UNC Press Presents Podcast

Brian Foster, self-identified Black boy from rural Mississippi, joins us today for a conversation about his book, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (The University of North Carolina Press, 2020). In this interview, he shares with us how his experiences growing up in, leaving and returning home to Mississippi shaped his storytelling. Foster first began this ethnographic project as a doctoral student in Sociology at UNC Chapel Hill. As he tells us, the project started as an exploration of educational inequality and race. It became something very different as he let himself be guided by the stories and experiences of the community he was researching. Brian tells us about a few of the folks he met while living in Clarksdale who shaped the direction and core ideas of this book; their stories highlighted perplexing and sometimes uncomfortable contradictions about what it meant to love and not like the Blues. We learn about Clarksdale, MI and the unique history of the Mississippi Delta, the development of the Blues Commission and Blues tourism as an effort to combat declining manufacturing and agricultural industries, the significance of the Blues to the Delta region, and the contradictions between investing in the Blues and investing in Black communities. We discuss storytelling, examining positionality in ethnographic research and how Foster sees Blues Epistemology as a lens to prioritize seeing Black Southerners as complex human rather than constructed caricatures.

I Don’t Like the Blues tells us an often-overlooked history of a community who has come to be defined as just one thing – Black Southerners – by just one thing – the Blues. By taking us into the homes, cars, backyards and neighborhoods of Black Clarksdalians, Foster gives us the stories and the framework for thinking about how race, place and community development has shaped the lives of Black folks in contemporary Mississippi.

Recently, his public writing “How We Got Here” on his Mississippian family and the tradition of hog slaughter, was developed into an award-winning short film. You can learn more about Brian’s ongoing work on his website.

Nafeesa Andrabi a 4th year Sociology PhD student with specialization in Race/Ethnicity and Health/Illness. I am currently a Biosocial Fellow at Carolina Population Center.

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This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian. 

The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power.

Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020).

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We think we know the story of women's suffrage in the United States: women met at Seneca Falls, marched in Washington, D.C., and demanded the vote until they won it with the ratification of the Nineteenth Amendment. 

But the fight for women's voting rights extended far beyond these familiar scenes. From social clubs in New York's Chinatown to conferences for Native American rights, and in African American newspapers and pamphlets demanding equality for Spanish-speaking New Mexicans, a diverse cadre of extraordinary women struggled to build a movement that would truly include all women, regardless of race or national origin. 

In Recasting the Vote: How Women of Color Transformed the Suffrage Movement (The University of North Carolina Press, 2020), Cathleen D. Cahill tells the powerful stories of a multiracial group of activists who propelled the national suffrage movement toward a more inclusive vision of equal rights. Cahill reveals a new cast of heroines largely ignored in earlier suffrage histories: Marie Louise Bottineau Baldwin, Gertrude Simmons Bonnin (Zitkala-Ša), Laura Cornelius Kellogg, Carrie Williams Clifford, Mabel Ping-Hua Lee, and Adelina "Nina" Luna Otero-Warren. With these feminists of color in the foreground, Cahill recasts the suffrage movement as an unfinished struggle that extended beyond the ratification of the Nineteenth Amendment.

As we celebrate the centennial of a great triumph for the women's movement, Cahill's powerful history reminds us of the work that remains.

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Daniel A. Rodriguez's history of a newly independent Cuba shaking off the U.S. occupation, The Right to Live in Health: Medical Politics in Postindependence Havana (University of North Carolina Press, 2020), focuses on the intersection of public health and politics in Havana. 

While medical policies were often used to further American colonial power, in Cuba, Rodriguez argues, they evolved into important expressions of anticolonial nationalism as Cuba struggled to establish itself as a modern state. 

A younger generation of Cuban medical reformers, including physicians, patients, and officials, imagined disease as a kind of remnant of colonial rule. These new medical nationalists, as Rodriguez calls them, looked to medical science to guide Cuba toward what they envisioned as a healthy and independent future. Rodriguez describes how medicine and new public health projects infused republican Cuba's statecraft, powerfully shaping the lives of Havana's residents. He underscores how various stakeholders, including women and people of color, demanded robust government investment in quality medical care for all Cubans, a central national value that continues today. 

On a broader level, Rodriguez proposes that Latin America, at least as much as the United States and Europe, was an engine for the articulation of citizens' rights, including the right to health care, in the twentieth century.

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In the early 1970s, a new wave of public service announcements urged parents to help end an American tradition of child abuse. The message, relayed repeatedly over television and radio, urged abusive parents to seek help. 

Support groups for parents, including Parents Anonymous, proliferated across the country to deal with the seemingly burgeoning crisis. At the same time, an ever-increasing number of abused children were reported to child welfare agencies, due in part to an expansion of mandatory reporting laws and the creation of reporting hotlines across the nation. 

In Abusive Policies: How the American Child Welfare System Lost Its Way (University of North Carolina Press Books, 2020), Mical Raz examines this history of child abuse policy and charts how it changed since the late 1960s, specifically taking into account the frequency with which agencies removed African American children from their homes and placed them in foster care. Highlighting the rise of Parents Anonymous and connecting their activism to the sexual abuse moral panic that swept the country in the 1980s, Raz argues that these panics and policies--as well as biased viewpoints regarding race, class, and gender--played a powerful role shaping perceptions of child abuse. These perceptions were often directly at odds with the available data and disproportionately targeted poor African American families above others.

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In City of a Million Dreams: A History of New Orleans at Year 300 (University of North Carolina Press, 2018), Jason Berry delivers a history of New Orleans at its tricentennial. Beyond its ancient streets, jazz, and Carnival lies a richer, more textured New Orleans than anyone imagined. Berry spotlights the tension between a culture of spectacle, rooted in African burial dances, and a city of laws anchored in white supremacy. Discussing how culture and law grind against each other, the narrative is a parade of New Orleanians faced with these tensions.

Learn more about the forthcoming documentary City of a Million Dreams here.

Jason Berry is an independent writer, documentary film producer, and journalist living in New Orleans.

Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.

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In The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Makin (University of North Carolina Press 2020), Dr. Sharika Crawford tells the story of Caymanian turtle hunters, men that plied the sea in search of the green and the hawksbill turtles. Using the personal stories of turtlemen collected by the Oral History Programme at the Cayman Islands National Archive, and governmental and diplomatic documents collected in archives of Nicaragua, Costa Rica, Colombia, and the United States, Crawford presents the circum-Caribbean as a waterscape, a region where imperial polities (mostly the British but increasingly the United States) and national governments (Colombia, Costa Rica, Nicaragua) sought to control maritime frontiers. 

By focusing on turtle hunting, this book challenges the monolithic portrait of the Caribbean as rural and plantation-based and argues that turtlemen helped to redraw the boundaries of the region. By the late 19th century, these maritime harvesters had depleted local supplies of turtles and turned to hunt them across national waters. In doing so, they drew the ire of nation-builders in Nicaragua, Costa Rica, and Colombia, for they endangered the limits of sovereignty and outright refused to comply with the increasing legal restrictions imposed by these Latin American nations. This book resonates with broader stories about labor, conservation, kinship, and processes of nation-building. A transnational story in which local actors are at the center and that the NBN listeners will surely love to hear more about!

Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron

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One of the most notable African American intellectuals of his generation, Lawrence Reddick helped to spearhead the early Black history movement, served as the second curator of the Schomburg Library during the 1930s, guided the Southern Christian Leadership Conference during the Cold War, mentored Dr. Martin Luther King, Jr. throughout his entire public life, and played a major role in the Black Studies movement of the late 1960s and early 1970s. A lifelong Pan-Africanist, Reddick also fought for decolonization and Black self-determination alongside key Black diasporic politicians and critical thinkers such as Kwame Nkrumah, Nnamdi Azikiwe, and W.E.B Du Bois. Beyond participating in these interconnected struggles, Reddick helped to document and interpret them for Black and white audiences alike.

In The Scholar and the Struggle: Lawrence Reddick's Crusade for Black History and Black Power (University of North Carolina Press, 2020), David A. Varel recovers Reddick's compelling story and reveals the many essential but underappreciated roles played by Black intellectuals during the long Black freedom struggle.

David A. Varel is an affiliate faculty member at Metropolitan State University, Denver.

James West is a historian of Black activism and print culture in the United States and diaspora.

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The Great Recession threatened the well-being of tens of millions of Americans, dramatically weakened the working class, hollowed out the middle class, and strengthened the position of the very wealthy. Against this backdrop, the hit reality show Shark Tank premiered in 2009. Featuring ambitious entrepreneurs chasing support from celebrity investors, the show offered a version of the American Dream that still seemed possible to many, where a bright idea and a well-honed pitch could lift a bootstrap business to new heights of success. More than a decade later, Shark Tank still airs regularly on multiple networks, and its formula has sparked imitators everywhere, from elite universities to elementary school classrooms.

In Entertaining Entrepreneurs: Reality TV's Shark Tank and the American Dream in Uncertain Times (UNC Press, 2020), Daniel Horowitz shows how Shark Tank's version of entrepreneurship disguises and distorts the opportunities and traps of capitalism. Digging into today's cult of the entrepreneur, Horowitz charts its rise from the rubble of economic crisis and its spread as a mainstay of American culture, and he explores its flawed view of what it really takes to succeed in business.

Horowitz offers more than a look at one television phenomenon. He is the perfect guide to the portrayal of entrepreneurship in business school courses, pitch competitions, popular how-to books, and scholarly works, as well as the views of real-world venture capitalists.

Nick Pozek is Assistant Director at the Parker School of Foreign & Comparative Law at Columbia University.

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The 1930s-40s expansion of the Japanese empire was marked by significant interest among Japan-based scholars and policy-makers in China’s Muslim population and how best to write them into a new pan-Asian story. At the very same time, as Kelly Hammond shows in China's Muslims and Japan's Empire: Centering Islam in World War II (UNC Press, 2020), members of this longstanding community of Sino-Muslims were themselves engaged in numerous complex debates over culture and identity, and their place in an emerging post-dynastic China and a wider Islamic world. Choosing to reciprocate Japanese interest was thus just one possible path.

Expertly navigating the multi-layered, transnational concerns which are brought into focus by the twentieth-century encounter between Japanese Empire, Chinese Nationalism and Sino-Muslims, Hammond reframes our understanding of wartime East Asia. From global developments stretching as far afield as Central Asia, Fascist Italy and Nazi Germany to the more intimate everyday experiences of Sino-Muslims caught between imperial spaces, the author offers a rich and little-told account of a particularly febrile period of recent history, as well as charting developments which continue to resonate in international relations and domestic minority policies to this day.

Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.

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