Tracee Ellis Ross won a Golden Globe in 2017 for her role on ABC's Black-ish. She's also been nominated five times for that role at the Emmys. In this chat from July 2020, she and Sam discuss her Black-ish role, sharing her singing from The High Note with mom Diana Ross, and portraying Black joy on screen. 

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Tracee Ellis Ross On Playing A 'Thriving, Not Surviving' Character On 'Black-ish'

Has it been a minute since you heard a thought-provoking conversation about culture? Brittany Luse wants to help. Each week, she takes the things everyone's talking about and, in conversation with her favorite creators, tastemakers, and experts, gives you new ways to think about them. Beyond the obvious takes. Because culture doesn't happen by accident.

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President Biden has been pushing new regulations to promote electric vehicle production to combat the climate crisis — and former president Trump is using those regulations as a talking point against Biden. To break down how cars became the latest weapons in the culture wars, host Brittany Luse is joined by NPR's transportation correspondent Camila Domonoske and Dan Brekke, a reporter and editor at KQED in San Francisco who covers transit. Together, they talk about why Americans are so invested in their cars — and how cars became more than just a policy battle. 

Then Brittany discusses a new HBO documentary series that is making waves right now: Quiet On Set. The show alleges a pattern of sexual harassment behind the scenes at Nickelodeon, and includes interviews with several former child stars describing experiences that range from taking part in sexualized gags to facing downright sexual abuse while working for the network. Brittany looks closer at the trouble with child performers with Joan Summers and Matthew Lawson, co-hosts of the Eating for Free podcast. They discuss what makes child performers especially vulnerable to abuse — and they ask why society demands performances from children.

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The car culture wars; plus, the problem with child stars

Grab your cowboy hat, and saddle up that horse, because Beyoncé's highly anticipated album, Cowboy Carter is here. So far, the album has spurred praise, criticism, and questions about what the actual goal of this project is and how it fits into the Renaissance trilogy. To get into all of that, Brittany joined NPR's Pop Culture Happy Hour to discuss whether this foray into country is an exercise in experimentation or industry validation.

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Boots with the spurs: 'Cowboy Carter' and the need for validation

Following the collapse of the Francis Scott Key Bridge in Baltimore last week, the city's 39 year old mayor, Brandon Scott, a Black man, stepped out to address the crisis. Hours later, a tweet went viral calling Scott a "DEI Mayor." To which Brittany and her guests, NPR's Gene Demby and Alana Wise, say "wait what?" The three dig into the racism lurking under the surface of this kind of rhetoric.

Then, as March Madness reaches its final nail-biting stages, Brittany takes a look at the reality of "student-athletes." What may feel like an accurate descriptor of these players is actually a legal classification that bars them from asking for worker's compensation and other benefits - benefits usually given to employees. Brittany is joined by sports business reporter Amanda Christovich and Assistant Professor of Legal Studies in Business at Boise State University Sam Ehrlich. They discuss how the recent news of Dartmouth men's basketball team unionizing opens up doors for broader conversations around how we value "work."

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Is DEI a slur now? Plus, control & basketball

This week, we're revisiting an exploration of hair braiding gone wrong. Online, women looking to get box braids have gone viral with their complaints about confusing pricing structures, minimal care, and poor customer service. Brittany Luse chats with public historian and YouTuber Jouelzy to get an overview of the tension. Then, Jessica Poitras, legislative counsel for the Institute of Justice, joins the show to talk about the legal roadblocks many hair braiders face in setting up their businesses. And later, Brittany is joined by stylist Tyré Rimple to discuss the hidden costs behind braiding. This segment first aired last summer.

Want to be featured on the show? Record a question for 'Hey Brittany' and send it to ibam@npr.org.

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The hidden costs of hair braiding

TikTok has come under fire for its addictive algorithm and for being a place where misinformation spreads. But still, there is one institution that thinks TikTok actually has the potential to be a source of good in our world: Harvard. To be more specific, it's the Harvard Chan Center for Health Communication.

To hear more about how the center is working with TikTok influencers to share researched information with the public, host Brittany Luse is joined by Kate Speer. Kate started as a mental health TikToker, but was recently hired as a marketing director for the Harvard Chan Center for Health Communication. Kate also shares her mental health journey and what it's been like to work within a mental health system that harmed her.

Then, Brittany looks at the history left out of the new Netflix film, Shirley, which follows the presidential run of Shirley Chisholm. Brittany sits down with Dr. Anastasia C. Curwood, author of Shirley Chisholm: Champion of Black Feminist Power Politics, to discuss what came before the historic race. They talk about how Shirley's various identities informed her approach, and scan for her fingerprint on American electoral politics today.

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Tracee Ellis Ross On Playing A 'Thriving, Not Surviving' Character On 'Black-ish'

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