“There are no monsters, and all of them are real.” Jenn talks to Dr. Surekha Davies about her brilliant HUMANS: A MONSTROUS HISTORY, which charts the very human phenomenon of monster-making from antiquity to the present.

Evelyn chats with Victoria Christopher Murray, bestselling coauthor of THE PERSONAL LIBRARIAN, about HARLEM RHAPSODY, the extraordinary story of the woman who ignited the Harlem Renaissance.

Author Kimberly Lemming stopped by to chat about I GOT ABDUCTED BY ALIENS AND NOW I’M TRAPPED IN A ROM COM – and how she threw every wild idea at the wall and ended up with a traditional publishing contract.

A meet cute at a morgue sets off this wild romance between Honor Stone, a young woman with an ax to grind and Strike Madden, a wealthy entrepreneur whose hobbies meet Honor at the cross section of revenge. We got a chance to chat with Adele Griffin and Julie Buxbaum (the authors who created “Taylor”) to discuss this wild ride.

Filmmaker Josh Mendoza stops by to discuss his debut novel, SHADOW OF THE ETERNAL WATCHER, the differences between writing for the screen and for the page, and writing dynamic action scenes.

Mollie Hawkins discusses her brilliant addition to the Object Lessons series: SAXOPHONE. a gorgeous blend of history, cultural analysis, and deeply moving personal reflection.

Jessikah sat down with Erin Crosby-Eckstine, author of JUNIE, part ghost story, part historical fiction and weaving tension which will leave you thinking about this book way after you’ve turned the last page.

Hache Pueyo stops by to chat about BUT NOT TOO BOLD, a beautiful and eerie sapphic monster romance novella wrapped in gothic fantasy trappings.

Jessikah reunites with J.W. Ocker to discuss CULT FOLLOWING a fascinating look into not only cults, but some of the most murky lore around cults, what defines them and what people are searching for that leads them to join.

Jenn chats with Melissa Ferguson about THE PERFECT ROM COM, writing romantic tension, and maintaining a writing practice while managing a busy family.