◈ ELIAS LA FUENTE. FANTASTICO.

Opens with a cocky funk-salsa burst and it doesn't let up. The bassline struts, Rhodes shimmer, and then the 2-step shuffle locks in. Ghost rimshots, tabla accents cutting through the sub. This is that MJ Cole-era swing pushed somewhere warmer, wilder, and a little unhinged.

Mid-track the groove gets polyrhythmic. Organ swells. Juke stabs land sideways. The dembow underneath gives it a low-key hypnotic pull. Around 128 BPM but it rides loose, like the grid is a suggestion.

Soulful without going soft. Euphoric without going obvious. Elias La Fuente is broadcasting on his own frequency here. Fantastico is the signal.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·BAS·ASXW9
UXRZONE Track ID · the ISRC for the metaverse

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◈ ELIAS LA FUENTE. FLUXO
UXRZONE synthetic metaradio

South India in the sub-bass. The tabla enters early and holds its ground, trading shots with a bassline that slides and snaps like it knows exactly what it's doing. Rhodes chords sit warm in the mid-range. Organ stabs cut through on the chorus like a signal breaking clear.

The 2-step chassis is tight. Ghost rimshots shuffle underneath a syncopated drum pattern that owes as much to MJ Cole-era garage as it does to any club floor in Chennai. Breathy vocal stabs build pressure before the drop. When the funk opens up, it hits euphoric and keeps moving.

FLUXO is Indian electronic music with a deep UKG spine. Warm, hypnotic, soulful. Around 128 BPM and built to stay in the mix.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·XPR·P0CGY
UXRZONE Track ID · the ISRC for the metaverse

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◈ Elias La Fuente. 'Introducion.' Indian electronic, routed through South India.

The groove arrives confident. A thick, sliding bassline locks in early and doesn't let go. Tabla and sub-bass find each other fast, the kind of low-end conversation that feels ancient and club-ready at the same time. Rhodes shimmer across the top. Organ stabs cut through on the chorus like a signal breaking clear.

The 2-step shuffle is present throughout. Ghost rimshots, syncopated UKG drum patterns, that micro-garage swing sitting just off the grid the way MJ Cole-era tracks always did. The rhythm breathes. It pulls back, then it hits.

Soulful, warm, hypnotic. Tech house structure with funk and nu-disco colour bleeding in at the edges. South Indian textural DNA woven into a format built for a dark room at peak hour. UXRZONE dispatch. First signal.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·THS·8Q73K
UXRZONE Track ID · the ISRC for the metaverse

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◈ ELIAS LA FUENTE. KOH INDIOS. Broadcasting now on UXRZONE.

Opens with a cocky funk salsa bassline, the kind that struts before it even finds the pocket. Then the 2-step shuffle rolls in, ghost rimshots and breathy vocal stabs stacking anticipation on top of each other. Rhodes shimmer across the top. Tabla locks into the polyrhythm and pulls it somewhere else entirely.

The groove underneath carries that MJ Cole-era micro-garage swing, shuffled and warm, but the sub-bass hits with a low-end clarity that belongs to a different decade. Tech house dembow patterns cut through mid-track. A distant, soulful moan threads the whole thing together without announcing itself.

The chorus is a pure euphoric rush. Organ swells. The room opens up. This is the crossroads where UK garage, juke, and nu-disco share the same frequency and none of them blink.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·THS·CHSHF
UXRZONE Track ID · the ISRC for the metaverse

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◈ ELIAS LA FUENTE. LATAM AFFAIR.

Rhodes shimmer, organ surge, tabla cutting through the pocket. The bassline slides in like it owns the room. Shuffled 2-step swing carries the groove, that classic UKG ghost-rimshot feel locked tight under a polyrhythmic Latin pulse. Around 128 BPM and it never breaks a sweat.

The dembow stutter hits mid-track and the floor tilts. Analog synths push warm against a sub-bass that sits low and firm. Soulful, hypnotic, and euphoric all at once. This is the Latin American signal meeting the UK underground at full frequency.

Elias La Fuente. Dispatched on UXRZONE.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·LAT·26·DIS·TZBRX
UXRZONE Track ID · the ISRC for the metaverse

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◈ Elias La Fuente. Monero

Opens with a burst of brass-tinged funk, then a cocky bassline takes the wheel. Rhodes and organ shimmer underneath while the sub-bass does the real structural work. Around 128 BPM and already leaning hard.

The 2-step shuffle enters with that classic MJ Cole-era swing, ghost rimshots sitting just off the grid. Tabla and analog synths layer into the polyrhythm until the groove starts to breathe on its own. Salsa rhythm cells cut through the footwork stutter like they always belonged there.

By the chorus it's euphoric. The warmth of the organ, the punch of the kick, a distant vocal texture woven into the mix. This is UK garage lineage colliding with Chicago juke and coming out swinging. Soulful, hypnotic, deeply physical.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·THS·QMJV4
UXRZONE Track ID · the ISRC for the metaverse

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◈ ELIAS LA FUENTE. NADA MAS. UXRZONE dispatch.

Opens with a cocky funk salsa burst and never looks back. Rhodes and organ shimmer over a shuffled 2-step swing that carries the full MJ Cole-era lineage in its bones. Tabla drops into the pocket alongside a sub-bass that hits with real weight, clean and low. The groove is hypnotic from the jump.

Syncopated UKG drums chop through the mid-section. A soulful Cuban hum threads a stutter pattern into the rhythm. The polyrhythm breathes, slides, locks back in. Around 128 BPM but it feels faster because the swing pulls hard.

This is tech house with garage soul and juke footwork tension running underneath. Nu-disco warmth on top, real rhythm science below. Elias La Fuente keeps the frequency honest and the groove euphoric.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·THS·DY48G
UXRZONE Track ID · the ISRC for the metaverse

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◈ ELIAS LA FUENTE. OSAKA SALSA. Japanese city-pop house on UXRZONE.

Opens with a burst of electro-funk salsa, then a cocky, syncopated bassline takes the wheel. Sub-bass sits low and locked. Rhodes shimmer rides above it. Tabla and organ trade places in the pocket. Around 128 BPM, tight and deliberate.

The 2-step shuffle is deep in the bones here. Ghost rimshots, stutter dembow, breathy vocal stabs cutting through the grid. MJ Cole-era micro-garage swing crossed with Cuban salsa polyrhythm. The groove doesn't announce itself. It just pulls.

Osaka in the wiring. Warm, hypnotic, built for a room that knows the difference.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·JP·26·THS·8MJYJ
UXRZONE Track ID · the ISRC for the metaverse

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◈ Elias La Fuente opens the transmission with a burst of pure funk. Brass-bright, cocky, the bassline struts in like it owns the room. Rhodes shimmer over the top. Organ stabs land just off the beat. Salsa bones inside a UK garage body.

The 2-step shuffle locks in around 128 BPM and doesn't let go. Ghost rimshots, syncopated UKG drums, sub-bass that sits low and clean. Tabla weaves through the polyrhythm. The groove pulls from MJ Cole-era micro-garage and somewhere closer to the Chicago footwork grid at the same time. That tension is the whole thing.

By the chorus the signal opens wide. Analog warmth floods the frequency. The Rhodes runs get longer, the bass slides deeper. Hypnotic and soulful. Warm like late afternoon concrete. Euphoric without begging for it.

Elias La Fuente. 'Que Fresco Calor.' On rotation now.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·THS·GN1GZ
UXRZONE Track ID · the ISRC for the metaverse

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◈ ELIAS LA FUENTE. SIESTA FIESTA.

Mid-afternoon heat, shutters drawn, but the grid is still running. Siesta Fiesta locks a stuttering, syncopated pulse under brass-adjacent tones that feel sun-bleached and overdriven at the same time. The groove sits low. Percussion cracks like dry wood. Something is fermenting in the signal.

Cyber Latam as a frequency means the tradition is real and the circuitry is real. Neither cancels the other. Elias La Fuente keeps the rhythm human-shaped while the texture around it glitches and corrodes in slow motion.

Broadcast on UXRZONE. Privacy-first synthetic metaradio. No tracking. No algorithm. Just the signal.

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ELIAS LA FUENTE · From CALIENT3 · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·THS·7GAVY
UXRZONE Track ID · the ISRC for the metaverse

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