Described by Pitchfork as a "musical polymath," composer/violist Eyvind Kang has created and collaborated on hundreds of recordings and countless tours, from his own solo masterpieces to his work with Laurie Anderson, Bill Frisell, Animal Collective, Sun O))), The Decemberists, and Blonde Redhead. On this episode, he tells us about his early inspirations, his favorite project, and the music his teacher thought was garbage.

Described by Pitchfork as a "musical polymath," composer/violist Eyvind Kang has created and collaborated on hundreds of recordings and countless tours, from his own solo masterpieces to his work with Laurie Anderson, Bill Frisell, Animal Collective, Sun O))), The Decemberists, and Blonde Redhead. On this episode, he tells us about his early inspirations, his favorite project, and the music his teacher thought was garbage.

6-time GRAMMY winning composer and ukulele artist Daniel Ho truly epitomizes what it means to be a DIY musician. On this episode, he tells us about seeking the origins of music, demonstrates the ukulele he designed with Pepe Romero, and leads Thomas and Chrysanthe in a live jam session of his viral sensation “Pineapple Mango.” Then, we debate whether there’s such thing as good or bad music.

Derek Stein (Vitamin String Quartet, gnarwhallaby, wild Up) is a cellist with the ability to extract exciting, unusual sounds from his instrument. On this episode, he demonstrates his favorite sounds, reveals which audition he bombed, and joins us for a discussion on whether cell phones belong at concerts.

Composer/pianist Sarah Gibson shows us her bag of tricks, plays the melodica, and tells us why she composed a piano piece for just the left hand. Then, we discuss how different concert venues affect our concert-going experience.

Sean Hayward, a composer/guitarist with roots in extreme metal, illustrates the intersections between metal and classical music, shares his love for Javanese gamelan, and gives us his top metal recommendations for newbies. Then, we watch a viral music video and discuss whether expensive instruments truly sound better than cheap ones.