Today’s Unwatchables looks back at a stretch of the 2000’s when seemingly every grimy horror classic was getting a slick, ultra-gory remake. Author and podcaster Mallory Smart joins us to discuss contemporary updates of two of the most iconic and disturbing guerilla horror films of the 70’s, and whether they might actually be *more* sadistic than the originals. They are Marcus Nispel’s glossy 2003 THE TEXAS CHAINSAW MASSACRE, and Alejandre Aja’s brutal 2006 THE HILLS HAVE EYES.

You can find more from Mallory at https://mallorysmart.com/

Today’s Unwatchables is all about the loquacious, shockingly brutal modern exploitation films of S. Craig Zahler. Special guest Matt Belenky helps us discuss Zahler’s artful approach to extreme violence, the controversy around his perceived politics, and whether his films are actually as regressive as their inspirations. On deck are 2015’s grisly horror Western BONE TOMAHAWK, and 2017’s face-smashing prison flick BRAWL IN CELL BLOCK 99.

You can find more from Matt at https://letterboxd.com/saveferris71/

Unwatchables kicks off Season 3 with one of the most notorious outsider cult films of the 2000’s. With help from video essayist Jacob Sleezer, we dissect the surreal provocations of filmmaker Damon Packard, starting with his epic, vomit-drenched, copyright-infringing magnum opus, 2002’s REFLECTIONS OF EVIL. Topics include Packard blowing his inheritance, whether he might actually be unwell, and his years-in-the-making sci-fi whatsit FOXFUR.

You can find Jacob on Letterboxd at https://letterboxd.com/wormwould/ and on YouTube at https://www.youtube.com/channel/UCh-IwbDtNPL6T6zrngXpOCw

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

For the Unwatchables Season 2 finale, we’re tackling the highest-grossing— and we do mean gross— documentary series of all time. In this special “Producer’s Pick” episode, our producer Tony Scarpitti helps us discuss the JACKASS phenomenon, how the films evolved over the years, and which parts we found too painful to endure. In the end, we rank all four theatrically-released films… a stunt that should not be performed at home.

Film critic Mike D’Angelo returns to Unwatchables with our most unexpected guest pick yet: Bobcat Goldthwait’s 2006 dark comedy SLEEPING DOGS LIE. We discuss what makes it so queasy yet unexpectedly moving, how Mike’s opinion has shifted over the years, and whether this is the first rom-com to pivot on an act of bestiality. ALSO: Stay tuned after the discussion for our first Unwatchables guest questionnaire, including Mike’s most unpopular opinion and most Unwatchable film.

You can find more from Mike at https://www.patreon.com/gemko

Who better to join our Halloween special than film critic Katie Rife, aficionado of all things horror? She proves her strong stomach by exposing us to two of the most harrowing serial killer films ever made, starting with 1986’s hugely influential HENRY: PORTRAIT OF A SERIAL KILLER. We discuss its revolutionary approach to depicting violence, how it comments on the true crime genre, and one of its most repulsive descendants: Fatih Akin’s 2019 stomach-churner THE GOLDEN GLOVE.

You can find more from Katie at https://x.com/RifewithKatie

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

You can support us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at [email protected]. We're on Instagram and Twitter under @unwatchablespod.

We’ve already tackled two films from KIDS’ Larry Clark on our previous “Kids Aren’t All Right” episode— who’d have thought he had more unwatchable in him? Today we’re joined by B.R. Yeager, author of the acclaimed horror novel NEGATIVE SPACE, for further evidence that the kids still aren’t, in fact, all right. Both of these films show the dark side of coming of age in all its potential trauma and violence, though only one offers any glimmer of hope: Clark’s 2001 true crime story BULLY, and Gregg Araki’s 2004 sex abuse drama MYSTERIOUS SKIN.

You can find more from B.R. Yeager at https://www.bryeager.com/

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

Today’s films take us deep into the subjective sensory experience of extreme mental illness, including at least one character with paranoid schizophrenia. Chicago film critic Isaac Feldberg (of http://RogerEbert.com, Paste Magazine, and more) joins us to discuss the very different— but equally harrowing— approaches of two superficially similar films, both by writer/director Lodge Kerrigan: his auspicious, disturbing 1993 debut CLEAN, SHAVEN, and its 2004 spiritual remake KEANE.

You can find more from Isaac at https://linktr.ee/isaacfeldberg

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

Today we’re joined by Bob McCully from the film podcast Split Your Head to discuss two of the first films to violently tear up the notion that puppets are just for kids. Back when puppetry was mostly the domain of children’s entertainment, these movies brought enough graphic sex, drugs, and violence to traumatize any child unlucky enough to stumble upon them: Peter Jackson’s 1989 ultra-dark comedy MEET THE FEEBLES, and Gerard Damiano’s 1976 pornographic musical LET MY PUPPETS COME.