In this episode of U-M Creative Currents, host Mark Clague continues the conversation with artist and filmmaker David Chung, professor at U-M’s Stamps School of Art & Design.

Building on Part 1, this discussion delves deeper into Impossible Conversations, exploring themes of restorative justice and the personal transformations that can arise when individuals with opposing ideologies find a way to communicate. 

Professor Chung’s work focuses on how identities are shaped in immigrant communities and the challenges of refugees as they integrate into new homelands. Chung’s work has been exhibited at the Boston Museum of Fine Arts, the Corcoran Gallery of Art, the Asia Society, the Walker Arts Center, the Wadsworth Atheneum, Project Rowhouses, the Studio Museum in Harlem, the Gwangju Bienniale, the Tretyakov Gallery of Art (Moscow), the Williams College Museum of Art, and in a solo exhibition at the Whitney Museum of American Art.

• Impossible Conversations exhibition
• Learn more about the ARIA program
• More on David Chung

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival

In this episode of U-M Creative Currents, host Mark Clague explores the intersection of art and science through a unique campus collaboration at the University of Michigan.

Joining the conversation are Professor Todd Allen, Department Chair of U-M’s Nuclear Engineering & Radiological Sciences (NERS), and Devin Wright, a Michigan-based artist and illustrator. Together, they discuss their recent project—a student-designed mural in the NERS building on North Campus—that brings scientific concepts to life through visual storytelling.

Professor Allen, a leading expert in nuclear energy, shares insights on how interdisciplinary partnerships like this one can spark new ways of thinking. Meanwhile, Wright, a graduate of Detroit’s College for Creative Studies, reflects on the power of art to communicate complex ideas and foster engagement in unexpected spaces.

• Read about the mural project in the University Record
• View photos of the mural 
• More on U-M Professor Todd Allen
• More on Artist Devin Wright

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival

Today on Creative Currents, you’ll learn all about how artists get paid. In this episode, Mark talked with Makeda Easter about her project “Making It: $napshots from the Artist Pay Project,” an anonymous journalistic series that explores how artists navigate financial realities. 

Makeda is an award-winning journalist and artist who works at the intersection of arts and social justice focusing on how to make artists' lives better. Makeda's work is a powerful blend of storytelling, activism, and cultural exploration. Her writing has appeared in publications such as: The Los Angeles Times, Dance Magazine, and American Theatre.

On this episode of U-M Creative Currents, we'll tackle questions like pay equity, working for exposure, and how to answer the question "Is the offer of this job worth my time?"

• Learn more about The Art Rebellion
• Read the Michigan Daily: Artist Pay Project
• Visit the Ford School: Artist Pay Project

*Production note: Apologies about the audio quality on this episode—we ran into some technical difficulties during this recording.

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival

In this thought-provoking episode of U-M Creative Currents, host Mark Clague welcomes a distinguished panel of guests at the intersection of art, social research, and community engagement: artist Rick Lowe, curator Abigail Winograd, professor Christian Davenport, and social scientist Kate Cagney. Together, they examine how art serves as a catalyst for social exploration, change, and collective storytelling.

As part of a unique collaboration between the Institute for Social Research (ISR) and the U-M Arts Initiative, Rick and Abigail are working alongside U-M students – through a class they’re co-teaching with Professor Davenport – and U-M faculty to create new artworks and an upcoming exhibition. Their work blurs the lines between artistic practice, historical critique, and community-driven social change.

• Learn more about Rick Lowe’s work
• Read about the partnership with the Institute for Social Research and the Arts Initiative
• Follow Abigail Winograd’s curatorial projects
• More on Christian Davenport
• More on Kate Cagney

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival

In this episode of U-M Creative Currents, Mark Clague sits down with Professor Rogério Meireles Pinto, artist, scholar, and social worker, to discuss his powerful multimedia exhibit, Colorism. Through video, photography, sculpture, and audience interaction, Colorism questions the ways skin color has been used to assign value, separate communities, and reinforce biases—both across and within racial groups.

Pinto discusses his personal and professional journey, from growing up queer and poor under a dictatorship in Brazil to merging art and science in his work on social justice. He shares insights on how humor plays a role in his critique of racial constructs, the power of autoethnography in healing and activism, and why conversations about colorism are more relevant than ever.

About Our Guest:

• Rogério Meireles Pinto is the University Diversity Social Transformation Professor, Berit Ingersoll-Dayton Collegiate Professor of Social Work, and Professor of Theatre and Drama at the University of Michigan. Born in Belo Horizonte, Brazil, he uses art-based methods in community-engaged research in the U.S. and Brazil, focusing on improving healthcare access for marginalized groups. His award-winning solo play Marília explores personal loss and identity, while his art installation Realm of the Dead examines his experiences as a gender non-conforming, mixed-race Latinx immigrant. His work has been presented internationally and funded by the NIH and other organizations.
• Learn more about Colorism
• Learn more about Rogério Pinto

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival

In this episode of U-M Creative Currents, we introduce listeners to the 2024-2025 Creative Careers Residents—Leah Crosby, Kara Roseborough, and sara faraj. Host Mark sits down with each resident to discuss their work, creative processes, and upcoming projects. From audio storytelling and jazz ballet to participatory photography, these artists and scholars are pushing boundaries in their respective fields.

Featured Guests & Projects:

• Leah Crosby (MFA, Stamps School of Art & Design) – Crosby’s project is titled "Three Times as Tightly" and is a three-part audio work that uses marine animals as symbols to explore human attachment and identity formation. The three chapters include The Anglerfish, The Axolotl, and The Marine Iguana.
  
  
• Kara Roseborough (MFA in Dance, SMTD) – Roseborough is developing a jazz ballet “La Vie en Rose,” which chronicles the journey of a small-town Black waitress with dreams of dancing in New York City. The piece examines issues of race and gender as they pertain to an artist’s journey and incorporate the history of Black people in southeast Michigan.
  
  
• sara faraj (Master of Urban & Regional Planning, Taubman College) – Faraj facilitated Photovoice workshops in 2024-2025 to cultivate space for liberatory education and collective reflection for social change. The Photovoice methodology, which was developed by Caroline C. Wang and Mary Ann Burris, includes photography training, ethical considerations of photography, direction and narrative development through reflection and collaborative activities.

Relevant Links:

• There will be a public presentation of Three Times as Tightly, Leah Crosby’s project showcase and a listening party at the Canterbury House on March 14 at 7:00 p.m. The audio will also be online the same day. Reception to follow the listening party, RSVP today.
• There will be a public performance of “La Vie en Rose” on Saturday, March 29 at 7:00 p.m. and Sunday, March 30 at 3:00 p.m. at the Riverside Arts Center. Get your tickets here.

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival

In this episode of U-M Creative Currents, we introduce listeners to the 2024-2025 Creative Careers Residents—Leah Crosby, Kara Roseborough, and sara faraj. Host Mark sits down with each resident to discuss their work, creative processes, and upcoming projects. From audio storytelling and jazz ballet to participatory photography, these artists and scholars are pushing boundaries in their respective fields.

Featured Guests & Projects:

• Leah Crosby (MFA, Stamps School of Art & Design) – Crosby’s project is titled "Three Times as Tightly" and is a three-part audio work that uses marine animals as symbols to explore human attachment and identity formation. The three chapters include The Anglerfish, The Axolotl, and The Marine Iguana.
  
  
• Kara Roseborough (MFA in Dance, SMTD) – Roseborough is developing a jazz ballet “La Vie en Rose,” which chronicles the journey of a small-town Black waitress with dreams of dancing in New York City. The piece examines issues of race and gender as they pertain to an artist’s journey and incorporate the history of Black people in southeast Michigan.
  
  
• sara faraj (Master of Urban & Regional Planning, Taubman College) – Faraj facilitated Photovoice workshops in 2024-2025 to cultivate space for liberatory education and collective reflection for social change. The Photovoice methodology, which was developed by Caroline C. Wang and Mary Ann Burris, includes photography training, ethical considerations of photography, direction and narrative development through reflection and collaborative activities.

Relevant Links:

• There will be a public presentation of Three Times as Tightly, Leah Crosby’s project showcase and a listening party at the Canterbury House on March 14 at 7:00 p.m. The audio will also be online the same day. Reception to follow the listening party, RSVP today.
• There will be a public performance of “La Vie en Rose” on Saturday, March 29 at 7:00 p.m. and Sunday, March 30 at 3:00 p.m. at the Riverside Arts Center. Get your tickets here.
  
  

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival

In this episode of U-M Creative Currents, host Mark Clague welcomes award-winning documentary filmmaker, Associate Dean of Research and Professor of Documentary Practices at London College of Communication, Pratāp Rughani, to discuss his latest film installation and exhibition: Impossible Conversations.

The episode examines the complexities of restorative justice and the personal transformations that can arise when individuals with strongly opposing ideologies find a way to communicate. 

[Trigger Warning: This episode discusses themes of gun violence, white supremacy, hate crimes, and the 2012 Oak Creek Sikh Temple shooting. Listener discretion is advised.]

In part II, we’ll talk with ARIA recipient for this project and filmmaker, U-M Professor David Chung, who helped bring this film to life and to U-M’s Stamps Gallery. 

• Impossible Conversations exhibition
• Learn more about the ARIA program
• More on Pratāp Rughani
• More on David Chung

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival

In today’s episode of U-M Creative Currents, we’re diving into the inspiring journey of two talented University of Michigan graduates—Anna Baumgarten ('15), writer and director, and Danny Mooney ('08), producer. Their award-winning feature film Disfluency is making waves on the film festival circuit and is gearing up for its wider release in theaters and on streaming platforms.

Disfluency follows Jane, a college student who, after failing her final class, returns to her family’s lake house to grapple with the trauma that derailed her senior year. As she confronts her past, she uncovers the complex layers of her emotional struggles. With over 12 U-M alumni contributing to the crew, this deeply personal project highlights the power of collaboration and storytelling.

Tune in to hear Anna and Danny discuss the creative process, the impact of their U-M education, and what it takes to bring a powerful, personal story to the screen.

• Learn more about Disfluency 
• Watch the trailer
• Follow @DisfluencyMovie, @TheDannyMooney, @AnnaBellaBaum, & @LibeBarer on Instagram

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival

Today on U-M Creative Currents, you’ll learn all about how musicals get made. In this episode, we’re spotlighting one of our “Arts Research: Incubation & Acceleration” (ARIA) grant projects: Perpetual Sunshine & The Ghost Girls, a new musical theater work that tackles the exploitation of women workers in the early 20th century.

Mark talked with playwright-lyricist, Sara Cooper, whose recent works include the Broadway-bound show Silver Linings Playbook and HoT, and Lynne Shankel, a faculty member with School of Music, Theater and Dance (SMTD) and a fantastic composer, orchestrator, and music supervisor whose Broadway credits include the shows Allegiance and Crybaby. 

• Learn more about ARIA
• Learn more about Lynne Shankel
• Learn more about Sara Cooper

saracooper.me

lynneshankel.com

https://www.lynneshankel.com/works/perpetual-sunshine-the-ghost-girls

https://research.umich.edu/arts-research-incubation-acceleration-aria/ 

• Subscribe to the Arts Initiative Newsletter
• Checkout our website
• Learn more about the Michigan Arts Festival