UNC Press Presents Podcast

Between 1865 and 1900, the population of Los Angeles grew from around 5,000 people to over 100,000. With population growth that explosive came the opportunity for vast riches to be made. In  Imperial Metropolis: Los Angeles, Mexico, and the Borderlands of American Empire, 1865–1941 (UNC Press, 2019), Dr. Jessica Kim, an associate professor of history at the University of Southern California, traces that wealth southward, arguing that the growth of Los Angeles from a hamlet to the second largest city in the nation is rooted in imperialist acquisition of capital from Mexico. Kim builds on recent borderlands histories to show that not only did people regularly cross borders in the late 19th and early 20th century American West, but so too did wealth and capital. So great was the draining of Mexican wealth to fuel Los Angeles, that when the Mexican Revolution began in 1910, Americans, many of them Los Angelinos, owned over 1/3 of all Mexican land. That kind of wealth disparity was a feature, not a bug, of Los Angeles' position as a borderland metropolis and outpost of empire. 

Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

New Orleans district attorney Jim Garrison's decision to arrest Clay Shaw on March 1, 1967, set off a chain of events that culminated in the only prosecution undertaken in the assassination of John F. Kennedy. In the decades since Garrison captured headlines with this high-profile legal spectacle, historians, conspiracy advocates, and Hollywood directors alike have fixated on how a New Orleans–based assassination conspiracy might have worked. Cruising for Conspirators: How a New Orleans DA Prosecuted the Kennedy Assassination As a Sex Crime (UNC Press, 2021) settles the debate for good, conclusively showing that the Shaw prosecution was not based in fact but was a product of the criminal justice system's long-standing preoccupation with homosexuality.

Tapping into the public's willingness to take seriously conspiratorial explanations of the Kennedy assassination, Garrison drew on the copious files the New Orleans police had accumulated as they surveilled, harassed, and arrested increasingly large numbers of gay men in the early 1960s. He blended unfounded accusations with homophobia to produce a salacious story of a New Orleans-based scheme to assassinate JFK that would become a national phenomenon.

At once a dramatic courtroom narrative and a deeper meditation on the enduring power of homophobia, Cruising for Conspirators shows how the same dynamics that promoted Garrison's unjust prosecution continue to inform conspiratorial thinking to this day.

Alecia P. Long is the John L. Loos and Paul W. and Nancy Murrill Professor and Director of Graduate Studies in the Department of History at Louisiana State University. Her other books include Louisiana: Our History, Our Home; Occupied Women: Gender, Military Occupation and the American Civil War, The Great Southern Babylon: Sex, Race, and Respectability in New Orleans, 1865-1920.

She is the recipient of Ford Foundation Grant to sponsor the Listening to Louisiana Women oral history project; the LSU Rainmaker Award; The Julia Cherry Spruill Publication Prize; and the Wilbur Owen Sypherd Prize for the outstanding doctoral dissertation in the Humanities, University of Delaware.

Morris Ardoin is author of STONE MOTEL – MEMOIRS OF A CAJUN BOY (2020, University Press of Mississippi), which was optioned for TV/Film development in 2021.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"On the outskirts of Havana lies Mazorra, an asylum known to--and at times feared by--ordinary Cubans for over a century. Since its founding in 1857, the island's first psychiatric hospital has been an object of persistent political attention. Drawing on hospital documents and government records, as well as the popular press, photographs, and oral histories, Jennifer L. Lambe charts the connections between the inner workings of this notorious institution and the highest echelons of Cuban politics. Across the sweep of modern Cuban history, she finds, Mazorra has served as both laboratory and microcosm of the Cuban state: the asylum is an icon of its ignominious colonial and neocolonial past and a crucible of its republican and revolutionary futures. From its birth, Cuban psychiatry was politically inflected, drawing partisan contention while sparking debates over race, religion, gender, and sexuality. Psychiatric notions were even invested with revolutionary significance after 1959, as the new government undertook ambitious schemes for social reeducation. But Mazorra was not the exclusive province of government officials and professionalizing psychiatrists. U.S. occupiers, Soviet visitors, and, above all, ordinary Cubans infused the institution, both literal and metaphorical, with their own fears, dreams, and alternative meanings. Together, their voices comprise the madhouse that, as Lambe argues, haunts the revolutionary trajectory of Cuban history."

I talked with Dr. Lambe about her first book, Madhouse: Psychiatry and Politics in Cuban History, which was published in 2017 by University of North Carolina Press as part of the Envisioning Cuba Series. Dr. Lambe is an Associate Professor of Latin American and Caribbean history at Brown University and is also the co-editor of The Revolution from Within: Cuba, 1959-1980 (2019). Dr. Lambe and I talked corruption, politics, and madness. Don't miss this wonderful conversation!

Rozzmery Palenzuela Vicente is a PhD Candidate in the Department of History at Florida International University. Her dissertation examines the cultural and intellectual politics surrounding black motherhood in twentieth-century Cuba. Twitter: @RozzmeryPV

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Remapping empire, nature, and scientific enquiry beyond the simple binary exchange between periphery and metropole, Dr. Kirsten Greer demonstrates how ornithology, the study of birds, became entwined with tours of duty for British military officers shaping military strategy and developing ecological understanding. A critical historical geography of empire, Red Coats and Wild Birds: How Military Ornithologists and Migrant Birds Shaped Empire (UNC Press, 2020) follows the travels and exploits of Capt. Thomas Wright Blakiston, surgeon Andrew Leith Adams, Lt. Col. Leonard Howard Lloyd Irby, and Capt. Philip Savile Grey Reid to demonstrate how collecting avian specimens and documenting migratory patterns created a new 19th C British military officer archetype: the Scientific War Hero. The scientific and geographic knowledge that these officers produced represents “a series of networks (human and non-human) connecting people, birds, and places across (and beyond) the British Empire These avian imaginations furthered the development of racist, nationalistic, and gendered ideas about particular places and climates. Situating migratory birds as national possessions reveals lasting colonial dynamics.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rice is a central ingredient to Southern foodways, and it is one of the most versatile grains served around the world. It could be prepared as a side dish, an entrée, and dessert; pair it with sugar, cinnamon, and vanilla for a sweet dish or add tomatoes, onions, and peas for a savory meal. In Rice: A Savor the South Cookbook (UNC Press, 2021), Michael Twitty explores the culinary history of rice as he offers 51 recipes of how this grain is found in many culinary cultures including Creole, Acadian, soul food, Low Country, and Gulf Coast. As Twitty states, connects us to everyone and “no other ingredient tastes this much like home.”

N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

I had the pleasure of interviewing my mentor, Dr. Michael J. Bustamante on his first monograph, Cuban Memory Wars: Retrospective Politics in Revolution and Exile which was published in March 2021 as part of the Envisioning Cuba series by the University of North Carolina Press. 

"For many Cubans, Fidel Castro's Revolution represented deliverance from a legacy of inequality and national disappointment. For others—especially those exiled in the United States—Cuba's turn to socialism made the prerevolutionary period look like paradise lost. In Cuban Memory Wars, Bustamante unsettles this familiar schism by excavating Cubans' contested memories of the Revolution's roots and results over its first twenty years. Cubans' battles over the past, he argues, not only defied simple political divisions; they also helped shape the course of Cuban history itself. As the Revolution unfolded, the struggle over historical memory was triangulated among revolutionary leaders in Havana, expatriate organizations in Miami, and average Cuban citizens. All Cubans leveraged the past in individual ways, but personal memories also collided with the Cuban state's efforts to institutionalize a singular version of the Revolution's story. Drawing on troves of archival materials, including visual media, Bustamante tracks the process of what he calls retrospective politics across the Florida Straits. In doing so, he drives Cuban history beyond the polarized vision seemingly set in stone today and raises the prospect of a more inclusive national narrative."

Dr. Bustamante is the Bacardi Chair in Cuban and Cuban American Studies at the University of Miami and Associate Professor in the Department of History. He is also my mentor, which makes this conversation a special treat for me. He and I talked about the journey from dissertation to monograph, navigating the politics of the Cuban archive, and challenging our own assumptions and biases. It was an AMAZING conversation and a must-listen!

Rozzmery Palenzuela Vicente is a PhD Candidate in the Department of History at Florida International University. Her dissertation examines the cultural and intellectual politics surrounding black motherhood in twentieth-century Cuba.

Twitter: @RozzmeryPV

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

I sat down with Dr. Tiffany Sippial to talk about her latest book, Celia Sanchez Manduley: The Life and Legacy of a Cuban Revolutionary (University of North Carolina Press, 2020). Celia Sanchez Manduley (1920-1980) is famous for her role in the Cuban revolution and being the "first female guerrilla of the Sierra Maestra." Sanchez joined the movement in her early thirties and went on to serve as a high-ranking government official and international ambassador. Since her death, Sanchez has been revered as a national icon, cultivated and guarded by the Cuban government. With almost unprecedented access to Sanchez's papers, including a personal diary, and firsthand interviews with family members, Tiffany A. Sippial presents the first critical study of a notoriously private and self-abnegating woman who yet exists as an enduring symbol of revolutionary ideals. Using the tools of feminist biography, cultural history, and the politics of memory, Sippial reveals the scope and depth of Sanchez's power and influence within the Cuban revolution, as well as her struggles with violence, her political development, and the sacrifices required by her status as a leader and "New Woman." Sippial reveals how Sanchez strategically crafted her own legacy within a history still dominated by bearded men in fatigues.

Dr. Sippial walked me through her journey as a researcher and biographer of one of Cuba’s most revered figures. We discussed Sanchez’s early life and her emergence as a political figure in her own right, her relationship with Fidel Castro and other notable figures, her significance in Cuban national memory, and what we can learn about her story during a politically tense time. Very timely, and important conversation. Enjoy!

Rozzmery Palenzuela Vicente is a PhD Candidate in the Department of History at Florida International University. Her dissertation examines the cultural and intellectual politics surrounding black motherhood in twentieth-century Cuba. Twitter: @RozzmeryPV

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Dancing with the Revolution: Power, Politics, and Privilege in Cuba (UNC Press, 2021), Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.

Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about elite migration, education, transnationalism, and youth in twentieth-century Mexico. She is on Twitter (@rachelgnew).

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020), Susan Lee Johnson braids together lives over time and space, telling tales of two white women who, in the 1960s, wrote books about the fabled frontiersman Christopher Kit Carson: Quantrille McClung, a Denver librarian who compiled the Carson-Bent-Boggs Genealogy, and Kansas-born but Washington, D.C.- and Chicago-based Bernice Blackwelder, a singer on stage and radio, a CIA employee, and the author of Great Westerner: The Story of Kit Carson. In the 1970s, as once-celebrated figures like Carson were falling headlong from grace, these two amateur historians kept weaving stories of western white men, including those who married American Indian and Spanish Mexican women, just as Carson had wed Singing Grass, Making Out Road, and Josefa Jaramillo.

Johnson's multilayered biography reveals the nature of relationships between women historians and male historical subjects and between history buffs and professional historians. It explores the practice of history in the context of everyday life, the seductions of gender in the context of racialized power, and the strange contours of twentieth-century relationships predicated on nineteenth-century pasts. On the surface, it tells a story of lives tangled across generation and geography. Underneath run probing questions about how we know about the past and how that knowledge is shaped by the conditions of our knowing.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The geography of American slavery was continental, argues Dr. Kevin Waite, an assistant professor at Durham University, in West of Slavery: The Southern Dream of a Transcontinental Empire (UNC Press, 2021). Rather than being confined to the South, the institution of slavery infected North America as the American empire expanded across the Mississippi River, including places often thought of as "free" states, such as California. Slaveholders saw territories in the far West as zones of political control, supportive of slavery in the South even when relatively small numbers of people were actually held in bondage in these places. Waite's history shifts how historians view the coming of the Civil War and the expansion of slavery - rather than quarantined, the "slave power" moved along railroads and roads, through networks of patronage and through alternate forms of unfreedom, such as peonage. The Civil War and Reconstruction are similarly continental events when viewed through this lens. Waite's book is a comprehensive examination of how southern elites saw their future, and in this way is an excellent example of historical contingency put into action.

Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.