Trailers from Hell

Basil Rathbone's coldly obsessed Dr. Cadman looks like a dry run for Peter Cushing's Baron Frankenstein in this florid period monster rally with scary makeups by Gordon Bau. Akim Tamiroff's role was intended for Peter Lorre.

By the time Swedish wrestler and best-selling Halloween mask Tor Johnson made this, his all-time worst picture, his career was behind him and the days of Ed Wood must have looked like Eden. The longest 54 minutes in movies.

Clifford Odets and Ernest Lehman's corrosive look at Power in America as typified by an unscrupulous and possibly insane Broadway columnist modeled on Ed Sullivan and Walter Winchell. Brilliantly directed by the underrated Alexander Mackendrick. A must-see.

Universal was the leader in slickly produced 50s genre pix, and here's another eerie desert-set chiller from Jack Arnold with good special fx and creepy makeups. Leo G. Carroll, one of Hitchcock's favorite actors, classes up the joint as the scientist whose serum results in big buggery.

Taking up the lurid mantel of Mario Bava, former film critic Dario Argento rocketed to international prominence with this highly influential giallo which spawned countless imitations. This is the international trailer made for export.

Billy Wilder royally p.o.'d most of the Hollywood establishment with this devastatingly dark yet moving take on the tragic decline of silent movie queen Norma Desmond (an unforgettable Gloria Swanson), pushed aside by an unfeeling industry. One of the all-time greats. "I AM big! It's the PICTURES that got small!"

Everybody's favorite director Carl Denham (Robert Armstrong) is dodging bill collectors who want him to pay for King Kong's Big Apple antics and finds himself back on Skull Island with the lovely Helen Mack in this hastily-produced sequel. A family tragedy during production resulted in fx genius Willis O'Brien entrusting some of the animation to assistants.

Stephen Bochco and Michael Cimino were among the writers of fx wizard Doug Trumbull's melancholy 1971 space odyssey, which has taken on belated luster in our globally steam-heated present. One of Bruce Dern's finest hours.

It's pretty much a bromide that if James Dean had not died at his peak he might have ended up like Troy Donahue, but in this emblematic Nick Ray film, released after Dean's death in a 1955 auto accident, he continues to electrify new generations with his raw emotion.

A rather inelegant retitling of Gary Sherman's British thriller "Deathline", originally pitched to the grindhouse crowd but eventually rediscovered by critics and audiences on tv and video. One of Donald Pleasance's finest hours.