山羌咆哮迴盪山谷，蟲聲漸漸顯得無辜。
此刻的萬物都像失神一般，口裡喃喃自語，仰望著殘留的星空。
飛蟲在霧氣中捲起弧形的鳴聲，像在檢查最後殘留的黑；
鳥兒試探性地測量日光的濃度；
竹雞毫不客氣地抽走最後一絲溫存，
五色鳥作為鳥界的中低音背景，
認真地圈出整個舞池的範圍。
在薄霧中我們旋轉，
直到對準靈魂的入口。
The beasts of the forest are unlocking the day.
The Formosan barking deer howls through the valley,
and the insects begin to sound almost innocent.
At this moment, all creatures seem entranced,
murmuring softly, gazing at the lingering starlight.
Flying insects draw arcs of sound through the mist,
as if inspecting the final traces of darkness.
Birds cautiously measure the density of morning light.
The bamboo partridge unceremoniously pulls away
the last thread of warmth.
The Taiwan barbet, the mid-to-low voice of the bird chorus,
earnestly outlines the boundaries of the dance floor.
In the mist, we begin to spin—
until we align with the entrance to the soul.
強度 Intensity：中高 / Medium–High
廣度 Spatial Width：高 / High
回音 Reverb：中 / Medium
深度 Depth：高 / High
層次 Layers：高 / High
Afterword:
這集為《夜泊二子坪》三部曲的最後一章。
那晚，我獨自在二子坪過了一夜，靜靜記錄下從黑夜至清晨的聲音變化。
期間遵守了陽明山國家公園的相關規定：
無搭設帳篷、無炊事、無喧嘩、不干擾當地生態、無留下痕跡。
所有的聲音，都是在尊重山林與生物節奏的狀態下自然收錄。
這集是我自己最喜歡的一段。
在白晝展開的過程中，坐在山林裡，體驗了一場豐富的聲音劇場。
願這些聲音，也能保留那份在場的幸福感。
This is the final chapter of the Overnight at Erziping trilogy.
That night, I spent the night alone in Erziping, quietly recording the transformation of sound from night to dawn.
Throughout the process, I followed all regulations of Yangmingshan National Park:
no tents, no cooking, no noise, no disturbance to local ecology, and no trace left behind.
Every sound was recorded in a state of deep respect for the rhythm of the forest and its beings.
This is the chapter I love the most.
As daylight unfolded, I sat in the heart of the mountain and experienced a rich theatre of sound.
May these recordings carry with them the quiet joy of simply being present.
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