Untitled Star Trek Project

A high-concept Star Trek episode about quantum fluctuations gives way to a human story about what we owe to each other, a story about time, love, identity and self-sacrifice, where solving this week’s intractable space problem matters so much less than simply doing the right thing.

This week, Enterprise is beset once again by the Temporal Cold War, in the form of two guys who won’t stop talking about the Temporal Cold War, a conflict so subtle and urgent that no one can explain what it is or why anyone should care about it. And in a breathtaking B-plot, a bunch of be-latexed men drop by for a religious ceremony audacious in both its meaninglessness and its orthogonality to everything else in the episode.

An experimental quantum probability field causes the entire Enterprise crew to completely forget what humour is and how to do it. An agonising forty-five minutes, only relieved by the sight of beautiful Billy Campbell wandering through the corridors dressed as a pirate. (It’s just possible that the same field has caused the writers to forget how human behaviour works as well.)

To celebrate USTP’s 200th episode, Joe and Nathan spend an hour skulking around the dark but beautifully designed corridors of the USS Titan, avoiding a murderous Jack Crusher and trying to stay of the way of the intimidating Bajoran Starfleet Intelligence operative who is apparently here to arrest fan favourites Admiral Picard and Captain Riker. It’s like an alternate timeline where Star Trek: The Next Generation is dramatically and impractically lit, full of incident, and sceptical about the 1990s belief in the End of History. Here’s to the next 200.

This week, the Federation faces a dramatic new adversary: Maquis leader and musical theatre gay, Michael Eddington. Sisko is not happy.

This week: an episode of Star Trek: The Next Generation split roughly equally between saying goodbye to a beloved crew member and taking out the garbage — without saying anything very interesting about either. Apart from some memorable visuals, it’s mostly the kind of thing enjoyed by people who think that modern Star Trek seasons are too short.

A vivid, propulsive and charming love letter to Star Trek: The Original Series this week, of a kind that would have been completely unimaginable during the long 90s. Star Trek tries its hand at animation for the first time since the 70s, and the result is an incredible success, paving the way for even more brilliant and visually stunning Star Trek to come.

Even as the sun with purple-colour’d face

And all I ask is one little ship and a star to steer her by.

Five years ago, a high-concept space accident shrank the crew of a shuttlecraft, who were immediately forced to thwart the takeover of their starship by a group of alien intruders. And so it’s about time exactly the same thing happened again. But we’ve learnt a lot in the interim, apparently, which means that this time the script is sharper, the effects are slicker, and the tag scene is considerably more amusing.

This week, the crew of the USS Voyager take a week off being menaced by intransigent alien antagonists to visit a weird and extensive space station and devote some time to the woke nonsense of seeking out new life and new civilisations. But among its visitors are three people from Seven’s past, all afflicted with a strange Borg-related space problem to which only Seven has the key. In the same vein, Joe manages to explore, exorcise and ultimately ruin a small cherished moment from his own past.