Two for Space Jam, Please

Two for Space Jam, Please

By Cheryl Quimba and Joe HallTV & FilmSociety & CultureArts
Download on the App Store

Two for Space Jam, Please episodes

  • Episode 17 – Hustlers (2019)
    J.Lo & $.

    The one where we talk about J.Lo looking phenomenal at 50, the honesty of a lap dance, and how the whole world’s a strip club.

    After our discussion our comrade Chanelle recommended some reading–a piece by Kate Zen that adds some crucial context and insight into the film’s representation of Destiny: “Constance Wu’s real-life ‘Hustlers’ inspiration and the problem with model minority redemption narratives.”

    Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.

    As always, send us yr mail at twoforspacejamplease @ gmail.com and subscribe on iTunes or Google Play.

    52 min
  • Episode 17 – Hustlers (2019)
    The one where we talk about J.Lo looking phenomenal at 50, the honesty of a lap dance, and how the whole world’s a strip club. After our discussion our comrade Chanelle recommended some reading–a piece by Kate Zen that adds some crucial context and insight into the film’s representation of Destiny: “Constance Wu’s real-life ‘Hustlers’ … Continue reading "Episode 17 – Hustlers (2019)"
    0 min
  • Episode 16 – Matewan (1987)
    I have a very convoluted biblical allegory to tell you that starts with Joseph and his coat of many colors and ends with company spies getting got.

    We dip into the vault to watch John Sayles 1987 labor classic, Matewan, the based-on-fact story (and here’s a hilariously biased company version of the story for kicks) in which Mingo County coalminers enter a deadly struggle with their bosses and their thugs for improved conditions. We talk labor in cinema, dramatizing solidarity and organizing, what the labor films of the future might look like, and Cheryl-super-crush Will Oldham and his gorgeous kissable lips. Solidarity forever! And thanks to slfhlp for providing us some SICK BEATS for our intro and outro.

    As always, send us yr mail at twoforspacejamplease @ gmail.com and subscribe on iTunes or Google Play.

    1 hr 4 min
  • Episode 16 – Matewan (1987)
    We dip into the vault to watch John Sayles 1987 labor classic, Matewan, the based-on-fact story (and here’s a hilariously biased company version of the story for kicks) in which Mingo County coalminers enter a deadly struggle with their bosses and their thugs for improved conditions. We talk labor in cinema, dramatizing solidarity and organizing, … Continue reading "Episode 16 – Matewan (1987)"
    0 min
  • Episode 15 – Midsommer (2019)
    It’s like day 7 of our summer vacation and I ate so much I’m like uggggggggggghhhhhhhhhh.
    fill yr precious sound cups

    Dearest listeners, we have returned from a short break to get freaked out by this summer’s horror-pastoral freakout, Midsommer. We discuss literary precedents, communitarian-phobia in cinema, grad students as villains (I hate that I’m linking to Slate but C pointed out that our point had been made), and more. Also, stay tuned for our first episode featuring an interview with a writer-activist who is doing rad, necessary things. We’re freaking out about this, but in a different way. Skål!

    58 min
  • Episode 15 – Midsommer (2019)
    Dearest listeners, we have returned from a short break to get freaked out by this summer’s horror-pastoral freakout, Midsommer. We discuss literary precedents, communitarian-phobia in cinema, grad students as villains (I hate that I’m linking to Slate but C pointed out that our point had been made), and more. Also, stay tuned for our first … Continue reading "Episode 15 – Midsommer (2019)"
    0 min
  • Episode 13 – Chanelle Gallant’s “F_ck You, Pay Me” (2019) (BOOK CLUB)

    We’re reading Pleasure Activism: The Politics of Feeling Good, written and gathered by adrienne maree brown. There was so much here to talk about but, for now, we’re turning to one essay in particular: Chanelle Gallant’s tremendous “Fuck You, Pay Me,” a myth-shattering case for the right of sex workers to use their sexuality to get the life they want. You can learn more about adrienne maree brown’s work here and Chanelle Gallant’s work here. And listen to our interview of Chanelle in Episode 19.

    48 min
  • Episode 13 – Chanelle Gallant’s “F_ck You, Pay Me” (2019) (BOOK CLUB)
    We’re reading Pleasure Activism: The Politics of Feeling Good, written and gathered by adrienne maree brown. There was so much here to talk about but, for now, we’re turning to one essay in particular: Chanelle Gallant’s tremendous “Fuck You, Pay Me,” a myth-shattering case for the right of sex workers to use their sexuality to … Continue reading "Episode 13 – Chanelle Gallant’s “F_ck You, Pay Me” (2019) (BOOK CLUB)"
    0 min
  • Episode 12 – Bon Appétit, It’s Not the Avengers
    O Noodles

    The responsible pop culture thing for us to do would have been for us to watch the Avengers. We were going to watch Us but then a lot of life stuff got in the way. We had one last chance this weekend but by that point every showing after 1:00 PM at our semi-rural theatre had been Avengered. And guess what? We don’t give a fuck about the Avengers! Or the related demi-plane of superhero content. Instead, we’ve been zoning out to seven to thirty-five minute videos of Bon Appétit’s test kitchen ppl making food, so we talked about that and somehow the gig economy. Enjoy!

    Some episodes: Claire makes Peeps, the gang makes pizza, Brad fries baloney, Andy makes halva, Brad and Gabby make empanadas.

    56 min
  • Episode 12 – Bon Appétit, It’s Not the Avengers
    The responsible pop culture thing for us to do would have been for us to watch the Avengers. We were going to watch Us but then a lot of life stuff got in the way. We had one last chance this weekend but by that point every showing after 1:00 PM at our semi-rural theatre … Continue reading "Episode 12 – Bon Appétit, It’s Not the Avengers"
    0 min

About Two for Space Jam, Please

From the publisher's feed

Joe Hall and Cheryl Quimba watch movies then say things about those movies. They have strong feelings about Todd Haynes, Korean horror, class warfare, and how not to make a twenty-first century rom…