Watch If You Dare

On this episode, Aaron and Derek tackle Guillermo del Toro's first feature film and independent horror movie "Cronos" from 1992. They talk about Ron Perlman's casting in a Spanish language horror movie, del Toro's intention for this being his first feature, and how this provides the blueprint for del Toro's filmography. They also get into the nature of vampirism in the movie, how del Toro blends popular ideas into originality, and many other aspects of "Cronos." Derek has the toy. But Aaron is keeping the instructions, and he's open all night.

On this episode, Aaron and Derek tackle 1985's horror film "Silver Bullet" directed by Dan Attias and adapted from Stephen King's 1983 novella "Cycle of the Werewolf." They talk about the surprising darker themes present in the flick, the creativity of Stephen King bleeding through, and the interesting character reveal of the villain. They also discuss the positive changes between King's novella and his script for this movie, the realistic sibling relationship, and many other aspects of the film. Derek called Aaron out here to admire his pretty little face.

Aaron's wife Heather returns to the show to discuss 2019's folk horror film "Midsommar" written and directed by Ari Aster. They talk about whether or not the morality of Dani's choices in the ending matter, what it means to find true freedom, and "The Wicker Man's" massive influence on this film and folk horror as a whole. They also get into the variety of reads and themes, the familiar and unknowable nature of the fictional cult, the subdued yet visceral display of gore, and many other aspects of the movie. Derek can't speak. Aaron can't move. Heather is the May Queen.

First time guest Angela joins Aaron and Derek to discuss 2019's psychological horror film "Saint Maud" written and directed by Rose Glass in her feature directorial debut. They get into how the movie explores adult spirituality juxtaposed with trauma, the nature of isolation and repression, and how Maud blends various Christian beliefs. They also talk about the religious practices depicted, Maud's perception of reality, and their own personal experiences with religion. Angela is telling Derek and Aaron to never waste their pain.

On this episode, James Hales returns to discuss 1985's Italian supernatural horror film "Demons" (Italian: Dèmoni) directed by Lamberto Bava and produced by Dario Argento with Aaron and Derek. They talk about Bava's involvement with the project in comparison with Argento and other collaborators, how the movie seems to genre hop, and several of the usual Italian horror film tropes. They also get into the meta plot set up with the fictional movie and theater, red herrings and plot holes, the unnecessary punk scenes, how it pokes fun at societal panic, and many other aspects of the film. Aaron put on that mask and scratched himself, get it? Derek became a demon. James is an instrument of evil, like they said in the damn movie!

The Spoop Bois Derek and Aaron are joined by author V.P. Morris ("ShadowCast," "The Dead Letters Podcast," and "Dead Ringer") to discuss 2002's psychological horror film "May" written and directed by Lucky McKee. They talk about the duality of empathy and disgust for the May character, how underappreciated Anna Faris is as an actress, and the magic pairing of McKee directing and Angela Bettis acting. They also get into the early aughts influenced soundtrack, how the movie is a realistic portrayal of using others, the Frankenstein elements, and many other aspects of the flick. Derek wants to hang out and eat melons. Aaron is reading for fun. V.P. needs more parts.

Please check out and order "Dead Ringer" by V.P. Morris at Black Rose Writing: 

Please check out and order "ShadowCast" by V.P. Morris at Black Rose Writing:

You can follow V.P. Morris and her podcast "The Dead Letters Podcast" @TeaWriteRepeat and @deadletterspod

On this extra special episode, Patrick Bromley (critic, host of "F This Movie!" podcast, contributor on Bloody Disgusting, Daily Dead, and Corpse Club) returns to the show and the horror chick Heather Wixson (author and former horror journalist) makes her first guest appearance to discuss 1986's body horror masterpiece "The Fly" directed by David Cronenberg. They also talk about Heather and Patrick's new book "In Search of Darkness," the definitive print companion to the horror documentary of the same name. They also get into the love story in "The Fly," what makes this Cronenberg's most accessible movie, ties to the short story and original movie, and many other aspects of the film. Derek and Aaron fear being destroyed and recreated. Heather and Patrick are working on something that will change the world.

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After an unexpected hiatus, Aaron and Derek are back to tackle 1990's spider attack horror flick "Arachnophobia" directed by Frank Marshall in his directorial debut. They talk about Aaron's severe arachnophobia, how fun the cast is, and what it was like filming with real spiders. They also get into trusting health experts, wishing movies like this were still made, Frank Marshall's wild career in film, and many other aspects of the film. Aaron and Derek know there's a spider in the barn!

On this episode, Derek and Aaron tackle 1997's Canadian independent sci-fi horror flick "Cube" directed and co-written by Vincenzo Natali. They talk about the themes of paranoia and hopelessness, the simple yet effective aesthetic of the setting, and how the filmmaking choices worked around having a small budget. They also get into the amateur performances, Natali's initial ideas for the Cube, how the lack of explanation works, and many other aspects of the movie. Derek and Aaron know that boundless human stupidity awaits them out there.

First time guest Dash Chain joins Aaron and Derek to discuss 2019's psychological horror movie "Us" written and directed by Jordan Peele. They talk about Peele's inspiration behind writing the movie, the commentary on American privilege and other themes, and the unsettling nature of doppelgängers. They also get into the horror and comedy in this flick vs "Get Out," the excellent cast and performances, the deliberate visuals and dialogue in every scene, among many other aspects of the film. Aaron, Derek and Dash see a family in the driveway.