The debate over American immigration policy has obsessed politicians and disrupted the lives of millions of people for decades. In The Battle To Stay in America: Immigration's Hidden Front Line (University of Nevada Press, 2020), Professor Michael Kagan focuses on Las Vegas, Nevada. Las Vegas is a city where more than one in five residents was born in a foreign country. It's a city dependent on its immigrant population, but one where the community is struggling to defend itself against the federal government’s crackdown on undocumented immigrants. 

Professor Kagan tells this story not just as a front-line immigration lawyer, but also as a citizen, as a friend, and a parent. His intensely personal account converts headlines, complicated and punitive legal processes, and unjust bureaucratic procedures into the personal stories of the struggles to survive the severe immigration policing of the current administration. This is the immigration story that needs to be told: the disappearances of neighbors, the breaking up of families, the parents who are forever relegated to working jobs below their potential because immigration laws prevent them ever being free and equal.

Kagan explains how American immigration law often gives good people no recourse. Under President Trump complex bureaucracies that administer immigration law have been re-engineered to carry out a relentless but often invisible attack against people and families who are integral to American communities. Professor Kagan tells the stories of people desperate to escape unspeakable violence in their homeland, children separated from their families and trapped in a tangle of administrative regulations, and hardworking long-time residents suddenly ripped from their productive lives when they fall unwittingly into the clutches of the immigration enforcement system. He considers how the crackdown on immigrants negatively impacts the national economy and offers a deeply considered assessment of the future of immigration policy in the United States. Kagan also captures the psychological costs exacted by fear of deportation and by increasingly overt expressions of hatred against immigrants.

The Battle to Stay in America could not be more timely; with a changing Administration it's time not just to rethink America's immigration policy, but change how we think about immigration entirely.

Professor Michael Kagan is the director of the UNLV Immigration Clinic, which defends children and families fighting deportation in Las Vegas, and is a Joyce Mack Professor of Law at the University of Nevada, Las Vegas. He was a plaintiff that prevented the Trump administration from adding a question about citizenship to the 2020 census. He has written for The Washington Post, Salon.com and The Daily Beast, and is a leading national scholar of immigration and refugee law. He is one of the most widely cited immigration scholars in the United States, and his work has been relied on in courts in the United States and beyond.  

Jane Richards is a doctoral candidate in human rights law at the University of Hong Kong. You can find her on twitter @JaneRichardsHK where she follows the Hong Kong protests and its politics. 

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In this this interview, Carrie Tippen talks with Jessica Martell about her new book, Farm to Form: Modernist Literature and Ecologies of Food in the British Empire, published in 2020 by University of Nevada Press for their Cultural Ecologies of Food series.

In Farm to Form, Martell contextualizes some familiar texts of British Literary Modernism, into a history that recognizes the role of food and agriculture not just in the social fabric that these writers were living in and often writing against but also the role that these industries played in determining how writers experimented with literary forms. Food isn’t just in the content of the novels analyzed, but as Martell argues, responses to food systems are reflected in the experiments in form that are a hallmark of literary modernism. If the Modernist era is “a spectacle of lived unevenness,” food (its presence and absence) is particularly good at exposing unevenness and inequity. Martell’s historicizing makes clear that the average British subject was most directly experiencing the projects of imperialism at the table. Each chapter focuses on a particular aspect of the emerging modern food system as reflected in specific texts. The overproduction of rural milk for urban markets is reflected in the overripeness of landscapes in Thomas Hardy’s Tess of the D’Urbervilles, and the collapsing of time and space brought on by technologies of freezing and canning are reflected in the anachronism of E.M. Forster’s Howard’s End. Virginia Woolf’s Mrs. Dalloway bears the marks of wartime rationing and total war on civilians. Joseph Conrad’s images of starving colonial laborers and fat colonizers demonstrates a critique of the “metabolism of empire” that gobbles energy with terrifying efficiency, while James Joyce’s infamous formal and textual excess is a direct response to the Famine and a representation of Ireland as empty and hungry, simultaneously overpopulated and drained by migration. Martell’s central argument is that an understanding of the rapidly changing and visibly uneven experience of modern food industries can offer fresh insights into experiments of literary form.

Jessica Martell is assistant professor of Interdisciplinary Studies at Appalachian State University. She is the also the co-editor of Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde (University Press of Florida, 2019). Martell serves on the executive board of Blue Ridge Women in Agriculture, a woman-led non-profit helping to build an equitable and sustainable food system in the North Carolina High Country.

Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

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The plight of today’s coal miners has gained significant attention in recent U.S. politics. As coal mining practices and technologies change in the United States, coal miners face job reductions, but their futures are wrapped up in broader national questions surrounding global trade, the environment, mechanization, and deindustrialization. In his new book, Augustana College professor Brian James Leech examines a previous moment of technological change in American mining history that created social, economic, and environmental disruption. In the early to mid-twentieth century, open-pit mining became more common in hard-rock mining in the western United States. The City That Ate Itself: Butte, Montana and Its Expanding Berkeley Pit (University of Nevada Press, 2018), examines this transition from underground to open-pit mining in Butte, Montana. Open-pit mining required more space, but fewer, lower-skilled workers. Whole communities were relocated, while new environmental hazards developed. The book explores the social and environmental consequences of the transition as well as discussing how the company and surrounding communities reacted to the changes. Finally, The City That Ate Itself also discusses the closing of the Berkeley pit, the largest open-pit in Butte, and its legacy.

In this episode of the podcast, Leech discusses open-pit mining in Butte within the context of the United States’ long and complicated history with mining. He explains when and why open-pit mining came to Butte and how the local community reacted. In the discussion, he explains how new technology changed mining and miners’ lives. Further, he answers questions about the effects of the very visible industrial mining space expanding in Butte. We also discuss Leech’s use of oral history interviews as sources, nostalgia for earlier mining days, and the relevance of this history to today’s political discussions about industrial mining jobs.

Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th-century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at [email protected].

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