on by the artists-like Nyquist; with 'Gilded', he melds the sound worlds of old and new, of technique and heart, of heritage and reinvention. His work resists neat distinctions and rigid genre typologies, while retaining a sense of where he calls home.