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It’s 1815, and Rob Hutton and Duncan Weldon have liberated the podcast from Elba in a final bid for glory. But first they must face the Duke of Wellington.
With Ridley Scott’s Napoleon in the cinemas, we’ve wheeled the TV into the classroom to watch Waterloo. Has there ever been a better movie of cavalry charges? Does any of the first hour matter? And just how many Soviet soldiers were involved in making it?
A Pod Too Far was written and presented by Robert Hutton and Duncan Weldon. Audio production by Robin Leeburn. Theme music by Simon Williams. Artwork by James Parret. Lead Producer is Anne-Marie Luff. Group Editor: Andrew Harrison. A Pod Too Far is a Podmasters production.
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Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey
Suggestions? Comments? Drop us a line at [email protected].
Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter.
Hosted on Acast. See acast.com/privacy for more information.
By Robert Hutton & Duncan Weldon5
1717 ratings
It’s 1815, and Rob Hutton and Duncan Weldon have liberated the podcast from Elba in a final bid for glory. But first they must face the Duke of Wellington.
With Ridley Scott’s Napoleon in the cinemas, we’ve wheeled the TV into the classroom to watch Waterloo. Has there ever been a better movie of cavalry charges? Does any of the first hour matter? And just how many Soviet soldiers were involved in making it?
A Pod Too Far was written and presented by Robert Hutton and Duncan Weldon. Audio production by Robin Leeburn. Theme music by Simon Williams. Artwork by James Parret. Lead Producer is Anne-Marie Luff. Group Editor: Andrew Harrison. A Pod Too Far is a Podmasters production.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey
Suggestions? Comments? Drop us a line at [email protected].
Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter.
Hosted on Acast. See acast.com/privacy for more information.

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