WABE Arts

Atlanta-based jazz pianist Joe Alterman expresses his deep appreciation of jazz and swing in his performances and compositions. Now he shares that love of jazz on The Upside of Jazz, celebrating the legendary performers of jazz and exploring what makes the music so timeless and endearing to listeners.

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Blue Man Group returns to Atlanta with a refreshed national tour — and a new character audiences are seeing in the U.S. for the first time. WABE Arts talks with drummer and composer Ursula Sargent, who performs as the show’s new Rockstar, about the energy behind the role and touring life. 🎧

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At the Children’s Museum of Atlanta, a new exhibit invites kids to explore aviation history through movement, imagination, and hands-on play. “AIM HIGH: Soaring with the Tuskegee Airmen” blends real artifacts with STEM learning to help young visitors connect to a legacy of flight — and possibility.

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A new permanent exhibition at Atlanta’s National Center for Civil and Human Rights revisits Reconstruction, one of the most misunderstood eras in American history. WABE Arts & Culture Editor Sherri Daye Scott speaks with Chief Programs Officer Kama Pierce about Broken Promises, an exhibition that traces post–Civil War progress, backlash, and the journalists and artists who documented it in real time. From Ida B. Wells to contemporary artist Lonnie Holley, the exhibition asks how history is remembered and what it means to promote human rights and challenge injustice today. 🎧

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🎧 Film scholar Matthew H. Bernstein marks his final semester at Emory University by curating “Matthew H. Bernstein’s Farewell Favorites,” a 14-film Emory Cinematheque series running through April. He reflects on why communal moviegoing still matters, the care behind archival screenings and the themes of resistance shaping the lineup. 🎬

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At Dad’s Garage Theatre, competition isn’t really the point. The TheatreSports Tournament returns Jan. 9–31, turning improv into a fake rivalry shaped by audience reaction. WABE Arts & Culture Editor Sherri Daye Scott talks with ensemble members Ronnie Johnson-Lopez and Amanda Lee Williams about how the tournament works, where it came from, and why live, participatory theater still matters.

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Jewish storytelling is rooted in tradition, but it isn’t fixed. As the Atlanta Jewish Storytelling Festival returns Jan. 8–11, WABE Arts explores how stories move across generations, cultures, and lived experience. Festival coordinator Audrey Galex and featured storyteller Laura Simms reflect on storytelling as a living practice shaped by memory and place.

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A new permanent public artwork is now part of Piedmont Park. Atlanta artist Gregor Turk walks WABE Arts through “Myriad,” his latest mirrored installation near the Meadow entrance off the Atlanta Beltline. Recorded just days after the unveiling, this episode explores how movement, reflection, and shared space shape the experience of public art in Atlanta’s most visited park

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Holiday traditions don’t look the same for everyone. “A Drag Queen Christmas,” now in its 11th year, has become a seasonal ritual for audiences across the country. WABE Arts speaks with host Nina West and first-time tour performer Suzie Toot about how the show blends spectacle, humor and deeply personal holiday traditions — from Hanukkah numbers to chosen-family celebrations on the road. As the tour returns to Atlanta Symphony Hall, the performers reflect on why audiences come back year after year, and why joy itself feels especially meaningful right now.

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A final exhibition, finished without its creator. At SCAD FASH in Atlanta, “André Leon Talley: Style Is Forever” reflects years of collaboration — and the challenge of honoring a fashion icon after his death. WABE Arts & Culture editor Sherri Daye Scott spole with Rafael Gomes, creative director of the SCAD fashion museums, about curating Talley’s wardrobe, preserving his exacting standards, and designing an exhibition meant to make visitors feel his presence. From custom mannequins to a deeply personal soundtrack, the show asks what it means to complete someone else’s vision — and get it right.

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