
Sign up to save your podcasts
Or


Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
When Varian Fry, an American journalist, went to Europe in 1941 on behalf of the Emergency Rescue Committee, he went with a mission: to save a group of European artists and intellectuals from the Nazis. His endeavor succeeded. With the help of a small team, he rescued Hannah Arendt, Marc Chagall, and more than 2,200 others. But at a time when Oskar Schindler and Raul Wallenberg are familiar names, Fry has been largely forgotten.
Journalist Dara Horn was determined to tell his story. In a revelatory Kindle Single published today by Tablet Magazine, Horn reports on how Fry came to his rescue work and what became of him after the war. (You can read a preview on Tablet.) But how did this hero decide whom to save in the first place? Horn spoke to Vox Tablet host Sara Ivy about Fry's exploits, the arguably eugenics-like nature of his mission, the cultural heritage that was...
Hosted on Acast. See acast.com/privacy for more information.
What if the Holocaust’s most famous victim hadn’t died in Bergen-Belsen but had continued living in hiding, moving furtively from attic to attic, until she found herself a perch in a house in upstate New York? That’s the premise of Hope: A Tragedy, the new novel by Shalom Auslander. It follows Solomon Kugel, the owner of the house, who discovers an ancient, haggard Anne Frank upstairs struggling to finish a follow-up to her famous diary. Kugel is put-upon; his marriage is strained, he flails at work, and his mother, who lives with him, is obsessed with Jewish persecution and pretends that she herself was a victim of the Nazis. In addition, Kugel is in ongoing conversation with a guru who posits that nothing good ever comes of optimism.
The novel, Auslander’s first, is both entertaining and disconcerting and Auslander, a
Hosted on Acast. See acast.com/privacy for more information.
Chani Getter was married off by her ultra-Orthodox family when she was 17. By the time she was 24, she had three children. She was deeply religious and deeply unhappy. She knew she was gay and could not stay in her marriage, but she also knew that she wanted to stay within the ultra-Orthodox community and raise an observant family. She is one of seven women (including a male-to-female transsexual) profiled in DevOUT, a new documentary produced and directed by Diana Neille and Sana Gulzar. Each of the women in the film is attempting to follow the strictures of Orthodoxy while embracing a sexual identity that the religious tradition has labeled an abomination.
This film is not covering entirely new turf. In 2001, Sandi Dubowski’s Trembling Before G-d also profiled gay Orthodox men and women. But DevOUT’s subjects are are settling down, raising families, and forcing their communities to come to terms with their existence...
Hosted on Acast. See acast.com/privacy for more information.
Walt Disney was not a controversial figure during his lifetime. But after his death in 1966, historians began putting forth a variety of disquieting revelations about him: The animator and studio chief had testified before the House Committee on Un-American Activities, it turned out, and he may have been an FBI informant. He was allegedly interested in cryogenics. And he was reportedly prone to making anti-Semitic remarks. But subsequent biographers disagreed, sparking a long battle over Disney’s legacy.
Eric Molinsky worked in the animation industry, and has long wondered not only if the claims of Disney’s anti-Semitism are true but also why they remain a point of fascination and ridicule among cartoonists and others nearly a half-century after his death. For this week’s Vox Tablet, Molinsky, now a radio producer, spoke to an animation historian, a Disney-obsessed playwright, and a fairy-tale scholar in an effort to understand if Disney the man, or Disney’s world view, was truly bad for the...
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
It was 1982, and Robert Weide was 22 years old, when he first approached Woody Allen about profiling the comic in a documentary. Weide, a fan of comedy legends since his childhood, had already made The Marx Brothers in a Nutshell, an acclaimed film about Groucho and his brothers, but Allen politely turned him down. Instead, the filmmaker turned his focus to Mort Sahl, about whom he made 1989’s Mort Sahl: The Loyal Opposition, and Lenny Bruce, subject of his Emmy- and Oscar-nominated 1998 film, Lenny Bruce: Swear to Tell the Truth. Then he helped Larry David create Curb Your Enthusiasm, for which he served as executive producer for five seasons. When he approached Allen again, in 2008, the answer was yes.
The result is Woody Allen: A...
Hosted on Acast. See acast.com/privacy for more information.
From the publisher's feed
Hosted on Acast. See acast.com/privacy for more information.

3,200 Listeners