UMass Press Podcast

Cape Cod and the islands of Martha’s Vineyard and Nantucket are special places known for their distinctive flora, including pine-oak forests, sandplain grasslands, and sand dunes peppered with bearberry shrubs. Unfortunately, this unique sense of place is under threat. In recent decades, contemporary landscape practices have come to depend on environmentally stressful fertilizers and irrigation systems, replacing this sensitive ecoregion’s native flora with generic turfgrasses and popular commercial nursery trees and shrubs that could exist anywhere.

Design with Nature on Cape Cod and the Islands (U Massachusetts Press, 2022) seeks to reverse this damaging trend by offering landscape professionals, local officials, and homeowners a sustainable approach to landscape design based on the ecoregion’s native plants and plant communities. Presenting detailed discussions of Cape Cod’s natural history, Jack Ahern focuses on the principal plant communities that define its landscape character and that are well adapted to local soils and growing conditions, including climate change. The book also includes strategies for ecological planting design and a portfolio of photographs of active ecologically designed landscapes.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture

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In “Fame is Not Just for the Fellas”: Female Renown and the Childhood of Famous Americans Series (University of Massachusetts Press, 2022), Gregory Pfitzer examines the editorial and production choices surrounding the biographies of women in the popular children’s book series Childhood of Famous Americans, published between 1932 and 1958. Using conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill publishers, the book tells the story of how female subjects were chosen and what went into writing these histories for young readers of the time. Tensions between “feminism” and “femininity” reflected changing Cold War gender norms, and sources reveal ongoing negotiation of the virtues that the biographies should instill. Pfitzer illustrates how these books shaped children's thinking and historical imaginations around girlhood using tales from the past and considers the influence of the series on readers and American culture more broadly. "Fame Is Not Just for the Fellas" places the series in the context of national debates around fame, gender, historical memory, and portrayals of children and childhood for a young reading public--charged debates that continue to this day.

Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.

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On any given night, hundreds of guests walk the darkened streets of Colonial Williamsburg looking for ghosts. Since the early 2000s, both the museum and private companies have facilitated these hunts, offering year-round ghost tours. Critics have called these excursions a cash grab, but in truth, ghosts and hauntings have long been at the center of the Colonial Williamsburg project. 

The Spirit of Colonial Williamsburg: Ghosts and Interpreting the Recreated Past (U Massachusetts Press, 2022) examines how the past comes alive at this living-history museum. In the early twentieth century, local stories about the ghosts of former residents--among them Revolutionary War soldiers and nurses, tavern owners and prominent attorneys, and enslaved African Americans--helped to turn Williamsburg into a desirable site for historical restoration. But, for much of the twentieth century, the museum tried diligently to avoid any discussion of ghosts, considering them frivolous and lowbrow. Alena Pirok explores why historic sites have begun to embrace their spectral residents in recent decades, arguing that through them, patrons experience an emotional connection to place and a palpable understanding of the past through its people.

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Wartime military service is held up as a marker of civic duty and patriotism, yet the rewards of veteran status have never been equally distributed. Certain groups of military veterans--women, people of color, LGBTQ people, and former service members with stigmatizing conditions, "bad paper" discharges, or criminal records--have been left out of official histories, excised from national consciousness, and denied state recognition and military benefits. 

Chronicling the untold stories of marginalized veterans in the twentieth and twenty-first centuries, Service Denied: Marginalized Veterans in Modern American History (U Massachusetts Press, 2022) uncovers the generational divides, cultural stigmas, and discriminatory policies that affected veterans during and after their military service. Together, the chapters in this collection recast veterans beyond the archetype, inspiring an innovative model for veterans studies that encourages an intersectional and interdisciplinary analysis of veterans history. In addition to contributions from the volume editors, this collection features scholarship by Barbara Gannon, Robert Jefferson, Evan P. Sullivan, Steven Rosales, Heather Marie Stur, Juan Coronado, Kara Dixon Vuic, John Worsencroft, and David Kieran.

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Journalist, activist, popular historian, and public intellectual, Lerone Bennett Jr. left an indelible mark on twentieth-century American history and culture. Rooted in his role as senior editor of Ebony magazine, but stretching far beyond the boundaries of the Johnson Publishing headquarters in Chicago, Bennett’s work and activism positioned him as a prominent advocate for Black America and a scholar whose writing reached an unparalleled number of African American readers.

This critical biography—the first in-depth study of Bennett’s life—travels with him from his childhood experiences in Jim Crow Mississippi and his time at Morehouse College in Atlanta to his later participation in a dizzying range of Black intellectual and activist endeavors. Drawing extensively on Bennett’s previously inaccessible archival collections at Emory University and Chicago State, as well as interviews with close relatives, colleagues, and confidantes, Our Kind of Historian: The Work and Activism of Lerone Bennett Jr. (U Massachusetts Press, 2022) celebrates his enormous influence within and unique connection to African American communities across more than half a century of struggle. 

Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.

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The Unitarian religious tradition was a product of the same eighteenth-century democratic ideals that fueled the American Revolution and informed the founding of the United States. Its liberal humanistic principles influenced institutions such as Harvard University and philosophical movements like Transcendentalism. Yet, its role in the history of American architecture is little known and studied.

In American Unitarian Churches: Architecture of a Democratic Religion (U Massachusetts Press, 2021), Ann Marie Borys argues that the progressive values and identity of the Unitarian religion are intimately intertwined with ideals of American democracy and visibly expressed in the architecture of its churches. Over time, church architecture has continued to evolve in response to developments within the faith, and many contemporary projects are built to serve religious, practical, and civic functions simultaneously. Focusing primarily on churches of the nineteenth and twentieth centuries, including Frank Lloyd Wright's Unity Temple and Louis Kahn's First Unitarian Church, Borys explores building histories, biographies of leaders, and broader sociohistorical contexts. As this essential study makes clear, to examine Unitarianism through its churches is to see American architecture anew, and to find an authentic architectural expression of American democratic identity.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture.

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The Boston Harbor Islands have been called Boston's "hidden shores." While some are ragged rocks teeming with coastal wildlife, such as oystercatchers and harbor seals, others resemble manicured parks or have the appearance of wooded hills rising gently out of the water. Largely ignored by historians and previously home to prisons, asylums, and sewage treatment plants, this surprisingly diverse ensemble of islands has existed quietly on the urban fringe over the last four centuries. Even their latest incarnation as a national park and recreational hub has emphasized their separation from, rather than their connection to, the city. In this book, Dr. Pavla Simková reinterprets the Boston Harbor Islands as an urban archipelago, arguing that they have been an integral part of Boston since colonial days, transformed by the city's changing values and catering to its current needs. Drawing on archival sources, historic maps and photographs, and diaries from island residents, this absorbing study attests that the harbor islands' story is central to understanding the ways in which Boston has both shaped and been shaped by its environment over time.

Simková's clear and articulate writing style is accessible to academics and the general reader alike, and the book functions almost as well as a historically-informed travelogue as it does a serious academic overview. An environmental history, this work very much focuses on the shifting landscape and every-changing relationship between the islands and the urban centre, but we cannot help but discuss the social currents that both underpinned and were subjected to these shifts. There are many more avenues worthy of future exploration, most notably, with the book beginning in the 17th Century we learn a great deal about the Boston Harbor Islands' development under European colonists and settlers and how they specifically impacted the development of the area — but much less about their earlier history under Native civilians, some of whom were forcibly relocated by settler-colonialists. As Simková herself notes, her specialisation is more contemporary, but she nonetheless touches on the issue in an earlier article for Island Studies Journal (2021). 

Pavla Šimková's Urban Archipelago: An Environmental History of the Boston Harbor Islands was published by University of Massachusetts Press in 2021. 

Aliide Naylor is a freelance journalist, editor, translator, and the author of The Shadow in the East: Vladimir Putin and the New Baltic Front (Bloomsbury, 2020). I traditionally focus on Russia, Northern and Eastern Europe.

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The Venice Ghetto was founded in 1516 by the Venetian government as a segregated area of the city in which Jews were compelled to live. The world's first ghetto and the origin of the English word, the term simultaneously works to mark specific places and their histories, and as a global symbol that evokes themes of identity, exile, marginalization, and segregation. To capture these multiple meanings, the editors of this volume conceptualize the ghetto as a "memory space that travels" through both time and space.

This interdisciplinary collection engages with questions about the history, conditions, and lived experience of the Venice Ghetto, including its legacy as a compulsory, segregated, and enclosed space. Contributors also consider the ghetto's influence on the figure of the Renaissance moneylender, the material culture of the ghetto archive, the urban form of North Africa's mellah and hara, and the ghetto's impact on the writings of Primo Levi and Marjorie Agosín.

In addition to the volume editors, The Venice Ghetto: A Memory Space That Travels (U Massachusetts Press, 2022) features a foreword from James E. Young and contributions from Shaul Bassi, Murray Baumgarten, Margaux Fitoussi, Dario Miccoli, Andrea Yaakov Lattes, Federica Ruspio, Michael Shapiro, Clive Sinclair, and Emanuela Trevisan Semi.

Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe.

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Ronald Reagan’s hagiography has created an entire mythology around the 40th president of the US; anticommunism and the fight against the ‘Evil Empire’ are the central tropes of the Reagan story to this day. The culmination of this narrative arc is the collapse of the Soviet Union, an event which is still routinely attributed to Reagan and, particularly in conservative circles, and hailed as the ultimate validation of American political models and of American values.

But the historical reality of the 1980s was far from ideologically monolithic. Andrew Hunt’s We Begin Bombing in Five Minutes: Late Cold War Culture in the Age of Reagan (University of Massachusetts Press, 2022) paints a nuanced picture of the complex social and cultural landscape of the United States during Reagan’s two terms. The country was in turmoil, bitterly divided over the meaning of its recent past (from nostalgia for the 1950s to the trauma of the Vietnam War) and over the direction of its future. It was rocked by street protests fueled by a rebirth of activism comparable to that of the 1960s. It witnessed the rise of fringe conspiracy theories, of popular opposition to U.S. involvement in Central America, and of widespread anxieties over nuclear war with the Soviet Union. Hunt’s book captures, in fascinating detail, the enormous pushback to the anticommunist rhetoric of the Reagan regime from citizens, activists, and artists, and the role that American popular culture—from music, to television, to film— played in reflecting, and sometimes influencing, the dynamics of the age.

Oana Godeanu-Kenworthy is Associate Teaching Professor of American Studies at Miami University of Ohio. Her book, Between Empire and Republic: America in the Colonial Canadian Imagination, came out in 2022. Twitter: @OanaGodyKenw. Oana’s webpage.

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In A Cultural Arsenal for Democracy: The World War II Work of US Museums (University of Massachusetts Press, 2022), Dr. Ceglio argues that attempts during the war years to fit exhibition craft to the aims of social instrumentality constitute an important but forgotten moment in the field’s debates over whether museums should take active stances on public issues or, to use current parlance, remain neutral. In the book, she investigates how many American museums saw engagement with wartime concerns as consistent with their vision of the museum as a social instrument. She examines how these museums worked to strike the right balance between education and patriotism, hoping to attain greater relevance.

Dr. Ceglio focuses on exhibitions, which unsurprisingly served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Dr. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling. She demonstrates how what today may seem standard museum practice—that exhibitions take explicitly narrative forms appealing to the mental, emotional, and physical— was still a novel and controversial idea to museums in the 1930s and ’40s.

Research for this book drew from administrative records, correspondence, and reports held by the archives of the American Museum of Natural History, the Brooklyn Museum of Art, the Museum of Modern Art (New York), the National Art Gallery, the Newark Museum, the Rockefeller Archive Center, the Smithsonian Institution, and the Wadsworth Atheneum (Hartford), among others.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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