TV Confidential with Ed Robertson

TVC 626.1: Music and television historian Chuck Harter joins Ed for an in-depth look at The Monkees television series (NBC, 1966-1968) and why it still holds up today. Chuck interviewed Micky Dolenz, Davy Jones, Michael Nesmith, Peter Tork, and many other key Monkees personnel for Hey, Hey, We're The Monkees, the excellent Disney Channel documentary, written by Chuck, that explores the history of The Monkees and the ongoing impact of the Monkees phenomenon.

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TVC 626.2: Chuck Harter, music historian and writer of the acclaimed documentary Hey, Hey, We're The Monkees, talks to Ed about the three phases of The Monkees in 1967: television series, recording unit, and live performing ensemble.

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TVC 626.3: Ed welcomes Michael Connelly, New York Times bestselling author; creator of the Harry Bosch, Renee Ballard, and Lincoln Lawyer novel series; and the executive producer of both Bosch and Bosch: Legacy, the two Amazon Prime series starring Titus Welliver that are based on the Harry Bosch novels, and The Lincoln Lawyer, the Netflix series starring Manual Garcia-Rulfo as Mickey Haller, the Lincoln Lawyer. Michael's latest novel, Resurrection Walk, is a Lincoln Lawyer novel that also features Harry Bosch. Resurrection Walk becomes available in bookstores everywhere on Tuesday, Nov. 7.

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TVC 626.4: Michael Connelly, creator of the Harry Bosch, Renee Ballard, and Lincoln Lawyer novel series, talks to Ed about collaborating with David E. Kelley on the Netflix series adaptation of The Lincoln Lawyer; how Harry Bosch, the book character, differs from the character that Titus Welliver plays on Bosch and Bosch: Legacy; and why the Musso and Frank Grill is one of his favorite restaurants in Hollywood. Michael's latest novel, Resurrection Walk, is available in bookstores everywhere on Tuesday, Nov. 7.

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TVC 626.5: Part 2 of a conversation that began last week with Jon Burlingame, nationally renowned music journalist and the author of Music for Prime Time: A History of American Television and Scoring that not tells the back story of every great TV theme music or TV theme song, but gives readers a portraits of the many great composers who made those themes so memorable, including John Williams, Benny Carter, Duane Tatro, Irving Szathmary, and Oliver Nelson. Topics this segment include why some of the most memorable and creative music for television was made in the period between the late 1960s and early 1970s. Music for Prime Time is available in bookstores everywhere through Oxford University Press and Amazon.com.

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TVC 626.6: Jon Burlingame, author of Music for Prime Time, talks to Ed about the three eras of music for television, and how the role of music supervisors on a television series has become particularly important today, when many shows use pre-existing songs to convey the theme and mood of a series. Music for Prime Time: A History of American Television Themes and Scoring is available in bookstores everywhere through Oxford University Press and Amazon.com.

Jon Burlingame is also the producer, along with Doug Schwartz, of The Quinn Martin Collection, a three-volume CD collection released by La La Land Records. Volume 1, released in 2019, features music composed by Jerry Goldsmith, John Parker, Dave Grusin, and Lalo Schifrin for Barnaby Jones, Cannon, Dan August, and Most Wanted, respectively; Volume 2, released in 2019, features music composed for The Invaders by Dominic Frontiere, Richard Markowitz, Sidney Cutner, Duane Tatro, and others; Volume 3, released in 2020, features music composed by Patrick Williams for several episodes of The Streets of San Francisco (including the pilot movie), plus Williams' score for "The Seduction Squad," an episode of A Man Called Sloane. According to Jon, a fourth volume is scheduled for release in 2024. If you love the music of Quinn Martin's shows, all of these volumes are highly worth adding to your collection.

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TVC 625.1: Part 2 of a conversation that began on our last program with actor, author, and comedian Nick Santa Maria (The Misadventures of Biffle and Shooster). Nick's new book, The Annotated Abbott and Costello: A Complete Viewer's Guide to the Comedy Team and Their 38 Films (a collaboration with Matthew Coniam), not only provides a film by film, scene by scene look at all thirty-eight movies starring Bud Abbott and Lou Costello, but makes the case for why Abbott and Costello rightfully belong among the top tier of comedy teams. Topics this segment include how the enormous popularity of Abbott and Costello in the 1940s actually worked against them for a time because of oversaturation, and how the influence of actor Charles Laughton helped turn that perception around.

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TVC 625.2: Nick Santa Maria, co-author of The Annotated Abbott and Costello: A Complete Viewer's Guide to the Comedy Team and Their 38 Films, talks to Greg and Ed about the many famous character actors who co-starred with Abbott and Costello in the movies and on television, including Shemp Howard, Errol Flynn, Martha Raye, Dick Powell, Charles Lane, Joey Faye, and Gale Gordon. Available from McFarland and Company, The Annotated Abbott and Costello also features new research, surprising revelations, lots of photographs, a poignant essay called "Lou and Me" by Nick Santa Maria, a foreword by John Landis, and more.

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TVC 625.2b: Nick Santa Maria, co-author of The Annotated Abbott and Costello: A Complete Viewer's Guide to the Comedy Team and Their 38 Films, talks to Greg and Ed about the "Ultimate Abbott and Costello Top Ten," one of the extra features of The Annotated Abbott and Costello, and a scientifically put-together Top Ten that includes input from such luminaries as Leonard Maltin, Joe Dante, John Landis, Chris Costello, and Michael Schlessinger.

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TVC 625.3: Ed welcomes singer and dancer Shelly Clark, one of the founding members of Honey Cone, the legendary R&B and soul girl group from the late 1960s and early 1970s that was also the premier female group for Hot Wax Records, the label operated by the famed writing team Holland-Dozier-Holland. Honey Cone was also the very first act to appear on the debut episode of Soul Train in 1971, performing two of their hits, "Want Ads" and "Stick Up." Shelly talks to Ed about the significance of appearing on Soul Train. She also explains how she was working as a regular dancer on The Jim Nabors Hour (CBS, 1969-1971) at the time "Want Ads" became a big hit, and how she had to hire her own replacement on the Nabors show so that she could tour nationally with Honey Cone.

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