Vox Tablet

The novelist Joshua Ferris made a splash in 2007 with his debut Then We Came to the End. The critically acclaimed book was a hilarious, biting satire about employees in a collapsing ad agency in Chicago at the end of the dot-com era. Ferris followed it up in 2010 with The Unnamed, a somewhat darker novel about a Manhattan lawyer who just wants to be walking; it’s an urge he cannot resist, and it undoes his life.

Now Ferris is out with a new novel, To Rise Again at a Decent Hour. With the help of a somewhat petulant, loner dentist the book takes on existential dread, what it means to be a Jew, and Red Sox fandom in a mix of the absurd, the droll, and the profound. Ferris joins...

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Known for frenzied takes on Yiddish and Eastern European music, the members of Golem bring the party with them wherever the band plays and no matter what they’re singing about. Their new album, Tanz, which means dance in Yiddish, covers religious rites, anti-Semitism in the former Soviet Union, dark children’s poems, and more, in a mix of rollicking interpretations of classic songs and original numbers.

Golem’s founder and accordionist, Annette Ezekiel Kogan, and its violinist, Jeremy Brown, join Vox Tablet host Sara Ivry to talk about the band’s surprising Mexican fan-base, how painful it is to sing the song “Odessa” now that Ukraine is in the throes of Russian occupation, and their ambivalence (now...

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Ashkenazi Jews whose grandparents or great-grandparents hail from the Pale of Settlement tend to hold certain received notions about Poland (“bad for the Jews”) and its people (“hated the Jews”). On the basis of such notions, many Ashkenazim see little or no reason to visit the place. Jonathan Groubert felt similarly. Nevertheless, in 1994 he tacked Poland on to the itinerary of a backpacking trip through Europe. The visit was intended to do little more than confirm what he already knew. Instead it left him confused and determined to dig deeper into his family’s past and into Konin, the town they left behind. Here he shares his story. Groubert is a radio host and producer based in the Netherlands. A version of this story first aired on his podcast, “

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Back in the early 1980s, two populations found their lives upended by the AIDS epidemic in America. There were, of course, those infected by the virus, along with everyone who cared for them. And then there were the medical professionals—researchers, doctors—desperately scrambling to figure out where the virus came from and how to interrupt its terrible progression. In 1981, Dr. Michael Saag unexpectedly found himself at the center of the latter group. At the time, Saag was just beginning a residency in internal medicine at the University of Alabama at Birmingham. By the following year, he had helped open the 1917 Clinic, a comprehensive AIDS treatment and research center at UAB.

In a new...

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How do you write a Leonard Cohen song? That’s a difficult question, even for Leonard Cohen. The lyrics aren’t the problem; Cohen was a poet long before he wrote his first song. Nor has it been a question of finding the right melody. The challenge in writing a Leonard Cohen song came later, in the studio, when it was time to figure out how the whole thing should sound.

So says Liel Leibovitz, anyway. Leibovitz is a senior writer at Tablet Magazine and the author of a new book on Cohen, A Broken Hallelujah: Rock and Roll, Redemption, and the Life of Leonard Cohen. It comes out this week, after four years of Leonard Cohen immersion, which led...

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“A trustworthy person, one of our friends, has told us that you have been seen going around late at night with young men. You are also seen very frequently at dances, masquerades, and picnics.” So starts a letter to a young Jewish woman from her worried father who warns her of the peril that awaits if she continues her misbehavior. The letter is one of many having to do with social mores and business concerns. It is also a fiction. That is, it is a sample letter dating from 1905. Sample letters were written in the late 19th and early 20th century to help teach people not just how to read and write, but also how to conduct themselves in all aspects of a modernizing world. These letters were written in different languages and targeted at different...

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Growing up, Lynn Jordan never knew that her father was a Holocaust survivor. She only knew, subconsciously, that he seemed fragile and that he needed her to live life for the two of them, because he had somehow missed out on most of life’s pleasures. There were other problems, too—her mother’s self-destructive habits, her parents’ frequent fights. It wasn’t until Lynn had been begging her parents for years to get help that she discovered her father’s past. At that point, she was faced with a painful question: Given what he’d been through, should she go on living for him? Or could she make a break and start living for herself? It would take an encounter with a stranger whose parents were survivors...

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Although he won the Nobel Prize for Peace in 1978, Menachem Begin had a reputation for violence that chased him his whole life. During the Holocaust he fled Europe (where he had been a leader in the radical Zionist group Betar) for Palestine, where he became a leader in the Jewish underground militia known as Etzel and was implicated in deadly events in the fight to help establish the state of Israel. Begin was reviled by the country’s first prime minister, David Ben-Gurion, but did not let the contempt he endured from Labor Party rivals run him out of politics. Instead he embraced his role as an opposition...

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Dudu Tassa is a major figure in the Israeli rock scene. The singer-songwriter and guitarist released his first album when he was just 13, produces music for television and film, and has collaborated with international heavy weights like Jonny Greenwood from Radiohead. Since he was a kid, Tassa has had a vague idea that his late grandfather was an important musician in his native Iraq, but it was only recently that he came to understand just how important: Tassa’s grandfather and great-uncle, Daoud and Saleh Al Kuwaiti, are considered by some critics to be the founders of modern Iraqi music. Their legacy was nearly forgotten when Tassa dug up old recordings of his grandfather’s music and set them to a modern groove. The result, the album

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Fyvush Finkel, 91 years old and still cracking wise, will take to the stage this month in a pair of Purim cabaret performances. Vox Tablet caught up with the legendary actor a few years ago, on the occasion of a different show. To celebrate his impressive vigor, good humor, and all-around affability, we revisit that conversation.

Finkel made his stage debut more than eight decades ago, when he was 9 years old, singing “O Promise Me” at a theater in Brooklyn. Soon after, he crossed the East River to take roles in the famous Yiddish theaters of Second Ave. From there, he made his way onto Broadway and then into films by the likes of Sidney Lumet, Oliver Stone, and the

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