https://www.virtualsheetmusic.com/experts/robert/czerny-hanon/ - In this video, Robert tells you why the well-known Czerny and Hanon exercises are very important for your piano learning.

https://www.virtualsheetmusic.com/experts/william/learn-music-violin/ - In this video, Prof. Fitzpatrick talks about how you learn and understand music with your violin by explaining some simple and advanced thinking applied to the violin repertoire - all this by taking as an example the beautiful Concerto No. 2 Op. 22 in D minor by Wieniawski.

https://www.virtualsheetmusic.com/experts/robert/scales/ - In this video, Robert tells you how many scales can be found in music. You may think you have all the answers already, but think again!

https://www.virtualsheetmusic.com/experts/robert/ballade1/ - In this first video of a 2-part series, Robert teaches you how to approach the Ballade Op. 23 in G minor.

https://www.virtualsheetmusic.com/experts/marybeth/straight-bow/ - In this video, Mary-Elizabeth teaches you an easy-to-understand way to draw your violin bow straight, parallel to the bridge, for maximum and best sound production.

https://www.virtualsheetmusic.com/experts/joseph/bow-changes/ - In this video, Prof. Mendoes teaches you how to tackle bow changes to accomplish the perfect sound, no matter what passage you have to play.

https://www.virtualsheetmusic.com/experts/fluteshow/offset/ - In this video, Florence and Robert talk about the difference between an offset G or an inline G flute. Is this really that important?

https://www.virtualsheetmusic.com/experts/robert/get-rid-piano/ - In this video, Robert gives you some tips to give away a piano that you don't want anymore.

https://www.virtualsheetmusic.com/experts/robert/half-pedal/ - In this video, Robert teaches you the not-so-well-known "half-pedal" technique that you can apply to your piano playing. He features Chopin's beautiful Ballade in G minor.

https://www.virtualsheetmusic.com/experts/robert/music-connections/ - In this video, Robert talks about connecting sections of music for a better result. This rule is explained with practical examples on the piano, but can be easily applied to any instrument.