We surely know by now that freedom is more journey than destination, more a summons to struggle than a port-of-call in which to lie down and take s rest. We understand freedom most acutely, paradoxically, when we name the obstacles to our full humanity as unacceptable, and link arms to storm the barricades in the name of liberation. There are moments in history when an apparition of freedom appears clearly, and its meaning is transformed and enlarged—General Sherman’s “March to the Sea” was just such a moment. Twenty thousand enslaved people liberated themselves, taking freedom into their own hands in the wake of the march—they sought freedom in movement, and created a keen, detailed reimagining of freedom, reframing the meaning of the Civil War ever after. We’re joined in conversation by my dear friend and co-host for this episode, Jeff Jones, and Bennett Parten, the author of the remarkable new history, Somewhere Toward Freedom: Sherman’s March and the Story of America’s Largest Emancipation.

On September 27, 2025 we met up at Pilsen Community Books with Aaron Hughes and Arti Walker-Peddakotla of About Face: Veterans Against the War, a dynamic and powerful group involved in building an irresistible movement for peace and against war and fascism. About Face builds on and highlights the legacy and revolutionary power of GI resistance against the backdrop of military mobilizations to violently suppress people’s movements. They walk a difficult and necessary path, organizing inside the military as they support GI resistance and the right to refuse, and outside as they create structures of care and support that prevent enlistment in the imperial death machine in the first place. Their work dances a difficult dialectic as it embraces a fundamental contradiction: confronting and resisting the real harm erupting from the war-makers, and providing paths for radical reorientation for people who (like all of us) can be both perpetrators of harm and victims of a racial capitalist system. They are the authors of a new zine, State Violence, Abolition, and GI Resistance.

On Monday, September 29th the National Public Housing Museum in collaboration with the Goodman Theatre hosted a conversation between Lisa Lee, the founding director of the Museum, and the playwright Zayd Dohrn whose hip hop rock musical Revolution(s) opens the Goodman Theatre's centennial season in October. The gathering was part of an epic citywide and year-long event—100 Free Acts of Theater—which will activate all 50 wards in the city to celebrate the artistic fabric of Chicago, amplify existing arts programming, and collaborate on new efforts. (Learn more at GoodmanTheatre.org/100FreeActs). The conversation roamed widely and revolved around questions like: What does revolution mean? What is the future we deserve? What role do love and joy play in our visions of a better world? What is the role of the many arts at this moment on the clock of the universe?  Examining how art, activism, and imagination shape movements for change, Lisa and Zayd are joined by guest activists throughout the night.

When Hurricane Katrina roared up the Gulf of Mexico and slammed into the Coast in August, 2005, the devastation was just beginning. The government was murderously unprepared—when the levees failed, 80% of New Orleans was underwater, 1500 people lost their lives, thousand more were injured, and property losses were estimated at $125 billion. The capitalist media consistently smacked its lips over suffering and offered an upside down world where victims became criminals, and mutual aid was portrayed as theft.  The afterlife—the trauma, waste. and wreckage—of the catastrophe is ongoing and includes displacement, corporate theft, privatization of public goods, educide, and cultural sacking.   We’re joined on the 20th anniversary of Hurricane Katrina by Kristin Buras, an anti-racist activist, teacher, and researcher who is the director of the New Orleans–based Urban South Grass-roots Research Collective, a coalition with African American community groups that combines research and grass-roots organizing for racial equity. She is the author, most recently, of What We Stand to Lose: Black Teachers, the Culture They Created, and the Closure of a New Orleans High School.

The speed at which a fascist government can disrupt, dismantle, and destroy on its way to building a full-blown fascist society is breathtaking. Resistance is scattered, and anyone looking to the Democratic Party to offer guidance or leadership should remember that we came to this point on bipartisan rails, that is, the ruling class and the political establishment has agreed for decades on every major issue: unqualified support for Israel’s murderous and illegal actions; the militarization of domestic police forces and policing as the ready-answer to every social problems; mass incarceration as a defining feature of society; the frantic privatization of public goods and services. And underlying it all, the tenacious and deadly legacy of the culture and structures of white supremacy. We’re joined in conversation with the activist, organizer, and writer Emile Suotonye DeWeaver, author most recently of Ghost in the Criminal Justice Machine: Reform, White Supremacy, and an Abolitionist Future.

Just as the US Department of Defense should change its name back to the more accurate and honest War Department—its true function and its title from 1789 until 1947 when it morphed into the National Military Establishment (NME), and then, with mad-help from a PR offensive in 1949, the DoD—state and city organizations with names such as “child welfare” and “family services” should stop air-brushing their true functions—the Departments of Family Policing. We’re joined in conversation today with Erin Miles Cloud, the mother of two dazzling kids, a civil rights attorney, and co-editor of a new book from  Haymarket called  How to End Family Policing: From outrage to action. 

The severe challenges and unforeseen possibilities facing humanity today cry out for clarity. We need it all: poetry and politics, art and the people’s army, agitation and organization, theory and practice, deep study and sustained action, joy and justice, both the moments of quiet contemplation and the times of swift, sharp thrusts, dreams as well as deeds. We’re delighted to be joined from Santiago, Chile by Vijay Prashad, a preeminent Marxist theorist and activist intellectual. His work continues the initiative of the Tricontinental Conference in Cuba which brought together revolutionary movements from Africa, Asia and Latin America. Today Vijay is the executive director of Tricontinental: Institute for Social Research, and an advisory board member of the US Campaign for the Academic and Cultural Boycott of Israel. Vijay is refreshingly dialectical in his thinking and writing—witness a dangerous mind in ongoing argument with itself.

In 1922 a commission made up of prominent citizens—six Black men and six white men appointed by the governor of Illinois—issued a report about the 1919 Race Riot entitled The Negro in Chicago: A Study on Race Relations and a Race Riot. Eve Ewing’s dazzling poetry collection, 1919, excerpts small bits from the report as epigraphs for each poem, comments like “…the presence of Negroes in large  numbers in our great cities is not a menace in itself,” and “the sentiment was expressed that Negro invasion of the district was the worst calamity that had struck the city since the Great Fire.” Today the Chicago Race Riot of 1919 Commemoration Project (CRR19) aims to ignite conversations about white supremacy in Chicago and around the country and the world. Formally launched on the 100th anniversary of the riot, CRR19 remembers the worst incident of racial violence in the city’s history, and the events that swept the city and set the framework for racial segregation to this very day. We’re joined by Franklin Cosey Gay and Peter Cole, co-directors of CRR19 on the eve of their annual commemoration and slow-rolling south-side bike tour. 

If you were ever an enthusiastic reader of “Calvin and Hobbes,” “Peanuts,” “Blondie,” “Doonesbury,” or the “Boondocks,” you have a treat coming your way: “Mafalda,” a six-year-old comic book character created by the artist Quino in Argentina, is now available in English in a dazzling translation by Frank Wynne. Mafalda is a precocious kid—Frank describes her as “six going on sixty”—who observes the world around her with fresh eyes, and then asks the kind of queer questions that the grown-ups in her life can’t or won’t answer. Mafalda’s concerns focus on humanity and world peace, and her innocence shines a bright light on the conflict between what adults claim to value, and how they actually live. Think of her as a socialist “Nancy.”  We’re joined from London by Frank Wynne, a former Chair of the Judging Panel of the International Booker Prize and the award-winning author, translator, and editor of two major anthologies, Found in Translation: 100 of the finest stories every translated, and QUEER: LGBTQ Writing from Ancient Times to Yesterday.