Writer Thomas Chatterton Williams sits down with Margaret Hoover to explain why he decided to “unlearn” race and how he believes his approach could pave the way to equality.

Williams, the son of a white mother and Black father who grew up seeing himself as Black, recalls how the birth of his light-skinned daughter led him to rethink entrenched racial categorizations. The author of “Self-Portrait in Black and White: Unlearning Race” responds to critics of his views and discusses the practicality of convincing others to fundamentally shift their perspective on race.

A contributing writer to The Atlantic, Williams also comments on America’s political debate over so-called “wokeness,” details his objections to the anti-racism movement, and explains why he believes police violence is more of an economic issue than a racial one.

Williams addresses the recent controversy surrounding “Dilbert” creator Scott Adams and the potential cultural ramifications of Donald Trump’s 2024 run, as well as the ongoing societal fallout from the summer of 2020.

Support for “Firing Line for Margaret Hoover” is provided by Robert Granieri, Charles R. Schwab, The Fairweather Foundation, The Margaret and Daniel Loeb Foundation, The Asness Family Foundation, Jeffrey and Lisa Bewkes, Peter and Mary Kalikow, Craig Newmark Philanthropies, The Rosalind P. Walter Foundation, Damon Button, The Center for the Study of the International Economy Inc., The Pritzker Military Foundation on behalf of the Pritzker Military Museum and Library, The Marc Haas Foundation, and Stephens Inc.