In the latest episode of Unlocking Academia, host Raja Aderdor sits down with Marc Owen Jones, associate professor at Northwestern University in Qatar, to explore the complex world of digital deception in the Middle East, as outlined in his book Digital Authoritarianism in the Middle East: Deception, Disinformation and Social Media (Hurst/Oxford UP, 2021).

Marc draws on years of experience growing up in Bahrain and Saudi Arabia, as well as living and working in Sudan, Syria, Germany, and the UK. His perspective offers both depth and global context. In the episode, he discusses how social media has become a tool for manipulation, with bots, fake accounts, and disinformation campaigns shaping public discourse and limiting civil society. The conversation explores how these tactics function, their consequences, and the growing challenge of digital authoritarianism.

Timely and insightful, this episode highlights the importance of understanding the role of digital technologies in shaping truth, politics, and media in the Middle East and beyond.

We are Clavis Aurea: a dynamic team constantly looking for ways to help academic publishing grow and to promote groundbreaking publications to scholars, students, and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep, and breathe publishing!

In the latest episode of Unlocking Academia, Tarin Ahmed, the host, unpacks the translation of this incredible text with Tim Mackintosh-Smith, a Senior Research Fellow at New York University in Abu Dhabi, the translator of this publication. Tim shares his story of how he first came across the original source text, his journey of translation, and even anecdotes on friendships and wonderful memories made along the way.

A Physician on the Nile (NYU Press, 2022) begins as a description of everyday life in Egypt at the turn of the seventh/thirteenth century, before becoming a harrowing account of famine and pestilence. Written by the polymath and physician ʿAbd al-Laṭīf al-Baghdādī, and intended for the Abbasid caliph al-Nāṣir, the first part of the book offers detailed descriptions of Egypt’s geography, plants, animals, and local cuisine, including a recipe for a giant picnic pie made with three entire roast lambs and dozens of chickens. ʿAbd al-Laṭīf’s text is also a pioneering work of ancient Egyptology, with detailed observations of Pharaonic monuments, sculptures, and mummies. An early and ardent champion of archaeological conservation, ʿAbd al-Laṭīf condemns the vandalism wrought by tomb-robbers and notes with distaste that Egyptian grocers price their goods with labels written on recycled mummy-wrappings.

The book’s second half relates his horrific eyewitness account of the great famine that afflicted Egypt in the years 597–598/1200–1202. ʿAbd al-Laṭīf was a keen observer of humanity, and he offers vivid first-hand depictions of starvation, cannibalism, and a society in moral free-fall.

A Physician on the Nile contains great diversity in a small compass, distinguished by the acute, humane, and ever-curious mind of its author. It is rare to be able to hear the voice of such a man responding so directly to novelty, beauty, and tragedy.

In the latest episode of Unlocking Academia, Raja Aderdor, the host, delves deeper into this fascinating work with Jeremy Farrell, a Postdoctoral Research Scholar at Leiden University, who co-authored a translation of this novella. Jeremy shares his insights into the satire, the medical practices described, and how Ibn Buṭlān's critique resonates with today's debates on medicine and misinformation.

The Doctors' Dinner Party: A Satirical Novella by Ibn Buṭlān (NYU Press, 2023) is an eleventh-century work that presents a sharp critique of the medical profession. Set in a medical milieu, the story follows a young doctor invited to dinner with a group of older, supposedly more experienced physicians. As the conversation unfolds, their incompetence becomes obvious, and Ibn Buṭlān uses humor to expose the hypocrisy and pretensions of these quack doctors.

Written by the accomplished physician Ibn Buṭlān, the novella not only satirizes the medical profession but also showcases the author’s deep technical knowledge of medicine, including practices like surgery, bloodletting, and medicines. He weaves in references to the great thinkers and physicians of the ancient world, such as Hippocrates, Galen, and Socrates, adding layers of depth to the text.

The novella is structured with a question-and-answer format associated with technical literature, while also incorporating verse and subtexts that hint at the older physicians' infatuation with their young guest. This balance of literary parody and social critique makes The Doctors' Dinner Party a rich and entertaining read.

A bilingual Arabic-English edition, The Doctors' Dinner Party remains a significant work that continues to offer both humor and sharp critique, making it relevant to modern readers in discussions around medicine, ethics, and social norms.

Kalīlah and Dimnah: Fables of Virtue and Vice by Ibn al-Muqaffaʿ, translated by Michael Fishbein and James E. Montgomery, with a foreword by Marina Warner (Library of Arabic Literature, NYU Press, 2022), is a vibrant new rendition of a literary classic that has captivated readers for centuries.

Rooted in ancient Indian storytelling and adapted into Arabic literature, this collection of fables uses allegorical tales of animals to convey profound lessons on ethics, leadership, and the human condition. This edition breathes fresh life into Ibn al-Muqaffaʿ’s masterpiece, emphasizing its timeless relevance and its role as a mirror of moral and political wisdom. Fishbein and Montgomery’s translation masterfully conveys the depth and beauty of these stories, making them accessible to a new generation of readers.

We are Clavis Aurea: a dynamic team constantly looking for ways to make the academic publishing industry grow and to promote groundbreaking academic publications to scholars, students, and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep, and breathe publishing!

Johanna Drucker’s Iliazd: A Meta-Biography of a Modernist (Johns Hopkins University Press, 2020) uncovers the enigmatic life and work of Ilia Zdanevich, better known as Iliazd, a revolutionary figure in modernist art and literature.

The book explores Iliazd’s journey from his beginnings in the Russian Futurist avant-garde to his later experiments with artist books in Paris, where he collaborated with icons like Picasso and Matisse. Drucker’s work delves into Iliazd’s radical creativity, analyzing how his art blurred the boundaries between life and work. By shedding light on his largely overlooked contributions, the book reveals how Iliazd’s innovations helped redefine modernism for future generations.

We are Clavis Aurea: a dynamic team constantly looking for ways to make the academic publishing industry grow and to promote groundbreaking academic publications to scholars, students, and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep, and breathe publishing!

We are Clavis Aurea: a dynamic team constantly looking for ways to make the academic publishing industry grow and to promote groundbreaking academic publications to scholars, students and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep and breathe publishing!

Matteo Barbato’s The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past (Edinburgh University Press, 2020) investigates the construction of democratic ideology in Classical Athens through a study of the social memory of Athens’ mythical past.

The debate on Athenian democratic ideology has long been polarised around two extremes. Matteo Barbato addresses this dichotomy by providing a unitary approach to Athenian democratic ideology. Analysing four different myths from the perspective of the New Institutionalism, he demonstrates that Athenian democratic ideology was a fluid set of ideas, values and beliefs shared by the Athenians as a result of a constant ideological practice influenced by the institutions of the democracy. He shows that this process entailed the active participation of both the masses and the elite and enabled the Athenians to produce multiple and compatible ideas about their community and its mythical past.