M. Night Shyamalan is a master of the unsettling -- from The Sixth Sense to Signs and beyond, one of Night's major signposts is a heaping helping of discordant atmosphere and the fragile lines between illusion and reality. His new series for Apple TV+, Servant, dabbles in those aesthetics to devilish delight. The tale of an affluent Philly couple, Sean (Toby Kebbell) and Dorothy (Lauren Ambrose) who take in a mysterious nanny named Leanne (Nell Tiger Free) to care for their son, Jericho -- himself a therapeutic doll meant to help Dorothy through the grief of losing the real Jericho six months prior -- Servant has all the signposts of an M. Night joint, from the deliberately stylized acting choices to the meticulous distance of its presentation. One of the key players of Servant's haunting feel is composer Trevor Gureckis (The Goldfinch, Bloodline), who glazes every narrative surface of the show with unconventional, spine-chilling soundscapes. For the week of the show's season finale, The Spool sat down with Gureckis to discuss working with Night, the unique process of writing music for television, and playing with the fuzzy nature of the show's reality. (More of a Comment, Really… is a proud member of the Chicago Podcast Coop. Thanks to Overcast for sponsoring this episode!)